From phone booths all down the Ohio River he talked to Mother. She told him that she was lonesome, too, and that three children—maid and nanny or no—were a handful. She said, further, that people were starting to talk. She knew Father couldn’t bear people’s talking. For all his dreaminess, he prized respectability above all; it was our young mother, whose circumstances bespoke such dignity, who loved to shock the world. After only six weeks, then—on the Ohio River at Louisville—he sold the boat and flew home.
I was just waking up then, just barely. Other things were changing. The highly entertaining new baby, Molly, had taken up residence in a former guest room. The great outer world hove into view and began to fill with things that had apparently been there all along: mineralogy, detective work, lepidopterology, ponds and streams, flying, society. My younger sister Amy and I were to start at private school that year: the Ellis School, on Fifth Avenue. I would start dancing school.
Children ten years old wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well under way.
I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again. I woke at intervals until, by that September when Father went down the river, the intervals of waking tipped the scales, and I was more often awake than not. I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again.
Consciousness converges with the child as a landing tern touches the outspread feet of its shadow on the sand: precisely, toe hits toe. The tern folds its wings to sit; its shadow dips and spreads over the sand to meet and cup its breast.
Like any child, I slid into myself perfectly fitted, as a diver meets her reflection in a pool. Her fingertips enter the fingertips on the water, her wrists slide up her arms. The diver wraps herself in her reflection wholly, sealing it at the toes, and wears it as she climbs rising from the pool, and ever after.
I never woke, at first, without recalling, chilled, all those other waking times, those similar stark views from similarly lighted precipices: dizzying precipices from which the distant, glittering world revealed itself as a brooding and separated scene—and so let slip a queer implication, that I myself was both observer and observable, and so a possible object of my own humming awareness. Whenever I stepped into the porcelain bathtub, the bath’s hot water sent a shock traveling up my bones. The skin on my arms pricked up, and the hair rose on the back of my skull. I saw my own firm foot press the tub, and the pale shadows waver over it, as if I were looking down from the sky and remembering this scene forever. The skin on my face tightened, as it had always done whenever I stepped into the tub, and remembering it all drew a swinging line, loops connecting the dots, all the way back. You again.
PART ONE
THE STORY STARTS BACK IN 1950, when I was five.
Oh, the great humming silence of the empty neighborhoods in those days, the neighborhoods abandoned everywhere across continental America—the city residential areas, the new “suburbs,” the towns and villages on the peopled highways, the cities, towns, and villages on the rivers, the shores, in the Rocky and Appalachian mountains, the piedmont, the dells, the bayous, the hills, the Great Basin, the Great Valley, the Great Plains—oh, the silence!
For every morning the neighborhoods emptied, and all vital activity, it seemed, set forth for parts unknown.
The men left in a rush: they flung on coats, they slid kisses at everybody’s cheeks, they slammed house doors, they slammed car doors; they ground their cars’ starters till the motors caught with a jump.
And the Catholic schoolchildren left in a rush; I saw them from our dining-room windows. They burst into the street buttoning their jackets; they threw dry catalpa pods at the stop sign and at each other. They hugged their brown-and-tan workbooks to them, clumped and parted, and proceeded toward St. Bede’s church school almost by accident.
The men in their oval, empty cars drove slowly among the schoolchildren. The boys banged the cars’ fenders with their hands, with their jackets’ elbows, or their books. The men in cars inched among the children; they edged around corners and vanished from sight. The waving knots of children zigzagged and hollered up the street and vanished from sight. And inside all the forgotten houses in all the abandoned neighborhoods, the day of silence and waiting had begun.
The war was over. People wanted to settle down, apparently, and calmly blow their way out of years of rationing. They wanted to bake sugary cakes, burn gas, go to church together, get rich, and make babies.
I had been born at the end of April 1945, on the day Hitler died; Roosevelt had died eighteen days before. My father had been 4-F in the war, because of a collapsing lung—despite his repeated and chagrined efforts to enlist. Now—five years after V-J Day—he still went out one night a week as a volunteer to the Civil Air Patrol; he searched the Pittsburgh skies for new enemy bombers. By day he worked downtown for American Standard.
Every woman stayed alone in her house in those days, like a coin in a safe. Amy and I lived alone with our mother most of the day. Amy was three years younger than I. Mother and Amy and I went our separate ways in peace.
The men had driven away and the schoolchildren had paraded out of sight. Now a self-conscious and stricken silence overtook the neighborhood, overtook our white corner house and myself inside. “Am I living?” In the kitchen I watched the unselfconscious trees through the screen door, until the trees’ autumn branches like fins waved away the silence. I forgot myself, and sank into dim and watery oblivion.
A car passed. Its rush and whine jolted me from my blankness. The sound faded again and I faded again down into my hushed brain until the icebox motor kicked on and prodded me awake. “You are living,” the icebox motor said. “It is morning, morning, here in the kitchen, and you are in it,” the icebox motor said, or the dripping faucet said, or any of the hundred other noisy things that only children can’t stop hearing. Cars started, leaves rubbed, trucks’ brakes whistled, sparrows peeped. Whenever it rained, the rain spattered, dripped, and ran, for the entire length of the shower, for the entire length of days-long rains, until we children were almost insane from hearing it rain because we couldn’t stop hearing it rain. “Rinso white!” cried the man on the radio. “Rinso blue.” The silence, like all silences, was made poignant and distinct by its sounds.