But Drummond was paying no attention to him. His eyes were fixed on the Russian, who had come back slowly into the centre of the room, carrying a rifle in his hand. It was an ordinary Russian service rifle, and a bayonet was fixed in position. Yulowski handled it lovingly, as he stood beside Peterson—and suddenly Count Zadowa turned white and began to tremble. To throw a bomb into a room and run for your life is one thing: to sit at a table in cold blood and witness a double execution is another. Even Peterson’s iron nerves seemed a little shaken, and his hand trembled as he removed his cigar. But there was no sign of relenting on his face; no sign of faltering in his voice as he spoke to the men who had just come into the room.
“In the interests of us all,” he remarked steadily, “I have decided that it is necessary to kill both the prisoners.” He made a sign, and Drummond, sitting almost paralysed in his chair, found both his arms gripped, with three men hanging on to each.
“The man,” continued Peterson, “has been interfering with our work in England—the work of the Red International. He is the leader of the Black Gang, as you probably know; and as you probably do not know, it is he and his gang who have been responsible for the mysterious disappearance of some of our most trusted workers. Therefore with regard to him there can be no second thought: he deserves death, and he must die. With regard to the woman, the case is a little different. She has done us no active harm—but she is a member of the bourgeois class, and she in his wife. Moreover she knows too much. And so it becomes necessary that she should die too. The reason why I am adopting this method of putting them both out of the way, is—as I have already explained to all save you newcomers—that, when the bodies are discovered, the cause of death will appear to be accidental. They will both of them seem to the police to have gone over the edge of the bridge in the car, and hit their heads on the pier opposite. And tomorrow night you will carry the bodies to the river and drop them in. And that “—he resumed his cigar—”I think is all.”
Yulowski handled his rifle lovingly, and once again his teeth showed in a wolfish grin. “Which shall I take first, chief?” he said carelessly.
“The point is immaterial,” returned Peterson. “I think perhaps the woman.”
Drummond tried to speak and failed. His tongue was clinging to the roof of his mouth: everything in the room was dancing before his eyes. Dimly he saw the red-headed brute Yulowski swinging his rifle to test it: dimly he saw Phyllis sitting bolt upright, with a calm, scornful expression on her face, while two men held her by the arms so that she would not move. And suddenly he croaked horribly.
Then he saw Yulowski put down the rifle and listen intently for a moment.
“What’s the matter?” snapped Peterson irritably.
“Do you hear the different note to that dynamo?” said Yulowski.
“What the hell’s that got to do with it?” roared Peterson. “Get on with it, damn you—and attend to the dynamo afterwards.”
Yulowski nodded, and picked up his rifle again. “The last time,” he said, turning on Drummond with a dreadful look of evil in his face, “that this rifle was used by me was in a cellar in Russia—on even more exalted people than you. I brought it especially with me as a memento, never thinking I should have the pleasure of using it again.”
He swung it over his head, and Drummond shut his eyes—to open them again a moment later, as the door was flung open and a man distraught with terror dashed in.
“The Black Gang!” he shouted wildly. “Hundreds of them—all round the house. They’ve cut the wires.”
With a fearful curse Peterson leaped to his feet, and the men holding Drummond, dumbfounded at the sudden turning of the tables, let go his arms. Yulowski stood staring foolishly at the door, and what happened then was so quick that none of the stupefied onlookers raised a finger to prevent it.
With the howl of an enraged beast, Drummond hurled himself on the Russian—blind mad with fury. And when two seconds later a dozen black-cowled, black-hooded figures came swarming in through the door, for one instant they paused in sheer horror.
Pinned to the wall with his own bayonet which stuck out six inches beyond his back, was a red-headed, red-bearded man gibbering horribly in a strange language; whilst creeping towards a benevolent-looking clergyman, who crouched in a corner, was a man they scarce recognised as their leader, so appalling was the look of malignant fury on his face.
Carl Peterson was no coward. In the world in which he moved, there were many strange stories told of his iron nerve and his complete disregard of danger. Moreover Nature had endowed him with physical strength far above the average. But now, for perhaps the first time in his life, he knew the meaning of stark, abject terror.
The sinister men in black—members of that very gang he had come over to England to destroy—seemed to fill the room. Silently, as if they had been drilled to it, they disarmed everyone: then they stood round the walls—waiting. No one spoke: only the horrible imprecations of the dying Russian broke the silence, as he strove feebly to pull out the rifle and bayonet from his chest, which had fixed him to the wall as a dead butterfly is fixed in a collection with a pin.
Peterson had a fleeting vision of a girl with white face and wide, staring eyes, beside whom were standing two of the motionless black figures as guards—the girl whom he had just sentenced to a dreadful and horrible death, and then his eyes came back again as if fascinated to the man who was coming towards him. He tried to shrink farther into his corner, plucking with nerveless fingers at his clerical collar—while the sweat poured off his face in a stream. For there was no mercy in Hugh Drummond’s eyes: no mercy in the great arms that hung loosely forward. And Peterson realised he deserved none.
And then it came. No word was spoken—Drummond was beyond speech. His hands shot out and Peterson felt himself drawn relentlessly towards the man he had planned to kill, not two minutes before. It was his turn now to wonder desperately if it was some hideous nightmare, even while he struggled impotently in his final frenzy with a man whose strength seemed equal to the strength of ten. He was choking: the grip on his throat was not human in its ferocity. There was a great roaring in his ears, and suddenly he ceased to struggle. The glare in Drummond’s eyes hypnotised him, and for the only time in his life he gave up hope.
The room was spinning round: the silent black figures, the dying Yulowski, the girl—all seemed merged in one vast jumble of colour growing darker and darker, out of which one thing and one thing only stood out clear and distinct on his dying consciousness—the blazing eyes of the man who was throttling him. And then, as he felt himself sinking into utter blackness, some dim sense less paralysed than the rest seemed to tell him that a change had taken place in the room. Something new had come into that whirling nightmare that spun round him: dimly he heard a voice—loud and agonised—a voice he recognised. It was a woman’s voice, and after a while the grip on his throat relaxed. He staggered back against the wall gasping and spluttering, and gradually the room ceased to whirl round—the iron bands ceased to press upon his heart and lungs.
It was Irma who stood there: Irma whose piteous cry had pierced through to his brain: Irma who had caused those awful hands to relax their grip just before it was too late. Little by little everything steadied down: he found he could see again—could hear. He still crouched shaking against the wall, but he had got a respite anyway—a breathing-space. And that was all that mattered for the moment—that and the fact that the madness was gone from Hugh Drummond’s eyes.
The black figures were still standing there motionless round the walls; the Russian was lolling forward—dead; Phyllis was lying back in her chair unconscious. But Peterson had eyes for none of these things: Count Zadowa shivering in a corner—the huddled group of his own mea standing in the centre of the room he passed by without a glance. It was on Drummond his gaze was fixed: Drummond, who stood facing Irma with an almost dazed expression on his face, whilst she pleaded with him in an agony of supplication.