This parcel should contain:
x 4 Dictaphones with continuous playback and AC adaptors
x 4 pre-recorded Dictaphone tapes
x 4 8-metre extension cables
x 1 four-way plug adapter
x 16 AA batteries in case of power failure or outdoor use
Function: The function of this equipment is to generate a non-divergent conceptual loop. That is, a stream circle, a flow of pure and singular association moving around the Dictaphones in order. From one to two. From two to three. From three to four. From four back to one. The resulting current is strong and clean enough to push otherwise incoming flows (of cause and effect, degrees of separation etc.) around the defined space, rather than allowing them through or into it, thus creating an area of isolation. To the best of my knowledge, no Ludovician, or any conceptual fish, has ever breached a non-divergent conceptual loop. In essence, it will function as a shark cage.
Instructions: Insert tapes into Dictaphones. Place Dictaphones in each corner of your room or at the edges of whatever space you are aiming to define. Rig up each Dictaphone with an AC adaptor if possible. Ensure each Dictaphone is set to continuous play. Begin playback on all Dictaphones. Protection is only provided within the area described by the layout of the Dictaphones.
Further notes, explanations & information in the eventuality of equipment damage: Each of the four Dictaphone tapes provided has been recorded by a different person. An individual making a recording of this type does not have to be speaking necessarily, they can simply go about their daily business with the Dictaphone recording in their pocket for a few hours. The longer the recording, the more the person is clarified in sound and the more secure your loop. Now – and this is complicated, Eric, so read it back until you’re sure you have it exactly right, you may have to attempt your own replacement tapes one day – the person who records tape one must forward three blank Dictaphone tapes and their own recorded tape to the person who is to record tape two. The person who records tape two must then forward their own tape, tape one and the two remaining blank tapes to the person who will record tape three. And so on. All four recorded tapes must then be sent back to person one. At no time must any of the people involved in the recording listen to any of the tapes. Apart from this single interaction, the four people must not know each other at all, otherwise branching or cross-streaming could occur and a whirlpool loop collapse would quickly follow. Obviously, you must have no contact with any of the four participants for the same reason. Obviously again, this is almost impossible. Hence the importance of maintaining the provided equipment.
With regret and also hope,
The First Eric Sanderson
(Received: 25th September)
Letter #4
Dear Eric,
Some other things which provide good camouflage in the waterways:
Other People’s Letters/Post: Perhaps the most useful of everyday items when it comes to confusing and tangling and knotting and muddying the conceptual flows of the world. Resonant items can be effectively camouflaged by submerging them in a large box filled with post. Or just a heap of post. The more different people the post belongs to, the more effective the camouflage. This system works because a letter acts as a physical embodiment of a communicative flow. Even the briefest letter channels and underpins a strong and definite stream of intended interaction. An item or even a person, like you, submerged in other people’s post will exist at the centre of a confusing multi-stream spaghetti junction of tangled flows. To a Ludovician or other conceptual fish, the result will be hundreds of crossing currents with different originators and recipients. The resonant item is obscured, becoming only one of many possible stream destinations, and any thought fish trying to move towards it is likely to be confused, disorientated and misdirected.
Books of Fact/Books of Fiction: Books of fact provide solid channels of information in many directions. Library books are best because they also link the book itself to every previous reader and any applications of the text. Fiction books also generate illusionary flows of people and events and things that have never been, or maybe have only half-been from a certain point of view. The result is a labyrinth of glass and mirrors which can trap an unwary fish for a great deal of time. I have an old note written by me before I got so vague which says that some of the great and most complicated stories like the Thousand and One Nights are very old protection puzzles, or even idea nets by which ancient peoples would fish for and catch the smaller conceptual fish. I don’t know if this is true or not. Build the books into a small wall around yourself. My notes say three or five books high is best.
With regret and hope,
The First Eric Sanderson
(Received: 23rd November)
Letter #60
Dear Eric,
As promised, this is the key to the locked room in the house.
You should reread letters #3, #4, #17, #44, #58 and #59 and follow all procedures before you open the red filing cabinet. The text you will find inside is ‘live’ and extremely dangerous.
With regret and hope,
The First Eric Sanderson
(Received: 30th November)
Letter #67
Dear Eric,
As far as I am aware, the conceptual fish do not see physical plants and trees and animals. They do not see the sky or the moon. They only see people, and the things that people make and say and do. The streams of human history, human culture and human thought are their environment. The Ludovician is always looking. I am careful to hide myself, but I am forgetful.
I’m telling you everything I know before it’s all lost for good.
With regret and hope,
The First Eric Sanderson
(Received: 9th January)
Letter #108
Dear Eric,
I just realised, it has been more than three months for you now. More than a hundred of these letters. I hope you can follow them, I am doing all I can.
Soon you will receive a package containing a light bulb, a videotape and two exercise books. It’s important that you open this package inside a Dictaphone loop because reading the enclosed information will create a strong scent in the waterways.
The light bulb has been carefully modified to flicker a double-encoded Morse/QWERTY text (more on this later) containing a fragment of your history. As you will see, one of the exercise books contains my work on identifying the type of encryption, the other contains the clean text I have been able to extract so far. There is still more to translate and that task falls to you. The videotape contains the light bulb’s complete flash cycle for decoding purposes, and in case of accident.
Be very careful with this text. It should be considered ‘live’ at all times. As with all other live documents, ensure it is stored in a post-filled box for safety.
Regret and hope,
The First Eric Sanderson
(Received: 11th January)
Letter #110
Dear Eric,
It seems so normal doesn’t it, the writing from my journal about Clio and Greece? I hardly recognise myself. I don’t think I could even write like that anymore. I’ve ended up as a collector’s egg, all the insides and egginess sucked out leaving just an intact and brittle shell, looking just the same, perfectly the same, but not really an egg at all