The Bandini Quartet. John Fante. Читать онлайн. Newlib. NEWLIB.NET

Автор: John Fante
Издательство: Ingram
Серия:
Жанр произведения: Контркультура
Год издания: 0
isbn: 9781782116004
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big games at the stadium. He realized that, if he wasn’t actually a murderer, he was the equivalent in the eyes of God.

      One sin against that Fifth Commandment that always seethed in his conscience was an incident the summer before, when he and Paulie Hood, another Catholic boy, had captured a rat alive and crucified it to a small cross with tacks, and mounted it on an anthill. It was a ghastly and horrible thing that he never forgot. But the awful part of it was, they had done this evil thing on Good Friday, and right after saying the Stations of the Cross! He had confessed that sin shamefully, weeping as he told it, with true contrition, but he knew it had piled up many years in purgatory, and it was almost six months before he even dared kill another rat.

      Thou shalt not commit adultery; thou shalt not think about Rosa Pinelli, Joan Crawford, Norma Shearer, and Clara Bow. Oh gosh, oh Rosa, oh the sins, the sins, the sins. It began when he was four, no sin then because he was ignorant. It began when he sat in a hammock one day when he was four, rocking back and forth, and the next day he came back to the hammock between the plum tree and the apple tree in the back yard, rocking back and forth.

      What did he know about adultery, evil thoughts, evil actions? Nothing. It was fun in the hammock. Then he learned to read, and the first of many things he read were the Commandments. When he was eight he made his first confession, and when he was nine he had to take the Commandments apart and find out what they meant.

      Adultery. They didn’t talk about it in the fourth grade catechism class. Sister Mary Anna skipped it and spent most of the time talking about Honor thy Father and Mother and Thou Shalt Not Steal. And so it was, for vague reasons he never could understand, that to him adultery always has had something to do with bank robbery. From his eighth year to his tenth, examining his conscience before confession, he would pass over ‘Thou shalt not commit adultery’ because he had never robbed a bank.

      The man who told him about adultery wasn’t Father Andrew, and it wasn’t one of the nuns, but Art Montgomery at the Standard Station on the corner of Arapahoe and Twelfth. From that day on his loins were a thousand angry hornets buzzing in a nest. The nuns never talked about adultery. They only talked about evil thoughts, evil words, evil actions. That catechism! Every secret of his heart, every sly delight in his mind was already known to that catechism. He could not beat it, no matter how cautiously he tiptoed through the pinpoints of its code. He couldn’t go to the movies anymore because he only went to the movies to see the shapes of his heroines. He liked ‘love’ pictures. He liked following girls up the stairs. He liked girls’ arms, legs, hands, feet, their shoes and stockings and dresses, their smell and their presence. After his twelfth year the only things in life that mattered were baseball and girls, only he called them women. He liked the sound of the word. Women, women, women. He said it over and over because it was a secret sensation. Even at Mass, when there were fifty or a hundred of them around him, he reveled in the secrecy of his delights.

      And it was all a sin – the whole thing had the sticky sensation of evil. Even the sound of some words was a sin. Ripple. Supple. Nipple. All sins. Carnal. The flesh. Scarlet. Lips. All sins. When he said the Hail Mary. Hail Mary full of grace, the Lord is with thee and blessed art thou among women, and blessed is the fruit of thy womb. The word shook him like thunder. Fruit of thy womb. Another sin was born.

      Every week he staggered into the church of a Saturday afternoon, weighted down by the sins of adultery. Fear drove him there, fear that he would die and then live on forever in eternal torture. He did not dare lie to his confessor. Fear tore his sins out by the roots. He would confess it all fast, gushing with his uncleanliness, trembling to be pure. I committed a bad action I mean two bad actions and I thought about a girl’s legs and about touching her in a bad place and I went to the show and thought bad things and I was walking along and a girl was getting out of a car and it was bad and I listened to a bad joke and laughed and a bunch of us kids were watching a couple of dogs and I said something bad, it was my fault, they didn’t say anything, I did, I did it all, I made them laugh with a bad idea and I tore a picture out of a magazine and she was naked and I knew it was bad but did it anyway. I thought a bad thing about Sister Mary Agnes; it was bad and I kept on thinking. I also thought bad things about some girls who were laying on the grass and one of them had her dress up high and I kept on looking and knowing it was bad. But I’m sorry. It was my fault, all my fault, and I’m sorry, sorry.

      He would leave the confessional, and say his penance, his teeth gritted, his fist tightened, his neck rigid, vowing with body and soul to be clean forevermore. A sweetness would at last pervade him, a soothing lull him, a breeze cool him, a loveliness caress him. He would walk out of the church in a dream, and in a dream he would walk, and if no one was looking he’d kiss a tree, eat a blade of grass, blow kisses at the sky, touch the cold stones of the church wall with fingers of magic, the peace in his heart like nothing save a chocolate malted, a three-base hit, a shining window to be broken, the hypnosis of that moment that comes before sleep.

      No, he wouldn’t go to hell when he died. He was a fast runner, always getting to confession on time. But purgatory awaited him. Not for him the direct, pure route to eternal bliss. He would get there the hard way, by detour. That was one reason why Arturo was an altar boy. Some piety on this earth was bound to lessen the purgatory period.

      He was an altar boy for two other reasons. In the first place, despite his ceaseless howls of protests, his mother insisted on it. In the second place, every Christmas season the girls in the Holy Name Society feted the altar boys with a banquet.

      Rosa, I love you.

      She was in the auditorium with the Holy Name Girls, decorating the tree for the altar boy banquet. He watched from the door, feasting his eyes upon the triumph of her tiptoed loveliness. Rosa: tinfoil and chocolate bars, the smell of a new football, goalposts with bunting, a home run with the bases full. I am an Italian too, Rosa. Look, and my eyes are like yours. Rosa, I love you.

      Sister Mary Ethelbert passed.

      ‘Come, come, Arturo. Don’t dawdle there.’

      She was in charge of the altar boys. He followed her black flowing robes to the ‘little auditorium’ where some seventy boys who comprised the male student body awaited her. She mounted the rostrum and clapped her hands for silence.

      ‘All right boys, do take your places.’

      They lined up, thirty-five couples. The short boys were in front, the tall boys in the rear. Arturo’s partner was Wally O’Brien, the kid who sold the Denver Posts in front of the First National Bank. They were twenty-fifth from the front, the tenth from the rear. Arturo detested this fact. For eight years he and Wally had been partners, ever since kindergarten. Each year found them moved back farther, and yet they had never made it, never grown tall enough to make it back to the last three rows where the big guys stood, where the wisecracks came from. Here it was, their last year in this lousy school, and they were still stymied around a bunch of sixth- and seventh-grade punks. They concealed their humiliation by an exceedingly tough and blasphemous exterior, shocking the sixth-grade punks into a grudging and awful respect for their brutal sophistication.

      But Wally O’Brien was lucky. He didn’t have any kid brothers in the line to bother him. Each year, with increasing alarm, Arturo had watched his brothers August and Federico moving toward him from the front rows. Federico was now tenth from the front. Arturo was relieved to know that this youngest of his brothers would never pass him in the line-up. For next June, thank God, Arturo graduated, to be through forever as an altar boy.

      But the real menace was the blond head in front of him, his brother August. Already August suspected his impending triumph. Whenever the line was called to order he seemed to measure off Arturo’s height with a contemptuous sneer. For indeed, August was the taller by an eighth of an inch, but Arturo, usually slouched over, always managed to straighten himself enough to pass Sister Mary Ethelbert’s supervision. It was an exhausting process. He had to crane his neck and walk on the balls of his feet, his heels a half inch off the floor. Meanwhile he kept August in complete submission by administering smashing kicks with his knee whenever Sister Mary Ethelbert wasn’t looking.

      They did not wear vestments, for this was only practice. Sister Mary Ethelbert led them out of the little auditorium and down