“‘Hullo!’ says he; ‘good mornin’! And what might you be doin’ here?’
“‘I was a-wishin’,’ says the boy, ‘I had a pair o’ drumsticks. Our lads were buried yonder without so much as a drum tapped or a musket fired; and that’s not Christian burial for British soldiers.’
“‘Phut!’ says the trumpeter, and spat on the ground; ‘a parcel of Marines!’
“The boy eyed him a second or so, and answered up: ‘If I’d a tav of turf handy, I’d bung it at your mouth, you greasy cavalryman, and learn you to speak respectful of your betters. The Marines are the handiest body o’ men in the service.’
“The trumpeter looked down on him from the height of six-foot-two, and asked: ‘Did they die well?’
“‘They died very well. There was a lot of running to and fro at first, and some of the men began to cry, and a few to strip off their clothes. But when the ship fell off for the last time, Captain Mein turned and said something to Major Griffiths, the commanding officer on board, and the Major called out to me to beat to quarters. It might have been for a wedding, he sang it out so cheerful. We’d had word already that ’twas to be parade order; and the men fell in as trim and decent as if they were going to church. One or two even tried to shave at the last moment. The Major wore his medals. One of the seamen, seeing I had work to keep the drum steady—the sling being a bit loose for me, and the wind what you remember—lashed it tight with a piece of rope; and that saved my life afterward, a drum being as good as cork until it’s stove. I kept beating away until every man was on deck—and then the Major formed them up and told them to die like British soldiers, and the chaplain was in the middle of a prayer when she struck. In ten minutes she was gone. That was how they died, cavalryman.’
“‘And that was very well done, drummer of the Marines. What’s your name?’
“‘John Christian.’
“‘Mine’s William George Tallifer, trumpeter of the Seventh Light Dragoons—the Queen’s Own. I played “God Save the King” while our men were drowning. Captain Duncanfield told me to sound a call or two, to put them in heart; but that matter of “God Save the King” was a notion of my own. I won’t say anything to hurt the feelings of a Marine, even if he’s not much over five-foot tall; but the Queen’s Own Hussars is a tearin’ fine regiment. As between horse and foot, ’tis a question o’ which gets a chance. All the way from Sahagun to Corunna ’twas we that took and gave the knocks—at Mayorga and Rueda, and Bennyventy.’—The reason, sir, I can speak the names so pat, is that my father learnt them by heart afterward from the trumpeter, who was always talking about Mayorga and Rueda and Bennyventy—‘We made the rear-guard, after General Paget; and drove the French every time; and all the infantry did was to sit about in wine-shops till we whipped ’em out, an’ steal an’ straggle an’ play the tom-fool in general. And when it came to a stand-up fight at Corunna, ’twas we that had to stay seasick aboard the transports, an’ watch the infantry in the thick o’ the caper. Very well they behaved, too—’specially the Fourth Regiment, an’ the Forty-Second Highlanders and the Dirty Half-Hundred. Oh, ay; they’re decent regiments, all three. But the Queen’s Own Hussars is a tearin’ fine regiment. So you played on your drum when the ship was goin’ down? Drummer John Christian, I’ll have to get you a new pair of sticks.’”
The very next day the trumpeter marched into Helston, and got a carpenter there to turn him a pair of box-wood drumsticks for the boy. And this was the beginning of one of the most curious friendships you ever heard tell of. Nothing delighted the pair more than to borrow a boat off my father and pull out to the rocks where the Primrose and the Despatch had struck and sunk; and on still days ’twas pretty to hear them out there off the Manacles, the drummer playing his tattoo—for they always took their music with them—and the trumpeter practicing calls, and making his trumpet speak like an angel. But if the weather turned roughish, they’d be walking together and talking; leastwise the youngster listened while the other discoursed about Sir John’s campaign in Spain and Portugal, telling how each little skirmish befell; and of Sir John himself, and General Baird, and General Paget, and Colonel Vivian, his own commanding officer, and what kind of men they were; and of the last bloody stand-up at Corunna, and so forth, as if neither could have enough.
But all this had to come to an end in the late summer, for the boy, John Christian, being now well and strong again, must go up to Plymouth to report himself. ’Twas his own wish (for I believe King George had forgotten all about him), but his friend wouldn’t hold him back. As for the trumpeter, my father had made an arrangement to take him on as lodger, as soon as the boy left; and on the morning fixed for the start, he was up at the door here by five o’clock, with his trumpet slung by his side, and all the rest of his belongings in a small valise. A Monday morning it was, and after breakfast he had fixed to walk with the boy some way on the road toward Helston, where the coach started. My father left them at breakfast together, and went out to meat the pig, and do a few odd morning jobs of that sort. When he came back, the boy was still at table, and the trumpeter sat with the rings in his hands, hitched together just as they be at this moment.
“‘Look at this,’ he says to my father, showing him the lock. ‘I picked it up off a starving brass-worker in Lisbon, and it is not one of your common locks that one word of six letters will open at any time. There’s janius in this lock; for you’ve only to make the rings spell any six-letter word you please and snap down the lock upon that, and never a soul can open it—not the maker, even—until somebody comes along that knows the word you snapped it on. Now Johnny here’s goin’, and he leaves his drum behind him; for, though he can make pretty music on it, the parchment sags in wet weather, by reason of the sea-water gettin’ at it; an’ if he carries it to Plymouth, they’ll only condemn it and give him another. And, as for me, I shan’t have the heart to put lip to the trumpet any more when Johnny’s gone. So we’ve chosen a word together, and locked ’em together upon that; and, by your leave, I’ll hang ’em here together on the hook over your fireplace. Maybe Johnny’ll come back; maybe not. Maybe, if he comes, I’ll be dead an’ gone, an’ he’ll take ’em apart an’ try their music for old sake’s sake. But if he never comes, nobody can separate ’em; for nobody beside knows the word. And if you marry and have sons, you can tell ’em that here are tied together the souls of Johnny Christian, drummer of the Marines, and William George Tallifer, once trumpeter of the Queen’s Own Hussars. Amen.’
“With that he hung the two instruments ’pon the hook there; and the boy stood up and thanked my father and shook hands; and the pair went out of the door, toward Helston.
“Somewhere on the road they took leave of one another; but nobody saw the parting, nor heard what was said between them. About three in the afternoon the trumpeter came walking back over the hill; and by the time my father came home from the fishing, the cottage was tidied up, and the tea ready, and the whole place shining like a new pin. From that time for five years he lodged here with my father, looking after the house and tilling the garden. And all the time he was steadily failing; the hurt in his head spreading, in a manner, to his limbs. My father watched the feebleness growing on him, but said nothing. And from first to last neither spake a word about the drummer, John Christian; nor did any letter reach them, nor word of his doings.
“The rest of the tale you’re free to believe, sir, or not, as you please. It stands upon my father’s words, and he always declared he was ready to kiss the Book upon it, before judge and jury. He said, too, that he never had the wit to make up such a yarn, and he defied any one to explain about the lock, in particular, by any other tale. But you shall judge for yourself.
“My father said that about three o’clock in the morning, April fourteenth, of the year ’fourteen, he and William Tallifer were sitting here, just as you and I, sir, are sitting now. My father had put on his clothes a few minutes before, and was mending his spiller by the light of the horn lantern, meaning to set off before daylight to haul the trammel. The trumpeter hadn’t been to bed at all. Toward the last he mostly spent his nights (and his days, too) dozing in the elbow-chair where you sit at this minute. He was dozing then (my father