In the schools, theaters, ball yards, and swimming pools of Maryland’s largest city, strict segregation had long been the rule. City politics, the police and fire departments, the patronage of civil service—all of it was lily white, just as strict housing patterns had limited the black belt to a handful of dense, crowded neighborhoods on the eastern and western edges of downtown. On the east side, Gay Street became the central boulevard for black Baltimoreans, and to the west, there was Pennsylvania Avenue—the Avenue as it came to be known, black Baltimore’s Broadway, home to dozens of juke joints and the legendary Royal Theater. Beyond those core areas, in rowhouse neighborhoods like Franklin Square, black families were consigned to back alleys in a fashion that left them only half visible to neighboring whites. Little was heard from the colored folk in places like Vine Street and Lemmon Street alley, save for the occasional house-rent party or fish fry, or the righteous shout that went up from the backstreets whenever a radio announcer declared that Joe Louis had put another white man on his ass.
Until the great migration north, the Germans, Irish, and Lithuanians who made Franklin Square their home saw little possibility that anything would change. Until World War II, in fact, change on the city’s west side came only gradually. Originally, the gentle slope to the immediate west of downtown had been farmland, the possession of a gentleman farmer who forfeited all when he went off to fight in a Confederate uniform. After the bloodletting at nearby Antietam in 1862 and Gettysburg the following year, the Union Army used the confiscated land for an encampment and field hospital. The ramshackle medical facility drew nuns and clergy and soon spawned a small Catholic parish that would, in time, grow into the gothic behemoth of St. Martin’s, its stone bell tower ringed by gargoyles that, the locals now liked to say, were too damn scared to come down and take their chances on the street.
As the city stretched westward after the Civil War, the redbrick Federal-style rowhouses were filled by a proletarian class of Germans, with some Irish and Scots mixed in—an immigrant class that predated the war and found some contentment in looking down on later arrivals. The settlers were shopkeepers and small businessmen, factory workers and longshoremen, clerical workers and political ward heelers. Many of the westsiders worked at Baltimore & Ohio’s huge roundhouse and rail yard off West Pratt Street, many others on the piers that lined the Upper Patapsco a mile or so to the east. H. L. Mencken, the sage writer of the city, had been born in the rowhouse at 1704 West Fayette, then proceeded to spend his writing years in a Hollins Street home on Union Square, just a few blocks to the southeast.
During the early years of the migration, the working-class and middleclass whites of Franklin Square had no great love for the blacks who began to crowd the west side alleys or the core of the black belt along Pennsylvania Avenue, but neither was there a great deal of overt racial conflict. Baltimore had settled into a practiced and—from the white viewpoint, at least—functional segregation. If more rural blacks chose to shake the Carolina clay from their boots and find Lemmon Alley, or Vine Street, or the battered rowhouse slum of the lower Avenue, it hardly required accommodation or even a serious reckoning from Baltimore’s governing elite. The Mason-Dixon line was a good forty miles to the north; racial separation was the civic firmament.
It took World War II and the epic of industrial rearmament to destroy the illusion of equilibrium, if not Jim Crow itself. In Baltimore, as in every industrial city, the influx of migrant labor accelerated at astonishing rates as factories, steel mills, and shipyards began running two and then three shifts. Nor, by wartime, was the rural migration a singularly black phenomenon. From west of the Shenandoah came the Appalachian whites, weary of scrub farms and darkened coal mines in West and western Virginia, desperate in their pursuit of a factory wage in the nearest metropolis of the Eastern industrial belt. They settled into rental properties carved from the poorer housing stock in alleys and on side streets.
As much as or more than the Southern black migrants, the Appalachians battered communal sensibilities in Franklin Square and throughout the southwestern part of the city. Older German and Irish residents quickly came to regard the new arrivals as Huns and Visigoths; for some of the mountain folk, indoor plumbing was beyond aspiration, and trash removal consisted of tossing dinner scraps from the back kitchen window. Whereas white working-class discomfort with neighboring blacks was muted by the distance between boulevard and back alley, poor whites were unconstrained by racial geography. When a family of hard-living, hard-drinking ex-coal miners moved into a third-floor walk-up and began raising hell, the whole block knew it.
As the wartime boom continued, some of the poorer west side neighborhoods began to destabilize. Pigtown, a neighborhood surrounding the B & O roundhouse and terminus, was so named because of nearby slaughterhouses, but in time the name would be imbued with a cold sarcasm among older residents who watched the neighborhood sag under the weight of so many poor Appalachians. To the north and east, the colored enclave around Pennsylvania Avenue also began to sprawl, as the growing black population could no longer be easily contained in a handful of city blocks. By the end of the war, the lower end of the Avenue—” the Bottom” as it came to be known—was regarded as the worst and most crowded black slum on the west side.
It was to the Bottom that W.M. moved a few months after arriving in Baltimore. He had found his uncle that first day off the bus and he had stayed with him for a time, but the man was a drinker. For weeks, the older man pressed his nephew for liquor money, but rather than give up some pay, W.M. moved out, getting a room of his own in the 700 block of Saratoga Street. He was fifteen.
He worked and he saved. When his father finally learned his whereabouts and came north to bring him home, W.M. stood firm. He wouldn’t go back; he was his own man now, surviving in a new world. The foundry was backbreaking work and there was precious little to come home to in the room on Saratoga Street, but in Baltimore, more things seemed possible than people ever dreamed about down in the country.
When he was sixteen and still grinding at the foundry, he met a thirteen-year-old girl, a quiet churchgoing thing named Roberta. The first and only woman in his life was a Baltimore native, living just off the Avenue with her family, who had come up from tidewater Virginia. Being underage, W.M. needed a guardian’s signature to approve a marriage, so his uncle did the honors. When some of the neighborhood people went so far as to get in touch with his father, asking him to stop such a youthful union, they got a sharp response.
“He’s a man,” Fred McCullough told them. “If he’s supporting himself, I can’t stand here and tell him what to do.”
They lived for some years with Miss Roberta’s family, with W.M. sharing his pay and all the time looking for something better. Beyond his wife and in-laws, he had few friends as a matter of choice. He didn’t drink and wouldn’t carouse and managed to stay aloof from the high life along Pennsylvania Avenue. He simply didn’t trust a good time, and more to the point, he didn’t trust anyone who did. He’d seen too many country boys waste themselves and their pay in the jukes and bars, or down at the legendary Selene’s, which would survive for more than a decade as the great temple of Avenue whoring and gambling. His young wife had religion, and W. M., though never enamored of preachers and collection plates, was more than willing to do his share as a family man.
After twelve years at the foundry he found a better-paying job at American Standard, where he would lift cast-iron bathtubs and toilets and carry them around the plant as if they were stage props. He was a legend at American Standard: He never shirked, never tried to look for an easy way. Not once did he call in sick; why lie around in bed when you could just as well work an illness out of you? He still couldn’t read, but after a few years at American Standard, he could see ways to modify and improve the manufacturing process. Plant managers had him walk around with a herd of efficiency experts and engineers who were redesigning the assembly line. Production quickly doubled, though W.M. never got a dime for his ideas.
He was at American Standard about a year when, in 1955, they moved into the Vine Street house. Franklin Square was still majority white working-class; even on Vine Street,