C. S. Lewis and the Craft of Communication. Steven Beebe. Читать онлайн. Newlib. NEWLIB.NET

Автор: Steven Beebe
Издательство: Ingram
Серия:
Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9781433172366
Скачать книгу
rel="nofollow" href="#ulink_3b5a7648-2fda-5c33-9dfa-bbcd5d2f6195">115. See: Roger Lancelyn Green and Walter Hooper, C. S. Lewis: A Biography (New York: HarperCollins, 1974) as published in Walter Hooper, “The Discarded Image: An Introduction to Medieval and Renaissance Literature (1964),” C. S. Lewis: Companion and Guide (San Francisco: HarperCollins, 1996), 525.

      ←31 | 32→

      ←32 | 33→

      ←33 | 34→

      ←34 | 35→

2
The Making of a Master Communicator

      “[T];he only thing of any importance (if that is) about me is what I have to say … I can’t abide the idea that a man’s books should be “set in their biographical context” and if I had some rare information about the private life of Shakespeare or Dante I’d throw it in the fire, tell no one, and re-read their works. All this biographical interest is only a device for indulging in gossip as an excuse for not reading what the chaps say, [which] is their only real claim on our attention. (I here resist a wild impulse to invent some really exciting background—that I am an illegitimate son of Edward VII, married to a chimpanzee, was rescued from the practice of magic by a Russian monk, and always eat eggs with the shells on.)”1

      - C. S. Lewis

      “In his rooms in the New Building … I found a medium-size, rather stout, ruddy-faced man with a fine, large head (what the Germans call a ‘Charakterkopf’), and a booming voice much given to what someone once called ‘rhetorical guffawing’ (‘Ho, ho, ho, so you think Milton was ascetic, do you? Ho, ho! You are quite wrong there!’). Lewis looked—and often acted—like the book description of Friar Tuck. His general manner was pronouncedly and—it often seemed—deliberately hearty. But he displayed no heartiness during my first interview with him.