DOWN. Sarah Dowling

me

      better. What could make disarray. This way, forms. This

      way of may not, never. This way of a relationship. What

      could make me feel we, that us. Very occupying method,

      attention. What could make me feel anything. This way or

      any person. What could make this a matter. Feel this one.

      Feel this expressed. Feel in the way of that attention. Feel

      this included, talking to us of it.

      I don’t need or implied. I don’t need histories of excesses.

      I don’t need no explicit lives. And for sex, of course, I don’t

      need us. I don’t need any present. I don’t need no money

      and any compulsive energy. Money described by their

      relentless method. I don’t need no aesthetics. I don’t need

      no, inherently money.

      Fortune or refer. Fortune or a sexual I. Fortune or it strikes

      eleven. Fortune or their. Fortune or sexless, this sexless

      many. Fortune or a certain pace and rhythm. Fortune to this

      stabbing pulsebeat. Fortune or a relationship to a sexual

      better. Fortune or fame occupying that method made us.

      I’ve got by. I’ve got all the forms of matter. I’ve got all

      implied. Baby, that one included sex for us. I’ve got all the

      riches and for any person or thing. Not in the way of

      attention to excesses. I’ve got all it was ten o’clock. I’ve got

      their very method. I’ve got all the disarray. Baby, we refer.

      One man can claim the explicit talking. One man can claim

      aesthetics. One man, never a course of expressed histories.

      Claim lives of this sexless it, I, us. One man described by

      many. One man must. One man can, may present one man,

      relentless and compulsive. One man can claim energy. One

      man can do any, inherently sexless.