Blood Knot and Other Plays. Athol Fugard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Athol Fugard
Издательство: Ingram
Серия:
Жанр произведения: Историческая литература
Год издания: 0
isbn: 9781559366878
Скачать книгу
or older?’ Where does she think she comes from?

      ZACHARIAH. Bloemfontein.

      MORRIS. Yes. Last one. [Reads.] ‘Betty Jones. Roodepoort.

      Young and pleasing personality. I’d like to correspond with gentlemen friends of maturity. No teenagers need reply. My hobby at the moment is historical films, but I’m prepared to go back to last year’s, which was autograph hunting. I would appreciate a photograph.’ That one’s got a education. Anyway . . . it’s up to you. Ethel, Nellie, or Betty?

      ZACHARIAH [after thinking about it]. Hey, hey, Morrie! Let’s take all three.

      MORRIS. No, Zach.

      ZACHARIAH. Ag, come on, man.

      MORRIS. You don’t understand.

      ZACHARIAH. Just once, just for sports.

      MORRIS. I don’t think they’d allow that.

      ZACHARIAH. Oh.

      MORRIS. No, they wouldn’t.

      [Pause, emphatic.]

      Listen, Zach, you must take this serious.

      ZACHARIAH. Okay.

      MORRIS [losing patience]. Well, it’s no good saying ‘Okay’ like that!

      ZACHARIAH. Okay!

      MORRIS. What’s the use, Zach? You ask me to help you, and when I do, you’re not interested no more. What’s the matter, man?

      ZACHARIAH. I can’t get hot about a name on a piece of paper. It’s not real to me.

      MORRIS [outraged]. Not real! [Reads.] ‘I am eighteen years old and well-developed’ . . . eighteen years old and well-developed! If I called that Connie it would be real enough, wouldn’t it?

      ZACHARIAH [his face lighting up]. Ja!

      MORRIS. So the only difference is a name. This is Ethel and not Connie . . . which makes no difference to being eighteen years old and well-developed! Think, man!

      ZACHARIAH. [Without hesitation.] Look, Morrie, I’ll take her.

      MORRIS. That’s better. So it’s going to be Miss Ethel Lange from Oudtshoorn, who would like to correspond with a gent of sober habits and a good outlook on life. [Putting down the paper.] Yes, she’s the one for you all right. And I know what we do. How about asking Ethel to take a snapshot of herself? So we can see what her outlook is. Then—just think of it—you can see her, hear from her, write to her, correspond with her, post your letter off to her . . . Hell, man! What more do you want! [Zachariah smiles.] No! That’s something else. This is pen-pals, and you got yourself Ethel in Oudtshoorn.

      [Morris moves to the table where he sorts out a piece of writing-paper, a pencil, and an envelope.]

      I’ve got everything ready. One day I must show you how. Maybe have a go at a letter yourself. Address in the top right-hand corner. Mr Zachariah Pietersen, Korsten, P. O. Port Elizabeth. Okay, now take aim and fire away. [He waits for Zachariah.] Well?

      ZACHARIAH. What?

      MORRIS. Speak to Ethel.

      ZACHARIAH [shy]. Go jump in a lake, man.

      MORRIS. No, listen, Zach. I’m sitting here ready to write. You must speak up.

      ZACHARIAH. What?

      MORRIS. To begin with, address her.

      ZACHARIAH. What?

      MORRIS. Address her.

      ZACHARIAH. Oudtshoorn.

      MORRIS. No, no, Zach. Look, imagine there was a woman, and you want to say something to her, what would you say? Go on.

      ZACHARIAH. Hey! Cookie . . . or . . . Bokkie . . .

      MORRIS [quickly]. Okay, Zach . . . You’re getting hot, but that is what we call a personal address, you only use it later. This time you say: ‘Dear Ethel’.

      ZACHARIAH. Just like that?

      MORRIS. You get her on friendly terms. Now comes the introduction. [Writes.] ‘With reply to your advert for a pen-pal, I hereby write.’ [Holds up the writing paper.] Now tell her who you are and where you are.

      ZACHARIAH. How?

      MORRIS. I am . . . and so on.

      ZACHARIAH. I am Zach and I . . .

      MORRIS. . . . ariah Pietersen . . .

      ZACHARIAH. And I am at Korsten.

      MORRIS. ‘As you will see from the above.’

      ZACHARIAH. What’s that?

      MORRIS. Something you must always add in letters, Zach. [Newspaper.] Now she says here: ‘My interests are nature, rock-and-roll, swimming, and a happy future.’ Well, what do you say to that?

      ZACHARIAH. Shit! [Pause, frozen stare from Morris.] Oh, sorry, Morrie, sorry. ‘Nature and a happy future.’ Ja. Well, good luck! Good luck, Ethel. How’s that?

      MORRIS. Not bad. A little short, though. How about: I notice your plans, and wish you good luck with them.

      ZACHARIAH. Sure, sure. Put that there.

      MORRIS [writes, then returns to the newspaper]. ‘. . . plans, and wish you good luck with them.’ Okay, next—‘My motto is: “Rolling stones gather no moss”.’ [Pause.] That’s tricky.

      ZACHARIAH. Ja, I can see that.

      MORRIS. What does she mean?

      ZACHARIAH. I wonder.

      MORRIS. Wait! I think I’ve got it. How about: ‘Too many cooks spoil the broth’? That’s my favourite.

      ZACHARIAH. Why not? Why not, I ask?

      MORRIS. Then it’s agreed. [Writes.] ‘Experience has taught me to make my motto: “Too many cooks spoil the broth”.’ Now let’s get a little bit general, Zach.

      ZACHARIAH [yawning]. Just as you say.

      MORRIS [after a pause]. Well, it’s your letter.

      ZACHARIAH. Just a little bit general. Not too much, hey?

      MORRIS [not fooled by the feigned interest. Pause]. I can make a suggestion.

      ZACHARIAH. That’s fine. Put that down there, too.

      MORRIS. No, Zach. Here it is. How about: ‘I have a brother who has seen Oudtshoorn twice.’

      ZACHARIAH. You.

      MORRIS. Yes.

      ZACHARIAH. Maybe.

      MORRIS. You mean you don’t like it?

      ZACHARIAH. Tell you what. Put down there: ‘I’d like to see Oudtshoorn. I’ve heard about it from . . . someone. I’d like to see you, too. Send me a photo.’

      MORRIS. ‘. . . please’. . . I’m near the bottom now.

      ZACHARIAH. That’s all.

      MORRIS. ‘Please write soon. Yours . . .’

      ZACHARIAH. Hers?

      MORRIS. ‘. . . faithfully. Zachariah Pietersen.’

      [Zachariah prepares for bed. Morris addresses and seals the envelope.]

      I’ll get this off tomorrow. Now remember, this is your letter, and what comes back is going to be your reply.

      ZACHARIAH. And yours?

      MORRIS. Mine?

      ZACHARIAH. There’s still Nellie or Betty. Plenty of big words there, as I remember.

      MORRIS. One’s