"She writhed about, convulsed--with scarlet pain";
or when, of organ music, he says--
"Up aloft The silver, snarling trumpets 'gan to chide,"
he is simply, in his own art and with his proper methods, getting precisely the same kind of effect; he is incarnating the soul of a fact. And so Mantegna, with his Roman kindness for whatever had breath and vigour and boldness of design, carved his _Judith_ on the lines of a Vestal Virgin, and gave her the rapt, dmonic features of the Tragic Muse. And, with his full share of that unhealthy craving for the mere nastiness of crime, that Aminatrait which distinguished the later Empire and its correlate the Renaissance, he drew together the elements of his picture to express an eminently characteristic conception of curious murder. What amplitude of outline; what severe grace of drapery! And what mad affectation of attention to the ghastly baggage she is preparing for her flight! I can only instance for a parallel the pitiful case of the young Ophelia, decked with flowers and weeds, and faltering in her pretty treble songs about lechery and dead bodies. It needs strong men to do these things; men who have lived out all that the world can offer them of heaven and hell, and, with the tolerance of maturity, are in the mind to see something worth a thought in either. There is in murder something more horrible than blood,--the spirit that breeds blood and plays with it. M. Jan van Beers and his kindred of the dissecting-room and accidents'-ward are passed by Mantegna, who gives no vulgar illusion of gaping wounds and jetting blood; but, instead, holds up to us a beautiful woman daintily fingering a corpse.
VII
QUATTROCENTISTERIA
_(How Sandro Botticelli saw Simonetta in the Spring)_
Up at Fiesole, among the olives and chestnuts which cloud the steeps, the magnificent Lorenzo was entertaining his guests on a morning in April. The olives were just whitening to silver; they stretched in a trembling sea down the slope. Beyond lay Florence, misty and golden; and round about were the mossy hills, cut sharp and definite against a grey-blue sky, printed with starry buildings and sober ranks of cypress. The sun catching the mosaics of San Miniato and the brazen cross on the fagade, made them shine like sword-blades in the quiver of the heat between. For the valley was just a lake of hot air, hot and murky--"fever weather," said the people in the streets--with a glaring summer sun let in between two long spells of fog. 'Twas unnatural at that season, _via_; but the blessed Saints sent the weather and one could only be careful what one was about at sundown.
Up at the villa, with brisk morning airs rustling overhead, in the cool shades of trees and lawns, it was pleasant to lie still, watching these things, while a silky young exquisite sang to his lute a not too audacious ballad about Selvaggia, or Becchina and the saucy Prior of Sant' Onofrio. He sang well too, that dark-eyed boy; the girl at whose feet he was crouched was laughing and blushing at once; and, being very fair, she blushed hotly. She dared not raise her eyes to look into his, and he knew it and was quietly measuring his strength--it was quite a comedy! At each wanton _refrain_ he lowered his voice to a whisper and bent a little forward. And the girl's laughter became hysterical; she was shaking with the effort to control herself. At last she looked up with a sort of sob in her breath and saw his mocking smile and the gleam of the wild beast in his eyes. She grew white, rose hastily and turned away to join a group of ladies sitting apart. A man with a heavy, rather sullen face and a bush of yellow hair falling over his forehead in a wave, was standing aside watching all this. He folded his arms and scowled under his big brows; and when the girl moved away his eyes followed her.
The lad ended his song in a broad sarcasm amid bursts of laughter and applause. The Magnificent, sitting in his carved chair, nursed his sallow face and smiled approval, "My brother boasts his invulnerability," he said, turning to his neighbour, "let him look to it, Messer Cupido will have him yet. Already, we can see, he has been let into some of the secrets of the bower," The man bowed and smiled deferentially, "Signer Giuliano has all the qualities to win the love of ladies, and to retain it. Doubtless he awaits his destiny. The Wise Man has said that Beauty..." The young poet enlarged on his text with some fire in his thin cheeks, while the company kept very silent. It was much to their liking; even Giuliano was absorbed; he sat on the ground clasping one knee between his hands, smiling upwards into vacancy, as a man does whose imagination is touched. Lorenzo nursed his sallow face and beat time to the orator's cadences with his foot; he, too, was abstracted and smiling. At the end he spoke: "Our Marsilio himself had never said nobler words, my Agnolo. The mantle of the Attic prophet has descended indeed upon this Florence. And Beauty, as thon sayest, is from heaven. But where shall it be found here below, and how discerned?" The man of the heavy jowl was standing with folded arms, looking from under his brows at the group of girls. Lorenzo saw everything; he noticed him. "Our Sandro will tell us it is yonder. The Star of Genoa shines over Florence and our poor little constellations are gone out. _Ecco_, my Sandro, gravest and hardiest of painters, go summon Madonna Simonetta and her handmaidens to our Symposium. Agnolo will speak further to us of this sovereignty of Beauty."
The painter bowed his head and moved away.
A green alley vaulted with thick ilex and myrtle formed a tapering vista where the shadows lay misty blue and pale shafts of light pierced through fitfully. At the far end it ran out into an open space and a splash of sunshine. A marble Ganymede with lifted arms rose in the middle like a white flame. The girls were there, intent upon some commerce of their own, flashing hither and thither over the grass in a flutter of saffron and green and crimson. Simonetta--Sandro could see--was a little apart, a very tall, isolated figure, clear and cold in a recess of shade, standing easily, resting on one hip with her hands behind her. A soft, straight robe of white clipped her close from shoulder to heel; the lines of her figure were thrust forward by her poise. His eye followed the swell of her bosom, very gentle and girlish, and the long folds of her dress falling thence to her knee. While she stood there, proud and remote, a chance beam of the sun shone on her head so that it seemed to burn. "Heaven salutes the Queen of Heaven,--Venus Urania!" With an odd impulse he stopped, crossed himself, and then hurried on.
He told his errand to her, having no eyes for the others.
"Signorina--I am to acquaint her Serenity that the divine poet Messer Agnolo is to speak of the sovereign power of beauty; of the Heavenly Beauty whereof Plato taught, as it is believed."
Simonetta arched a slim neck and looked down at the obsequious speaker, or at least he thought so. And he saw how fair she was, a creature how delicate and gracious, with grey eyes frank and wide, and full red lips where a smile (nervous and a little wistful, he judged, rather than defiant) seemed always to hover. Such clear-cut,