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Роберт Альтер пишет об этом противоречии, фактически исключая наличие нарративной саморефлексии в европейском романе середины XIX в. См.: Alter R. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: University of California Press, 1975. P. X.
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«…much of their abrasiveness, that is, their self-consciousness and critical intentionality» (Todd III W. M. Fiction and Society in the Age of Pushkin: Ideology, Institutions, and Narrative. Cambridge, Mass.: Harvard University Press, 1986. P. 8).
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Тодд В. М. Литература и общество в эпоху Пушкина. СПб.: Академический проект, 1996. С. 13.
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Ключевые работы по теории метапрозы включают: Waugh Р. Metafiction: The Theory And Practice of Self-Conscious Fiction. London; New York: Routledge, 1984; Hutcheon L. Narcissistic Narrative: The Metafictional Paradox. Waterloo, Ont.: Wilfrid Laurier University Press, 1980; Imhof R. Contemporary Metafiction: A Poetological Study of Metafiction in English since 1939. Heidelberg: Winter, 1986; Scholes R. Fabulation And Metafiction. Urbana: University of Illinois Press, 1979; Christensen I. The Meaning of Metafiction: A Critical Study of Sterne, Nabokov, Barth and Beckett. Bergen: Universitetsforlagen, 1981; Rose M. A. Parody // Meta-Fiction: An Analysis of Parody as a Critical Mirror to the Writing and Reception of Fiction. London: Croom Helm, 1979.
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Gasperetti D. The Rise of the Russian Novel: Carnival, Stylization, and Mockery of the West. DeKalb: Northern Illinois University Press, 1998. P. 4.
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Orwin D. T. Consequences of Consciousness: Turgenev, Dostoevsky, and Tolstoy. Stanford: Stanford University Press, 2007. P. 10.
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Finke M. C. Metapoesis: the Russian Tradition from Pushkin to Chekhov. Durham, NC: Duke University Press, 1995.
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Brunson M. Op. cit. P. 3, 7, 9, 17, 31, 33, 39, 113.
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Лотман Ю. М. Роман А. С. Пушкина «Евгений Онегин». Комментарий. Л.: Просвещение, 1983. С. 250–251.
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Сегал Д. М. Литература как охранная грамота. М.: Водолей, 2006. С. 11–50, 50–156.
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См., например: Зусева-Озкан В. Б. Поэтика метаромана: «Дар» В. Набокова и «Фальшивомонетчики» А. Жида в контексте литературной традиции. М.: РГГУ, 2012.
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Hutcheon L. Thematising Narrative Artifice: Parody, Allegory, and the Mise En Abyme // Narcissistic Narrative. P. 48–58.
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Jefferson A. Reading Realism in Stendhal. Cambridge: Cambridge University Press, 1988.
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Russian Writers and the Fin de Siècle: The Twilight of Realism / Ed. by K. Bowers and A. Kokobobo. Cambridge: Cambridge University Press, 2015.
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Whitehead C. The Poetics of Early Russian Crime Fiction 1860–1917: Deciphering Stories of Detection. Oxford: Legenda, 2018.
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Brooks J. When Russia Learned to Read: Literacy and Popular Culture, 1861–1917. Princeton: Princeton University Press, 1985; Dralyuk B. Western Crime Fiction Goes East: The Russian Pinkerton Craze 1907–1934. Leiden: Brill, 2012.
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См., например, сборник: Reading in Russia. Practices of Reading and Literary Communication 1760–1930 / Ed. by D. Rebecchini and R. Vassena. Milan: di/Segni, 2014; Хрестоматийные тексты: русская педагогическая практика XIX в. и поэтический канон (Acta Slavica Estonica IV. Труды по русской и славянской филологии. Литературоведение, IX) / Под ред. А. Вдовина и Р. Лейбова. Тарту: Изд-во Тартуского ун-та, 2013.
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Hoogenboom H. «Ya rab deistvitel’nosti»: Nadezha Khvoschchinskaia, Realism, and the Detail // Vieldeutiges nicht-zu-ende-sprechen: Thesen und Momentaufnahmen aus der Geschichte russischer Dichterinnen. Fichtenwalde: Göpfert, 2002. P. 129–149.
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Gheith J. M. Finding the Middle Ground: Krestovskii, Tur, and the Power of Ambivalence in Nineteenth-Century Russian Women’s Prose. Evanston: Northwestern University Press, 2004.
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Hoogenboom H. Noble Sentiments and the Rise of Russian Novels. Toronto: University of Toronto Press, 2020 (forthcoming).
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См.: Schor N. Breaking the Chain: Women, Theory, and French Realist Fiction. New York: Columbia University Press, 1985; Cohen M. The Sentimental Education of the Novel. Princeton: Princeton University Press, 1999; Spectacles of Realism: Body, Gender, Genre / Ed. by M. Cohen and Ch. Prendergast. Minneapolis: University of Minnesota Press, 1995.
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