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Автор: Ronald E. Osborn
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      Anarchy and Apocalypse

      Essays on Faith, Violence, and Theodicy

      Ronald E. Osborn

      CASCADE Books - Eugene, Oregon

      ANARCHY AND APOCALYPSE

      Essays on Faith, Violence, and Theodicy

      Copyright © 2010 Ronald E. Osborn. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.

      Scripture quotations taken from the New American Standard Bible®,

       Copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation. Used by permission.” (www.Lockman.org)

      Scripture taken from the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved.

      Cascade Books

      An Imprint of Wipf and Stock Publishers

      199 W. 8th Ave., Suite 3

      Eugene, OR 97401

      www.wipfandstock.com

      isbn 13: 978-1-60608-962-0

      Cataloging-in-Publication data:

      Osborn, Ronald E., 1975–.

      Anarchy and apocalypse : essays on faith, violence, and theodicy / Ronald E. Osborn.

      x + 164 p. ; 23 cm. —Includes bibliographical references and index.

      isbn 13: 978-1-60608-962-0

      1. Christianity and politics. I. Title.

      br115 .p7 o83 2010

      Manufactured in the U.S.A.

      Preface

      The essays and articles in this volume (with the exception of the final chapter) were written as responses to the terrorist attacks of September 11, 2001, and America’s subsequent wars in Afghanistan and Iraq. These events, however, are only occasionally directly mentioned. My feeling from the start of the so-called “war on terror” was that what concerned people around the world—and religious persons in the United States in particular—most needed were tools of dissent based upon a longer view of history. I therefore tried in my writing to practice a kind of critical detachment from the grim revelations of the daily news cycle, not by affecting a spurious and pseudo-scientific “objectivity” but by searching primarily for analogies, memories, and allusions as a way of resisting the “principalities and powers” in Washington, London, Baghdad, and elsewhere. Hence, for example, as the bombs began to fall on Kabul in 2002 I decided to follow Simone Weil’s lead at the start of World War II and begin by writing about Achilles, Hector, and the fall of Troy in Homer’s Iliad. Whether or not this was the right approach I leave to my readers to decide. I hope, though, that by their nature the chapters that follow might provide helpful ways of thinking not only about the violence and suffering of the past eight years (continuing into the present), but more broadly about the violence and suffering of humanity at war with itself from the beginning of history as we know it.

      I have arranged these essays according to themes and arguments rather than in a strictly chronological order. They vary greatly in style, length, and approach. All, though, focus on closely related questions. What are the underlying causes and consequences of violence? What kinds of moral and spiritual resources can persons of belief—and especially those of us in the Christian tradition—draw on in the face of dilemmas of injustice, inequality, and conflict? How should we respond to the clamorous calls for obedience and allegiance assailing us from all directions? And what existential and moral crises must individuals of all faiths, or none, face up to in the age of Auschwitz, Hiroshima, My Lai, Rwanda, and Abu Ghraib?

      If there is an underlying “project” in these essays it is an attempt to make clear the vibrant connections between nonviolent anarchist and Christian political thought as found in the Gospel narrative. I first began seriously thinking about the anarchist dimensions of the Christian euangelion while helping to coordinate emergency food and shelter relief for returning refugees with an international aid organization in Kosovo in the six months immediately after the end of the 1999 war. It was my first job out of college. Before leaving for the Balkans I had packed two books into my suitcase: The Kingdom of God is Within You by Leo Tolstoy and The Chomsky Reader by Noam Chomsky. Reading Tolstoy and Chomsky against a backdrop of destroyed Albanian villages set me thinking in earnest for the first time about the intractable moral and political problems generated not only by violence and war but by power itself, and to begin to reexamine nonviolence (I had already read a fair amount of Martin Luther King Jr. and Gandhi as an undergraduate) as a serious response to the many paradoxes, ironies, ambiguities, and temptations of power.

      There are many people to whom I owe gratitude for making this book possible. First and foremost, I want to thank my parents, Ken and Ivanette, my two sisters, Lorelie and Kim, and my grandparents, Robert and Evelyn Osborn. This book is dedicated to the memory of my grandfather, who was a conscientious objector and noncombatant medic during World War II. Sigve Tonstad generously read and commented on an early draft of this manuscript, for which I am grateful. I would also like to acknowledge some friends and mentors who have played particularly important roles in shaping and sharpening my ideas (not always by their agreement) over the course of my life: Roy Branson, Eric Guttschuss, Harry Leonard, Douglas Morgan, and Ottilie Stafford. Finally, I must thank the editors of the Adventist Peace Fellowship, Spectrum Magazine, Humanitas, the Journal of Law and Religion, First Things, and Z Magazine, which published earlier versions of some of these essays and have kindly permitted me to reprint them.

      —2010

      1 · War, Fate, Freedom, Remnant

      I

      Homer understood the logic of violence. In the Iliad, his epic retelling of the fall of Troy, every emotional, physical, and psychological dynamic of force is carefully and critically weighed. Every aspect of the human personality is submitted to the harsh rigors of close combat. Every ethical reserve is tested in the pitch of battle. Here, amid the crush of flesh and iron, ideals and abstractions are shattered in an ultimate realism. Lofty sentiments are unraveled by the elemental impulse for self-preservation. Moral pretensions and pieties are stripped bare by death feeding at the altar of war. The final vision of the poem, however, is not a celebration of this stark arena, or, as some have believed, of the soul of the warrior. It is, rather, an understanding that all who engage in violence are mutilated by it; that