During the border campaign the Connolly Association concentrated on attacking the Unionist government for interning republicans and began to press the British government to use its power under the Government of Ireland Act to legislate for civil rights in Northern Ireland.250 As early as 1955, the Irish Democrat had put forward the idea of a civil rights campaign as the way to shatter Ulster Unionism.251 For a year in 1960-61 Coughlan acted as a full-time organiser for the Connolly Association, promoting ‘anti-Unionist political activity in Britain’,252 including a march from London to Birmingham to raise the issue of British acquiescence in Unionist rule.253 A graduate of University College, Cork, who had been in London from 1958 doing post-graduate work, Coughlan returned to a lectureship in social administration in Trinity College, Dublin, in 1961. He was a fervent republican in the sense that he saw the central issue of Irish politics as the completion of the national revolution. He believed, however, that this could not be achieved by the physical force tradition but only by the creation of a broad national coalition in which the labour movement would play a central role. The objective of this movement was ‘real’ independence, not socialism. In Northern Ireland the objective would be to destabilise Unionism by reforms which would detach enough Protestants from the Unionist Party to create a ‘progressive’ coalition: ‘Stormont could then be used against imperialism,’ to quote Greaves, his friend and mentor.254
Coughlan was invited to join the Wolfe Tone Society in 1964, when it was decided to maintain it as a permanent ‘think tank’ of ‘active people with roots in the language, trade union, co-operative, republican and other organisations’.255 The Wolfe Tone Society was to provide the intellectual resources for a unification of ‘the bulk of the radical-minded elements in the existing trade union and republican movement’ in a new revolutionary political organisation.256 Goulding and Cronin had played a role in initiating the Wolfe Tone Society, but its subsequent development was not heavily influenced by the IRA. In fact, the IRA was undergoing a parallel process of development in which some of the central ideas propagated by the Wolfe Tone Society were to play a crucial if controversial role.
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