Fig. 0.12. Goble, illustration for The War of the Worlds (Wells), part 7
Fig. 0.13. Browne, illustration for Bleak House (Dickens), part 16
Fig. 0.14. Thackeray, illustration for his Vanity Fair, parts 19 and 20
Fig. 0.15. George Cruikshank, illustration for Jack Sheppard (Ainsworth), part 11
Fig. 0.16. John Everett Millais, illustration for Parables (Guthrie), part 3
Fig. 0.17. Albrecht Dürer, The Descent from the Cross
Fig. 0.18. George Cattermole, illustration for The Old Curiosity Shop (Dickens), part 40
Fig. 0.19. Millais, illustration for Orley Farm (Trollope), part 2
Fig. 0.20. Charles Collins, wrapper for The Mystery of Edwin Drood (Dickens), part 1
Fig. 0.21. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 0.22. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 1.1. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.2. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.3. Browne, illustration for David Copperfield (Dickens), part 7
Fig. 1.4. Browne, title page for David Copperfield (Dickens), parts 19 and 20
Fig. 1.5. Browne, illustration for David Copperfield (Dickens), part 3
Fig. 1.6. Browne, illustration for David Copperfield (Dickens), part 16
Fig. 1.7. Du Maurier, illustration for Cousin Phillis (Gaskell), part 2
Fig. 2.1. Millais, illustration for The Anglers of the Dove (Martineau), part 1
Fig. 2.2. Millais, illustration for The Anglers of the Dove (Martineau), part 4
Fig. 2.3. Millais, illustration for The Anglers of the Dove (Martineau), part 2
Fig. 2.4. Millais, illustration for Son Christopher (Martineau), part 2
Fig. 2.5. Cruikshank, wrapper for The Tower of London (Ainsworth), part 1
Fig. 2.6. Cruikshank, headpiece, signature, and chapter initial for The Tower of London (Ainsworth), part 1
Fig. 2.7. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.8. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.9. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.10. Cruikshank, illustration for The Tower of London (Ainsworth), part 8
Fig. 2.11. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 13
Fig. 2.12. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.13. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.14. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.15. Cruikshank, illustration for The Tower of London (Ainsworth), part 4
Fig. 2.16. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.17. Browne, illustration for Charles O’Malley (Lever), parts 21 and 22
Fig. 2.18. Thackeray, wrapper for his Vanity Fair, part 1
Fig. 2.19. Thackeray, chapter initial for his Vanity Fair, parts 19 and 20
Fig. 2.20. Thackeray, illustration for his Vanity Fair, part 1
Fig. 2.21. Thackeray, chapter initial for his Vanity Fair, part 1
Fig. 2.22. Thackeray, tailpiece for his Vanity Fair, part 1
Fig. 2.23. Thackeray, illustration for his Vanity Fair, part 6
Fig. 2.24. Thackeray, illustration for his Vanity Fair, part 2
Fig. 2.25. Thackeray, illustration for his Vanity Fair, parts 19 and 20
Fig. 2.26. Browne, illustration for A Tale of Two Cities (Dickens), part 5
Fig. 2.27. Browne, illustration for A Tale of Two Cities (Dickens), part 5
Fig. 2.28. Browne, frontispiece for A Tale of Two Cities (Dickens), parts and 8
Fig. 2.29. Browne, title page for A Tale of Two Cities (Dickens), parts 7 and 8
Fig. 2.30. John McLenan, headpiece for A Tale of Two Cities (Dickens), part 3
Fig. 2.31. McLenan, illustration for A Tale of Two Cities (Dickens), part 3
Fig. 2.32. McLenan, illustration for A Tale of Two Cities (Dickens), part 9
Fig. 2.33. Browne, illustration for A Tale of Two Cities (Dickens), part 3
Fig. 2.34. McLenan, headpiece for A Tale of Two Cities (Dickens), part 18
Fig. 2.35. McLenan, illustration for A Tale of Two Cities (Dickens), part 9
Fig. 2.36. McLenan, illustration for A Tale of Two Cities (Dickens), part 16
Fig. 2.37. McLenan, illustration for A Tale of Two Cities (Dickens), part 26
Fig. 2.38. Frederick Barnard, frontispiece for Charles Dickens (Archer)
Fig. 2.39. McLenan, illustration for A Tale of Two Cities (Dickens), part 30
Fig. 3.1. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 1
Fig. 3.2. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell),