Risking Proclamation, Respecting Difference. Chris Boesel. Читать онлайн. Newlib. NEWLIB.NET

Автор: Chris Boesel
Издательство: Ingram
Серия:
Жанр произведения: Религия: прочее
Год издания: 0
isbn: 9781498270328
Скачать книгу
to one’s neighbor and, more specifically, in the totality of one’s ethical relations and duties. And here we can hear the echo of Rubenstein’s commitment to “human solidarity” as criteria and judge of religious faith.

      So, while Hegel’s conception of the ethical entails an affirmation of faith (when the latter is properly understood), it would seem Abraham’s faith entails a stark rejection of the ethical. And in doing so, it constitutes a grotesque disfiguration of the true nature of faith itself. That is, if we take Hegel’s word for it. But what if we take our cue from Abraham, or more accurately, from the confession that Abraham is the father of faith, rather than its most horrific profaner? What if we allow that confession about Abraham to determine our understanding of how his troubling decision is related to the ethical? This is precisely what Johannes tries to do, and what causes him so much trouble, given his initial willingness to give Hegel the benefit of the doubt with regard to the nature of the ethical.

      Most people assume that the act of Abraham’s faith atop Mount Moriah consists in his willingness to give Isaac up for God. It is quite natural to assume so. It is, after all, what the available evidence suggests to the public eye of the neutral observer. However, according to Johannes’s reading of the story, this is not faith at all. Giving up Isaac for God, Johannes argues, would make Abraham a “knight of resignation” rather than of faith (the knight of resignation being exemplified by the king sacrificing his daughter to the angry god to save the nation). The “knight of faith,” on the other hand,

      One can only marvel at this startling identification of two such starkly contradictory scenes: Abraham ascending Moriah and a contented petit bourgeois walking through the park. If one recalls the opening of Fear and Trembling, Johannes gives a series of differing versions of the trip to Moriah, his own versions that attempt to present an Abraham he could understand—versions that included a glimpse of a grimace of anger, a wince of pain, a clenched fist, the fallen countenance of resignation