Rachel assented. Helen had a beautiful voice.
After a silence she asked, looking up into the sky, “Are we on the deck of a steamer on a river in South America? Am I Rachel, are you Terence?”
The great black world lay round them. As they were drawn smoothly along it seemed possessed of immense thickness and endurance. They could discern pointed treetops and blunt rounded treetops. Raising their eyes above the trees, they fixed them on the stars and the pale border of sky above the trees. The little points of frosty light infinitely far away drew their eyes and held them fixed, so that it seemed as if they stayed a long time and fell a great distance when once more they realised their hands grasping the rail and their separate bodies standing side by side.
“You’d forgotten completely about me,” Terence reproached her, taking her arm and beginning to pace the deck, “and I never forget you.”
“Oh, no,” she whispered, she had not forgotten, only the stars—the night—the dark—
“You’re like a bird half asleep in its nest, Rachel. You’re asleep. You’re talking in your sleep.”
Half asleep, and murmuring broken words, they stood in the angle made by the bow of the boat. It slipped on down the river. Now a bell struck on the bridge, and they heard the lapping of water as it rippled away on either side, and once a bird startled in its sleep creaked, flew on to the next tree, and was silent again. The darkness poured down profusely, and left them with scarcely any feeling of life, except that they were standing there together in the darkness.
CHAPTER XXII
The darkness fell, but rose again, and as each day spread widely over the earth and parted them from the strange day in the forest when they had been forced to tell each other what they wanted, this wish of theirs was revealed to other people, and in the process became slightly strange to themselves. Apparently it was not anything unusual that had happened; it was that they had become engaged to marry each other. The world, which consisted for the most part of the hotel and the villa, expressed itself glad on the whole that two people should marry, and allowed them to see that they were not expected to take part in the work which has to be done in order that the world shall go on, but might absent themselves for a time. They were accordingly left alone until they felt the silence as if, playing in a vast church, the door had been shut on them. They were driven to walk alone, and sit alone, to visit secret places where the flowers had never been picked and the trees were solitary. In solitude they could express those beautiful but too vast desires which were so oddly uncomfortable to the ears of other men and women—desires for a world, such as their own world which contained two people seemed to them to be, where people knew each other intimately and thus judged each other by what was good, and never quarrelled, because that was waste of time.
They would talk of such questions among books, or out in the sun, or sitting in the shade of a tree undisturbed. They were no longer embarrassed, or half-choked with meaning which could not express itself; they were not afraid of each other, or, like travellers down a twisting river, dazzled with sudden beauties when the corner is turned; the unexpected happened, but even the ordinary was lovable, and in many ways preferable to the ecstatic and mysterious, for it was refreshingly solid, and called out effort, and effort under such circumstances was not effort but delight.
While Rachel played the piano, Terence sat near her, engaged, as far as the occasional writing of a word in pencil testified, in shaping the world as it appeared to him now that he and Rachel were going to be married. It was different certainly. The book called Silence would not now be the same book that it would have been. He would then put down his pencil and stare in front of him, and wonder in what respects the world was different—it had, perhaps, more solidity, more coherence, more importance, greater depth. Why, even the earth sometimes seemed to him very deep; not carved into hills and cities and fields, but heaped in great masses. He would look out of the window for ten minutes at a time; but no, he did not care for the earth swept of human beings. He liked human beings—he liked them, he suspected, better than Rachel did. There she was, swaying enthusiastically over her music, quite forgetful of him,—but he liked that quality in her. He liked the impersonality which it produced in her. At last, having written down a series of little sentences, with notes of interrogation attached to them, he observed aloud, “‘Women’—under the heading Women I’ve written:
“‘Not really vainer than men. Lack of self-confidence at the base of most serious faults. Dislike of own sex traditional, or founded on fact? Every woman not so much a rake at heart, as an optimist, because they don’t think.’ What do you say, Rachel?” He paused with his pencil in his hand and a sheet of paper on his knee.
Rachel said nothing. Up and up the steep spiral of a very late Beethoven sonata she climbed, like a person ascending a ruined staircase, energetically at first, then more laboriously advancing her feet with effort until she could go no higher and returned with a run to begin at the very bottom again.
“‘Again, it’s the fashion now to say that women are more practical and less idealistic than men, also that they have considerable organising ability but no sense of honour’—query, what is meant by masculine term, honour?—what corresponds to it in your sex? Eh?”
Attacking her staircase once more, Rachel again neglected this opportunity of revealing the secrets of her sex. She had, indeed, advanced so far in the pursuit of wisdom that she allowed these secrets to rest undisturbed; it seemed to be reserved for a later generation to discuss them philosophically.
Crashing down a final chord with her left hand, she exclaimed at last, swinging round upon him:
“No, Terence, it’s no good; here am I, the best musician in South America, not to speak of Europe and Asia, and I can’t play a note because of you in the room interrupting me every other second.”
“You don’t seem to realise that that’s what I’ve been aiming at for the last half-hour,” he remarked. “I’ve no objection to nice simple tunes—indeed, I find them very helpful to my literary composition, but that kind of thing is merely like an unfortunate old dog going round on its hind legs in the rain.”
He began turning over the little sheets of note-paper which were scattered on the table, conveying the congratulations of their friends.
“‘—all possible wishes for all possible happiness,’” he read; “correct, but not very vivid, are they?”
“They’re sheer nonsense!” Rachel exclaimed. “Think of words compared with sounds!” she continued. “Think of novels and plays and histories—” Perched on the edge of the table, she stirred the red and yellow volumes contemptuously. She seemed to herself to be in a position where she could despise all human learning. Terence looked at them too.
“God, Rachel, you do read trash!” he exclaimed. “And you’re behind the times too, my dear. No one dreams of reading this kind of thing now—antiquated problem plays, harrowing descriptions of life in the east end—oh, no, we’ve exploded all that. Read poetry, Rachel, poetry, poetry, poetry!”
Picking up one of the books, he began to read aloud, his intention being to satirise the short sharp bark of the writer’s English; but she paid no attention, and after an interval of meditation exclaimed:
“Does it ever seem to you, Terence, that the world is composed entirely of vast blocks of matter, and that we’re nothing but patches of light—” she looked at the soft spots of sun wavering over the carpet and up the wall—“like that?”
“No,” said Terence, “I feel solid; immensely solid; the legs of my chair might be rooted in the bowels of the earth. But at Cambridge, I can remember, there were times when one fell into ridiculous states of semi-coma about five o’clock in the morning. Hirst does now, I expect—oh, no, Hirst wouldn’t.”
Rachel