Antkind: A Novel. Charlie Kaufman. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charlie Kaufman
Издательство: HarperCollins
Серия:
Жанр произведения: Контркультура
Год издания: 0
isbn: 9780008319496
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been in several movies as well. Movies I’ve explored in my own writings. Movies in which I’ve given her favorable mention. She is obviously well-read. She is funny, and our conversation is like lightning: witty, intense, emotionally naked. Often we talk through the night, fueled by coffee, cigarettes (which I gave up years ago but inexplicably find myself smoking when with her), and sex. I didn’t know I could get erections like this anymore. The first night I couldn’t get it up because I imagined she was comparing me to the stereotypical African American man’s anatomy and I was self-conscious and ashamed. But we talked through that. She explained to me that she’d been with both meagerly and well-endowed black men, that there was something inherently racist about my assumption, that I needed to investigate it straight on. She went on to say that size is not important anyway. It is how a man uses his penis, his mouth, his hands. It is the love with which he engages that is the ultimate aphrodisiac, she explained. She ended by saying I needed to check my privilege, which did not seem to be the issue at hand, but about that she was undoubtedly correct. She is a wise African American woman and exceedingly sensual. Everything she does in the world, from tasting, to bathing, to looking, to sex, is done with the most immediacy I’ve ever witnessed from another human. I have much to learn from her.

      Over the decades, I have erected walls that must be torn down. She’s told me this, and I am trying. I’m taking yoga with her and I always make sure to position myself behind her so I can watch her amazing African American ass. It’s hard to believe I get to touch that. And she’s enrolled us in some sort of tantric weekend retreat, which happens in July and about which I am nervous. Ejaculatory mastery is important, but I’m not certain how comfortable I will be engaging tantrically with strangers. My girlfriend has participated in this workshop before and says it is life-changing, but I am not comfortable being naked among strangers. It is not only my penis-size issue, which I’m working on (that is to say, I’m working on my concern), but it is my body-hair issue. It is not considered attractive these days for men (or women, let’s not get started on that sexist double standard, on that adult-woman-pretending-to-be-prepubescent societal nightmare) to have body hair at all, let alone excessive body hair. I refuse to participate in the culture of waxing or depilation. I view it as vain and unmanly, so consequently I am left self-conscious. My girlfriend says the workshop will do wonders for our sex life and that is a good thing, but I can’t help thinking this means she is dissatisfied. She says she is not, that this is about spiritual communion and freedom from fear, and I guess I accept that. It’s just this relationship means the world to me due to its newness and, I admit, its exotic nature. There’s a lot to think about and the lovebugs keep slapping the windshield. The wipers don’t seem to be working anymore. They just spread the bugs around. I look for a gas station or even a Slammy’s where I could get some water and a napkin. But there is nothing. Just blackness.

       Tell me how it begins.

      In a car. I am driving. Me but not me. You know what I mean? Night. Dark. Black, really. An empty black highway lined with black trees. Constellations of moths and hard-shelled insects in my headlights smack the windshield, leave their insides. I fiddle with the radio dial. I’m nervous, jittery. Too much coffee? First Starbucks, then Dunkin’ Donuts. Of course Dunkin’ Donuts makes the better coffee. Starbucks is the smart coffee for dumb people. It’s the Christopher Nolan of coffee. Dunkin’ Donuts is lowbrow, authentic. It is the simple, real pleasure of a Judd Apatow movie. Not showing off. Actual. Human. Don’t compete with me, Christopher Nolan. You will always lose. I know who you are, and I know I am the smarter of us. Nothing on the dial for a long span. Then staticky Cuban pop. My fingers tap the wheel. Out of my control. Everything is moving, alive. Heart pounding, blood coursing. Sweat beading on brow, sliding. Then a preacher: “You will keep on hearing but not understand, and you will keep on seeing but not perceive.” Then nothing. Then the preacher. Then nothing. Bugs continue to splat in the staticky nothing. Then the preach—I turn off the preacher. The tires hum. It is so dark. Starting to drizzle. How is that done? How does he make the rain fall? A miracle of craft. Another illusion. The beauty of the world created through practice, over decades, through trial and error. Up ahead, a fluorescent blast of light. Fast-food joint. Slammy’s. Slammy’s in the middle of nothing. In the middle of nowhere. In the middle of drizzle and windshield wipers and bugs and black. Slammy’s. The parking lot is empty; the restaurant is empty. Open but empty. I’ve never heard of Slammy’s in the real world. There’s something disquieting about unfamiliar fast-food places. They’re like off-brand canned goods on a supermarket shelf. Neelon’s Genuine Tuna Fish scares me whenever I see it. I never get used to it. I can never bring myself to buy Neelon’s Genuine Tuna Fish, even though it promises it’s line caught, dolphin safe, canned in spring water, new and improved texture. There have been several of these mystery fast-food places along this road: The Jack Knife. Morkus Flats. Ipp’s. All empty. All glowing. Who eats there? Maybe these restaurants are less foreboding during daylight.

      In any event, I slow and pull into the lot. The bugs on my windshield have almost completely obscured my vision. I see but do not perceive anything—but bugs. I hear but do not understand—bugs. I need napkins and water. An African American teenager in a carnival-colored uniform pokes her head suspiciously out from the kitchen at the sound of my tires on their gravel. I park and make my way toward her. She watches me, heavy-lidded.

      “Welcome to Slammy’s,” she says, clearly meaning nothing of the kind. “How may I help you?”

      “Hello. I just need to use the facilities,” I say as I head for the head.

      I chuckle at my mental play on words. I make a note to use this somewhere, perhaps at my upcoming lecture for the International Society of Antique Movie Projector Enthusiasts (ISAMPE). They’re a fun crowd.

      The men’s room is a nightmare. One wonders what people do in public restrooms that results in feces spread on the walls. And it is not an uncommon occurrence. Yet how? The stench is unbearable, and there are no paper towels, only one of those hand-blower machines, which I despise because it means there is no way for me to turn the doorknob without touching the doorknob, which I never want to touch.

      I turn it using my left hand’s thumb and pinkie.

      “Left thumb and pinkie,” I say, to cement in my brain which fingers I should not rub my eyes with or stick in my mouth or nose until I can find proper soap and water.

      “I was just hoping for some water and paper towels. For my windshield,” I say to the African American teenager.

      “You gotta purchase something.”

      “OK. What do you recommend then?”

      “I recommend you gotta purchase something, sir.”

      “All right. I’ll have a Coke.”

      “Size?”

      “Large.”

      “Small, Medium, Biggy.”

      “Biggy Coke? That’s a thing?”

      “Yes. Biggy Coke.”

      “Biggy Coke, then.”

      “We don’t have Coke.”

      “OK. What do you have?”

      “Slammy’s Original Boardwalk Cola. Slammy’s Original Boardwalk Root—”

      “OK. Cola.”

      “What size?”

      “Large.”

      “Biggy?”

      “Yes, Biggy. Sorry.”

      “What else?”

      I want her to like me. I want her to know I’m not some privileged asshole racist Jew northerner. First of all, I have an African American girlfriend. I want her to know that. I don’t know how to bring it up in the context of this conversation, this early in our relationship. But I feel her loathing and want her to know I’m not the enemy. I also want her to know I am not Jewish. There is an historical tension between the African American and Jewish communities. It has been my curse to look Jewish. It’s why I use my credit card whenever I can. I will use it to buy the