Beyond the Black River. Robert E. Howard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Robert E. Howard
Издательство: Ingram
Серия:
Жанр произведения: Ужасы и Мистика
Год издания: 0
isbn: 9781479406609
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and then swept the forest walls. Nothing stirred there. A dozen feet back from the trail visibility vanished in a ghoulish twilight, where anything might lurk unseen. McGrath dropped to his knee beside the figure that lay in the trail before him.

      It was a man, spread-eagled, hands and feet bound to four pegs driven deeply in the hard-packed earth; a black-bearded, hook-nosed, swarthy man. “Ahmed!” muttered McGrath. “Ball­ville’s Arab servant! God!”

      For it was not the binding cords that brought the glaze to the Arab’s eyes. A weaker man than McGrath might have sickened at the mutilations which keen knives had wrought on the man’s body. McGrath recognized the work of an expert in the art of torture. Yet a spark of life still throbbed in the tough frame of the Arab. McGrath’s gray eyes grew bleaker as he noted the position of the victim’s body, and his mind flew back to another, grimmer jungle, and a half-flayed black man pegged out on a path as a warning to the white man who dared invade a forbidden land.

      He cut the cords, shifted the dying man to a more comfortable position. It was all he could do. He saw the delirium ebb momentarily in the bloodshot eyes, saw recognition glimmer there. Clots of bloody foam splashed the matted beard. The lips writhed sound­lessly, and McGrath glimpsed the bloody stump of a severed tongue.

      The black-nailed fingers began scrabbling in the dust. They shook, clawing erratically, but with purpose. McGrath bent close, tense with interest, and saw crooked lines grow under the quivering fingers. With the last effort of an iron will, the Arab was tracing a message in the characters of his own language. McGrath recognized the name: “Richard Ballville”; it was followed by “danger,” and the hand waved weakly up the trail; then — and McGrath stiffened convulsively — “Constance”. One final effort of the dragging finger traced “John De Al —” Suddenly the bloody frame was convulsed by one last sharp agony; the lean, sinewy hand knotted spasmodically and then fell limp. Ahmed ibn Suley­man was beyond vengeance or mercy.

      McGrath rose, dusting his hands, aware of the tense stillness of the grim woods around him; aware of a faint rustling in their depths that was not caused by any breeze. He looked down at the mangled figure with involuntary pity, though he knew well the foulness of the Arab’s heart, a black evil that had matched that of Ahmed’s master, Richard Ballville. Well, it seemed that master and man had at last met their match in human fiendishness. But who, or what? For a hundred years the Ballvilles had ruled supreme over this back country, first over their wide plantations and hundreds of slaves, and later over the submissive descendants of those slaves. Richard, the last of the Ballvilles, had exercised as much authority over the pinelands as any of his autocratic ancestors. Yet from this country where men had bowed to the Ballvilles for a century, had come that frenzied cry of fear, a telegram that McGrath clenched in his coat pocket.

      Stillness succeeded the rustling, more sinister than any sound. McGrath knew he was watched; knew that the spot where Ah­med’s body lay was the invisible deadline that had been drawn for him. He believed that he would be allowed to turn and retrace his steps unmolested to the distant village. He knew that if he continued on his way, death would strike him suddenly and unseen. Turning, he strode back the way he had come.

      He made the turn and kept straight on until he had passed another crook in the trail. Then he halted, listened. All was silent. Quickly he drew the paper from his pocket, smoothed out the wrinkles and read, again, in the cramped scrawl of the man he hated most on earth:

      * * * *

      Bristol:

      If you still love Constance Brand, for God’s sake forget your hate and come to Ballville Manor as quickly as the devil can drive you.

      RICHARD BALLVILLE.

      * * * *

      That was all. It reached him by telegraph in that Far Western city where McGrath had resided since his return from Africa. He would have ignored it, but for the mention of Constance Brand. That name had sent a choking, agonizing pulse of amazement through his soul, had sent him racing toward the land of his birth by train and plane, as if, indeed, the devil were on his heels. It was the name of one he thought dead for three years; the name of the only woman Bristol McGrath had ever loved.

      Replacing the telegram, he left the trail and headed westward, pushing his powerful frame between the thick-set trees. His feet made little sound on the matted pine needles. His progress was all but noiseless. Not for nothing had he spent his boyhood in the country of the big pines.

      Three hundred yards from the old road he came upon that which he sought — an ancient trail paralleling the road. Choked with young growth, it was little more than a trace through the thick pines. He knew that it ran to the back of the Ballville mansion; did not believe the secret watchers would be guarding it. For how could they know he remembered it?

      He hurried south along it, his ears whetted for any sound. Sight alone could not be trusted in that forest. The mansion, he knew, was not far away, now. He was passing through what had once been fields, in the days of Richard’s grandfather, running almost up to the spacious lawns that girdled the Manor. But for half a century they had been abandoned to the advance of the forest.

      But now he glimpsed the Manor, a hint of solid bulk among the pine tops ahead of him. And almost simultaneously his heart shot into his throat as a scream of human anguish knifed the stillness. He could not tell whether it was a man or a woman who screamed, and his thought that it might be a woman winged his feet in his reckless dash toward the building that loomed starkly up just beyond the straggling fringe of trees.

      The young pines had even invaded the once generous lawns. The whole place wore an aspect of decay. Behind the Manor, the barns and outhouses which once housed slave families were crumbl­ing in ruin. The mansion itself seemed to totter above the litter, a creaky giant, rat-gnawed and rotting, ready to collapse at any untoward event. With the stealthy tread of a tiger Bristol McGrath approached a window on the side of the house. From that window sounds were issuing that were an affront to the tree-filtered sunlight and a crawling horror to the brain.

      Nerving himself for what he might see, he peered within.

      2. Black Torture

      He was looking into a great dusty chamber which might have served as a ballroom in antebellum days; its lofty ceiling was hung with cobwebs, its rich oak panels showed dark and stained. But there was a fire in the great fireplace — a small fire, just large enough to heat to a white glow the slender steel rods thrust into it.

      But it was only later that Bristol McGrath saw the fire and the things that glowed on the hearth. His eyes were gripped like a spell on the master of the Manor; and once again he looked on a dying man.

      A heavy beam had been nailed to the paneled wall, and from it jutted a rude crosspiece. From this cross-piece Richard Ballville hung by cords about his wrists. His toes barely touched the floor, tantalizingly, inviting him to stretch his frame continually in an effort to relieve the agonizing strain on his arms. The cords had cut deeply into his wrists; blood trickled down his arms; his hands were black and swollen almost to bursting. He was naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon his skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.

      On his breast had been burned a curious symbol — a cold hand laid itself on McGrath’s spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.

      Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers. His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the crosspiece.

      Richard Ballville’s bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious; they blazed with desperate vitality. He lifted his head painfully and his gaze swept