Remember that, till a few weeks before, I had known nothing of Pitt-Heron’s circle, and here were three bits of information dropping in on me unsolicited, just when my interest had been awakened. I began to get really keen, for every man at the bottom of his heart believes that he is a born detective. I was on the look-out for Charles’s infrequent friends, and I argued that if he knew the spy and the spy knew Mr Lumley, the odds were that Pitt-Heron and Lumley were acquaintances. I hunted up the latter in the Red Book. Sure enough he lived in the Albany, belonged to half a dozen clubs, and had a country house in Hampshire.
I tucked the name away in a pigeon-hole of my memory, and for some days asked every one I met if he knew the philanthropist of the Albany. I had no luck till the Saturday, when, lunching at the club, I ran against Jenkinson, the art critic.
I forget if you know that I have always been a bit of a connoisseur in a mild way. I used to dabble in prints and miniatures, but at that time my interest lay chiefly in Old Wedgwood, of which I had collected some good pieces. Old Wedgwood is a thing which few people collect seriously, but the few who do are apt to be monomaniacs. Whenever a big collection comes into the market it fetches high prices, but it generally finds its way into not more than half a dozen hands. Wedgwoodites all know each other, and they are less cut-throat in their methods than most collectors. Of all I have ever met Jenkinson was the keenest, and he would discourse for hours on the ‘feel’ of good jasper, and the respective merits of blue and sage-green grounds.
That day he was full of excitement. He babbled through luncheon about the Wentworth sale, which he had attended the week before. There had been a pair of magnificent plaques, with a unique Flaxman design, which had roused his enthusiasm. Urns and medallions and what not had gone to this or that connoisseur, and Jenkinson could quote their prices, but the plaques dominated his fancy, and he was furious that the nation had not acquired them. It seemed that he had been to South Kensington and the British Museum, and all sorts of dignitaries, and he thought he might yet persuade the authorities to offer them if the purchaser would resell. They had been bought by Lutrin for a well-known private collector, by name Andrew Lumley.
I pricked up my ears and asked about Mr Lumley.
Jenkinson said he was a rich old buffer who locked up his things in cupboards and never let the public get a look at them. He suspected that a lot of the best things at recent sales had found their way to him, and that meant that they were put in cold storage for good.
I asked if he knew him.
No, he told me, but he had once or twice been allowed to look at his things for books he had been writing. He had never seen the man, for he always bought through agents, but he had heard of people who knew him. ‘It is the old silly game,’ he said. ‘He will fill half a dozen houses with priceless treasures, and then die, and the whole show will be sold at auction and the best things carried off to America. It’s enough to make a patriot swear.’
There was balm in Gilead, however. Mr Lumley apparently might be willing to resell the Wedgwood plaques if he got a fair offer. So Jenkinson had been informed by Lutrin, and that very afternoon he was going to look at them. He asked me to come with him, and, having nothing to do, I accepted.
Jenkinson’s car was waiting for us at the club door. It was closed, for the afternoon was wet. I did not hear his directions to the chauffeur, and we had been on the road ten minutes or so before I discovered that we had crossed the river and were traversing South London. I had expected to find the things in Lutrin’s shop, but to my delight I was told that Lumley had taken delivery of them at once.
‘He keeps very few of his things in the Albany except his books,’ I was told. ‘But he has a house at Blackheath which is stuffed from cellar to garret.’
‘What is the name of it?’ I asked with a sudden suspicion.
‘The White Lodge,’ said Jenkinson.
‘But that belongs to a man called Pavia,’ I said.
‘I can’t help that. The things in it belong to old Lumley, all right. I know, for I’ve been three times there with his permission.’
Jenkinson got little out of me for the rest of the ride. Here was excellent corroborative evidence of what I had allowed myself to suspect. Pavia was a friend of Pitt-Heron; Lumley was a friend of Pitt-Heron; Lumley was obviously a friend of Pavia, and he might be Pavia himself, for the retired East India merchant, as I figured him, would not be above an innocent impersonation. Anyhow, if I could find one or the other, I might learn something about Charles’s recent doings. I sincerely hoped that the owner might be at home that afternoon when we inspected his treasures, for so far I had found no one who could procure me an introduction to that mysterious old bachelor of artistic and philo-Teutonic tastes.
We reached the White Lodge about half-past three. It was one of those small, square, late-Georgian mansions which you see all around London – once a country-house among fields, now only a villa in a pretentious garden. I looked to see my super-butler Tuke, but the door was opened by a female servant who inspected Jenkinson’s card of admission, and somewhat unwillingly allowed us to enter.
My companion had not exaggerated when he described the place as full of treasures. It was far more like the shop of a Bond Street art-dealer than a civilised dwelling. The hall was crowded with Japanese armour and lacquer cabinets. One room was lined from floor to ceiling with good pictures, mostly seventeenth-century Dutch, and had enough Chippendale chairs to accommodate a public meeting. Jenkinson would fain have prowled round, but we were moved on by the inexorable servant to the little back room where lay the objects of our visit. The plaques had been only half-unpacked, and in a moment Jenkinson was busy on them with a magnifying glass, purring to himself like a contented cat.
The housekeeper stood on guard by the door, Jenkinson was absorbed, and after the first inspection of the treasures I had leisure to look about me. It was an untidy little room, full of fine Chinese porcelain in dusty glass cabinets, and in a corner stood piles of old Persian rugs.
Pavia, I reflected, must be an easy-going soul, entirely oblivious of comfort, if he allowed his friend to turn his dwelling into such a pantechnicon. Less and less did I believe in the existence of the retired East India merchant. The house was Lumley’s, who chose to pass under another name during his occasional visits. His motive might be innocent enough, but somehow I did not think so. His butler had looked too infernally intelligent.
With my foot I turned over the lid of one of the packing-cases that had held the Wedgwoods. It was covered with a litter of cotton-wool and shavings, and below it lay a crumpled piece of paper. I looked again, and saw that it was a telegraph form. Clearly somebody, with the telegram in his hand, had opened the cases, and had left it on the top of one, whence it had dropped to the floor and been covered by the lid when it was flung off.
I hope and believe that I am as scrupulous as other people, but then and there came on me the conviction that I must read that telegram. I felt the gimlet eye of the housekeeper on me, so I had recourse to craft. I took out my cigarette case as if to smoke, and clumsily upset its contents amongst the shavings. Then on my knees I began to pick them up, turning over the litter till the telegram was exposed.
It was in French, and I read it quite clearly. It had been sent from Vienna, but the address was in some code. ‘Suivez à Bokhare Saronov’ – these were the words. I finished my collection of the cigarettes, and