When he had entered his bedroom, and turned the key in the lock, Piers stood musing over this event. Of a sudden there came into his mind the inexplicable impulse which brought him to this hotel, rather than to that recommended by the Liverpool acquaintance. An odd incident, indeed. It helped a superstitious tendency of Otway's mind, the disposition he had, spite of obstacle and misfortune, to believe that destiny was his friend.
CHAPTER XXX
At home again, Piers wrote to Olga, the greater part of the letter being occupied with an account of what had happened at Liverpool. It was not a love-letter, yet differed in tone from those he had hitherto written her; he spoke with impatience of the circumstances which made it difficult for them to meet, and begged that it might not be long before he saw her again. Olga's reply came quickly; it was frankly intimate, with no suggestion of veiled feeling. Her mother's letters, she said, were in Dr. Derwent's hands. "I told him who had given them to me, and how you obtained them. I doubt whether he will have anything to say to me about them, but that doesn't matter; he knows the truth." As for their meeting, any Sunday afternoon he would find her at Miss Bonnicastle's, in Great Portland Street. "I wish I were living there again," she added. "My uncle is very kind, but I can't feel at home here, and I hope I shall not stay very long."
So, on the next Sunday, Piers wended his way to Great Portland Street. Arriving about three o'clock, he found the artist of the posters sitting alone by her fire, legs crossed and cigarette in mouth.
"Ah, Mr. Otway!" she exclaimed, turning her head to see who entered in reply to her cry of "Don't be afraid!" Without rising, she held a hand to him. "I didn't think I should ever see you here again. How are you getting on? Beastly afternoon--come and warm your toes."
The walls were hung with clever brutalities of the usual kind. Piers glanced from them to Miss Bonnicastle, speculating curiously about her. He had no active dislike for this young woman, and felt a certain respect for her talent, but he thought, as before, how impossible it would be ever to regard her as anything but an abnormality. She was not ill-looking, but seemed to have no single characteristic of her sex which appealed to him.
"What do you think of that?" she asked abruptly, handing him an illustrated paper which had lain open on her lap.
The page she indicated was covered with some half-dozen small drawings, exhibiting scenes from a popular cafe in Paris, done with a good deal of vigour, and some skill in the seizing of facial types.
"Your work?" he asked.
"Mine?" she cried scoffingly. "I could no more do that than swim the channel. Look at the name, can't you?"
He found it in a corner.
"Kite? Our friend?"
"That's the man. He's been looking up since he went to Paris. Some things of his in a French paper had a lot of praise; nude figures--queer symbolical stuff, they say, but uncommonly well done. I haven't seen them; in London they'd be called indecent, the man said who was telling me about them. Of course that's rot. He'll be here in a few days, Olga says."
"She hears from him?"
"It was a surprise letter; he addressed it to this shop, and I sent it on--that's only pot-boiling, of course." She snatched back the paper. "But it's good in its way--don't you think?"
"Very good."
"We must see the other things they talk about--the nudes."
There was a knock at the door. "Come along!" cried Miss Bonnicastle, craning back her head to see who would enter. And on the door opening, she uttered an exclamation of surprise.
"Well, this is a day of the unexpected! Didn't know you were in England."
Piers saw a slim, dark, handsome man, who, in his elegant attire, rather reminded one of a fashion plate; he came briskly forward, smiling as if in extreme delight, and bent over the artist's hand, raising it to his lips.
"Now, _you'd_ never do that," said Miss Bonnicastle, addressing Otway, with an air of mock gratification. "This is Mr. Florio, the best-behaved man I know. Signor, you've heard us speak of Mr. Otway. Behold him!"
"Ah! Mr. Otway, Mr. Otway!" cried the Italian joyously. "Permit me the pleasure to shake hands with you! One more English friend! I collect English friends, as others collect pictures, bric-a-brac, what you will. Indeed, it is my pride to add to the collection--my privilege, my honour."
After exchange of urbanities, he turned to the exhibition on the walls, and exhausted his English in florid eulogy, not a word of which but sounded perfectly sincere. From this he passed to a glorification of the art of advertisement. It was the triumph of our century, the supreme outcome of civilisation! Otway, amusedly observant, asked with a smile what progress the art was making in Italy.
"Progress!" cried Florio, with indescribable gesture. "Italy and progress!--Yet," he proceeded, with a change of voice, "where would Italy be, but for advertisements? Italy lives by advertisements. She is the best advertised country in the world! Suppose the writers and painters ceased to advertise Italy; suppose it were no more talked about; suppose foreigners ceased to come! What would happen to Italy, I ask you?"
His face conveyed so wonderfully the suggestion of ravenous hunger, that Miss Bonnicastle screamed with laughter. Piers did not laugh, and turned away for a moment.
Soon after, there entered Olga Hannaford. Seeing the two men, she reddened and looked confused, but Miss Bonnicastle's noisy greeting relieved her. Her hand was offered first to Otway, who pressed it without speaking; their eyes met, and to Piers it seemed that she made an appeal for his forbearance, his generosity. The behaviour of the Italian was singular. Mute and motionless, he gazed at Olga with a wonder which verged on consternation; when she turned towards him, he made a profound bow, as though he met her for the first time.
"Don't you remember me, Mr. Florio?" she asked, in an uncertain voice.
"Oh--indeed--perfectly," was the stammered reply.
He took her fingers with the most delicate respectfulness, again bowing deeply; then drew back a little, his eyes travelling rapidly to the faces of the others, as if seeking an explanation. Miss Bonnicastle broke the silence, saying they must have some tea, and calling upon Olga to help her in preparing it. For a minute or two the men were left alone. Florio, approaching Piers on tiptoe, whispered anxiously:
"Miss Hannaford is in mourning?"
"Her mother is dead."
With a gesture of desolation, the Italian moved apart, and stood staring absently at a picture on the wall. For the next quarter of an hour, he took scarcely any part in the conversation; his utterances were grave and subdued; repeatedly he glanced at Olga, and, if able to do so unobserved, let his eyes rest upon her with agitated interest. But for the hostess, there would have been no talk at all, and even she fell far short of her wonted vivacity When things were at their most depressing, someone knocked.
"Who's that, I wonder?" said Miss Bonnicastle. "All right!" she called out. "Come along."
A head appeared; a long, pale, nervous countenance, with eyes that blinked as if in too strong a light. Miss Bonnicastle started up, clamouring an excited welcome. Olga flushed and smiled. It was Kite who advanced into the room; on seeing Olga he stood still, became painfully embarrassed, and could make no answer to the friendly greetings with which Miss Bonnicastle received him. Forced into a chair at length, and sitting sideways, with his long legs intertwisted, and his arms fidgeting about, he made known that he had arrived only this morning from Paris, and meant to stay in London for a month or two--perhaps longer--it