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Автор: Thomas Larson
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isbn: 9780804040297
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       The Memoir and the Memoirist

      THOMAS LARSON

       THE MEMOIR AND THE MEMOIRIST

       Reading and Writing Personal Narrative

      Swallow Press / Ohio University Press • Athens

      Swallow Press / Ohio University Press, Athens, Ohio 45701

      www.ohio.edu/oupress

      © 2007 by Swallow Press / Ohio University Press

      Printed in the United States of America

      All rights reserved

      Swallow Press / Ohio University Press books are printed on acid-free paper images

      15 14 13 12 11 10 09 08 07 5 4 3 2 1

      The epigraph quoted from Annie Ernaux, Simple Passion, pp. 8–10, is used by permission of the publisher, Seven Stories Press.

      Library of Congress Cataloging-in-Publication Data

      Larson, Thomas, 1949–

      The memoir and the memoirist : reading and writing personal narrative / Thomas Larson.

      p. cm.

      ISBN-13: 978-0-8040-1100-6 (hc : alk. paper)

      ISBN-10: 0-8040-1100-1 (hc : alk. paper)

      ISBN-13: 978-0-8040-1101-3 (pbk : alk. paper)

      ISBN-10: 0-8040-1101-X (pbk : alk. paper)

      1. Autobiography—Authorship. I. Title.

      CT25.L28 2007

      808′.06692—dc22

      2007005958

       To Suzanna

      How strange that all

      The terrors, pains, and early miseries,

      Regrets, vexations, lassitudes interfused

      Within my mind, should e’er have borne a part,

      And that a needful part, in making up

      The calm existence that is mine when I

      Am worthy of myself! Praise to the end!

      —William Wordsworth, The Prelude

      “Oh, ’Tis Me That Is Wounded”

      —Scottish fiddle tune

      Art would not be important were life not more important.

      —James Baldwin

      Once I had dressed, made up, done my hair and tidied the house, if I still had some time left, I would be incapable of reading or marking essays. In a way, too, I didn’t want my mind to concentrate on anything else but the wait itself, in order not to spoil it. Quite often I would write down on a sheet of paper the date, the time and “he’s going to come,” along with other sentences, fears—that he might not come, that he might not feel the same desire for me. In the evening I would go back to the sheet of paper, “he came,” jotting down the details of that meeting at random. Then, dazed, I would stare at the scrawls on the paper and the two paragraphs written before and after, which one read in succession without a break. In between there had been words and gestures which made everything else seem trivial, including the very writing destined to capture them. An interval of time squeezed in between two car noises—his Renault 25 braking, then driving off again—when I knew that nothing in my life (having children, passing exams, traveling to faraway countries) had ever meant as much to me as lying in bed with that man in the middle of the afternoon.

      It would only last for a few hours. I never wore my watch, removing it just before he arrived. He would keep his on and I dreaded the moment when he would glance at it discreetly. When I went into the kitchen to get some ice, I would look up at the clock hanging above the door: “only two more hours,” “only one more hour,” or “in one hour I’ll be here and he’ll be gone.” Astonished I asked myself: “Where is the present?”

      He would dress slowly before leaving. I would watch him button up his shirt, put on his socks, his underpants, his trousers, then turn towards the mirror to fasten his tie. After he had put on his jacket, it would all be over. Now I was only time flowing through myself.

      —Annie Ernaux, Simple Passion

       Contents

       Preface

       This Writing Life Now Is What I’ve Lived For: An Introduction

       1. From Autobiography to Memoir

       2. Discovering a New Literary Form

       3. The Past Is Never Over

       4. The Voice of Childhood

       5. Myth-Making in Memoir

       6. The Writer as Archeologist

       7. Sudden Memoir (1)

       8. Sudden Memoir (2)

       9. What Is Telling the Truth?

       10. Which Life Am I Supposed to Live?

       11. Memoir and the Inauthentic

       12. Two Selves Authenticated

       13. The Trouble with Narrative

       14. The World the Self Inherits

       15. A Memoir Culture

       Notes

       Memoirs

       Works Cited

       Preface

      For several years, I have wanted to write an essay on memoir, to immerse myself in my love of the form as writer and reader. My idea was to dwell on the period from now back to the late 1980s, when memoir burst forth sui generis from the castle of autobiography and the wilds of the personal essay. Like any child, memoir had had its issues with its parent, autobiography. In response, the patriarch, steadfast in its tenets and traditions, didn’t want much to do with memoir; so the fledgling ran off to find its own path in the world, going a little crazy with experimentation and