The Planets. Sergio Chejfec

the face of M’s mother. Her eyes, fixed on mine, clouded over intermittently, giving her smile an air of melancholy. (We were standing face to face, waiting for who knows what.) All of a sudden, I realized that she was possessed by a deep conviction: that of having lost M forever. This idea, which at the time I myself did not dare to consider, surprised me. I admired this awareness, the certainty of it, because—though morbid—it followed the logic of a profound sense of peace. Yet, strangely, I was unmoved (I felt neither agitation nor grief). She was convinced of the fate of her son: this could be discerned in the veil of uncertainty, of vacillation, that shields people after a loss. Waves of stupefaction swelled from the cobblestones in the street and the trees along the sidewalk. M’s mother seemed to be at once a child, an old lady, and unquestionably a grown woman. At last the tears came—this, too, was inevitable—and before saying goodbye she asked me and, through me, the others, to stop by and see them now and then. Again I found myself at a loss for words. I thought that she—to whom I could say nothing, knowing nothing, particularly about what was going on inside her—demonstrated a remarkable, substantial wisdom by asking that we visit her “now and then,” mainly because she broke the silence from which I had been unable to free myself. As I clung to her shoulders, I understood that it was of secondary importance whether this wisdom was born from her experience, her intuition, or some other thing; what mattered was that it was wise. Some time passed this way, the street also in silence. Then we each continued on our way; some things, at least, had returned to normal. After a few steps it occurred to me to watch M’s mother as she walked away. I imagined that her back could tell me something, who knows, that it might have something to add or a different way of communicating. But I stopped myself before turning; I had the feeling that I was about to ruin something, and that this something was not secondary, but rather meant a great deal. I was only a few meters from her, still within the danger zone that exists between people: R might be able to feel the weight of my gaze from behind her, and doubtless would have considered it crass that I would stop to look at her. She had inspired me to run around the block, that much was clear, and it was she who had rescued me from silence as we embraced. If it had not been for M’s mother, I thought as I walked away, we would have remained joined, fossilized there on the sidewalk like one of those statues that commemorate a foundational moment.

      Their first conversation took place one afternoon a few days after they met, when the other asked him about the soccer field a few blocks from his house. “What field?” responded M; he was either distracted or had forgotten. The other had to clarify: “Club Atlanta’s stadium, it’s famous.” He wanted to know whether, given how close it was to his house, he could hear the goals, the chanting of the fans, or even the announcer. M said, with affected confidence, that he could; too emphatically to conceal a swell of pride. The other vacillated, saying that he had thought it would depend on the direction of the wind. Even if he lived nearby, he might not be close enough to hear everything. M conceded that of course he couldn’t hear everything, that wasn’t what the other had asked, but he did live close enough to the field to hear the goals and the chanting, regardless of the wind. When it blew toward his house he heard better and when it blew the other way, not as well, but he could always hear it. In any case, he continued, you couldn’t say that he didn’t live close enough: “My house is five blocks from the stadium if you follow the streets, but only two hundred meters if you follow the tracks,” he explained. The train was the clearest indication of proximity, perhaps even of contiguity, but at the same time, on match days the train’s whistle made it hard to hear the sounds of the stadium and so, he acknowledged, sometimes the distance wasn’t ideal. The other listened silently. The truth is, continued M as he walked, that even if they are playing an important game on a Sunday, it can be hard to hear anything if it’s really windy. Of course, this has nothing to do with the distance; everyone knows that it is impossible to hear in strong wind unless you are very close, even right alongside.

      When the match is over, M continued, the fans disperse right away along the surrounding streets. If you’re still in the stands you don’t notice this: the wait to leave the stadium seems endless. But, at the same time, a crowd has suddenly filled the street. This diffusion is similar to the way the chants, shouts, and noises of the multitude spread through the air, only slower, almost as if each of the spectators were going off in search of the final destination of his own voice. And so they set off on their separate ways. Even the tracks filled with people, the fans covering the whole embankment, walking as a single turbulent mass, surging like a scene from a proletarian epic. So, whether far away or nearby, I live in the stadium’s zone of influence, which means hearing what can be heard. M wanted to end the conversation there, but there was still something the other wanted to know. It seemed that M understood this; before the other had a chance to ask him anything, he conceded that, despite its size, the shadow it cast, and the matches that were played within it, the field was not really the center of anything. The noise that swells up from the grounds and the silence—despite the match—beneath which everything seems submerged and that allows no indication from inside to pass, demonstrate the ambiguity of the gaping space, at once receptive and manifest, that is the stadium. The funereal silences that fill the air when the stands suddenly fall quiet imbues its rudimentary architecture with a sense of absence proportional, though inversely, to its size. At first one thinks about it and says, for example, Well of course the stadium is the center of the neighborhood, the place that gives life to its surroundings, the building that gives the neighborhood its character, and things like that, referring to the green patch of turf toward which all the surrounding streets and sidewalks seem to be oriented. But the opposite is actually true—the crust of the field is precisely that: an empty space erected on an arbitrary site.

      They walked on. Game days, M continued, are saturated by an incongruous mood and sense of time. One hears the noises and is able to identify each one: the cries of joy and indignation, the encouraging cheers, even the gasps—sudden and unanimous—of disappointment or relief at a missed goal; you can hear the din but it is obvious that something fundamental is missing, something overlooked that could explain the cause of the noise and restore its meaning, like gazing out over a landscape in which a light shines so brightly from one point on the horizon that we are not able to see or understand the scene as a whole. Sometimes, the other heard him say, I’ll be sitting at my front door and the fact that I am able to hear the fans seems unjustified; not unreal, but inappropriate, excessive for mere noise: the effect arbitrarily conjoins a single yet disparate, diverse, and even unconnected geography; a strategy of events meant to indicate that, as I sit on my front step, I am connected to something that is happening two hundred meters away. “Space abolished by noise,” he concluded, struggling to wrap his left arm around a mass of folders and books held together by elastic bands. A few blocks later, at the corner of calle Sarmiento, each went off his own way.

      Years later that same place, a mixture of neighborhood and suburb, a few blocks crossed by tracks, fatigued by trucks, saturated with stores, family shops, and modest homes joined together in clusters; that same place would contain M’s sudden absence as it had once contained his body, as contradictory as this might sound. What had been present until that moment was now gone. M wasn’t taken from his home; they took him from a friend’s house. It could have been mine or anyone else’s, but that day it was his. This element of chance would color his disappearance with a sense of gratuitousness, which in a way undermined the dramatic quality of the circumstances. Many would say that the abduction of a political militant was unjustified but that causality, however cruel and murderous, was still at work. What happened to M, on the other hand, had been pure chance: an unlucky presence that had allowed happenstance to restore death to its final and inalienable place. The combination of political innocence and the coercive force of fate endowed M’s disappearance with a sense of error or the failure of destiny, making his innocence seem to reflect back on his abductors, who one could, hypothetically, imagine blaming chance for putting M in their path.

      The abduction was followed by a drama that was at once silent, private, and confidential. M’s parents, unable to take even the slightest initiative to search for their son or to find out what happened to him, were left in a stupor. Eaten away by passivity, in the end they obeyed their fear, the conviction that it might be possible to save the rest of the family if they did nothing. To this day I am astonished not to have found M’s name written anywhere; not in the lists made by organizations or in the press. I say to this day because