But when I say “writing assessment,” what exactly am I talking about in this book? For writing teachers, I’ve found no better way to describe the range of judging that teachers do than Stephen Tchudi’s (1997) description in his introduction to Alternatives to Grading Student Writing. Tchudi characterizes the degrees of freedom in various acts of judging student writing, which move from a high degree of freedom and low degree of institutional pressure in acts of responding to a limited degree of freedom and high degree of institutional pressure in grading. He offers four basic acts of judging, which I refer to generally in this book as “writing assessment”:
•Response. “naturalistic, multidimensional, audience-centered, individualized, richly descriptive, uncalculated”;
•Assessment. “multidimensional, descriptive/analytic, authentic, problem solving, here-and-now, contextualized criteria, formative/process-oriented”;
•Evaluation. “semi-deminsional, judgmental, external criteria, descriptive/analytic, rank ordering, future directed, standardized, summative”;
•Grading. “one-dimensional, rewards/punishments, rank ordering, not descriptive, a priori criteria, future directed, one-symbol summative” (Tchudi, 1997, p. xiii)
Thus when I refer to activities, processes, judgments, or decisions of assessment, I’m speaking mainly of the above known kinds of judgment, which all begin with processes and acts of reading. As you can see from Tchudi’s descriptions, response is freer and more open than assessment, which offers an analytic aspect to judgments on writing but less freedom than responses. Meanwhile, evaluation is even more restrictive by being more judgmental and summative than assessment, while grading is the most limited of them all, since it is one-dimensional and not descriptive.
We must be careful with using such distinctions, however. Thinking about classroom writing assessment as essentially a kind of judgment or decision whose nature is different depending on how much freedom or institutional pressure exists in the judgment misses an important aspect of all classroom writing assessment that my ecological theory reveals. All of the above kinds of judgments are based on processes of reading student texts. Assessment as an act is at its core an act of reading. It is a particular kind of labor that teachers and students do in particular material places, among particular people. This means that the nature of any kind of judgment and the institutional pressure present is contingent on the ecology that produces it and the ecologies that surround that ecology. So while these distinctions are useful, they become fuzzier in actual practice.
Why Ecology and an Antiracism Agenda?
You may be wondering, what am I adding to the good work of writing assessment folks like Brian Huot, Peggy O’Neill, Bob Broad, Ed White, Bill Condon, Kathleen Yancey, and others who have written about writing assessment in the classroom? While very good, very conscientious scholars and teachers who have much to teach us about validity, reliability, the nature of judgment, portfolios, and reflection (self-assessment), none of these scholars use any race theory, postcolonial theory, whiteness theory, or Marxian theory to address racism in writing assessments of any kind, but especially writing assessments in the classroom. To date, I have seen nothing in the literature that incorporates a robust racial theory, Marxian theory, postcolonial theory, or a theory of whiteness to a theorizing or practical treatment of classroom writing assessment. My ecological theory of writing assessment incorporates such theories because such theories offer a way to understand the ecology of people, environments, their relationships, and the politics involved.
Thus what I address is the fact that students of color, which includes multilingual students, are often hurt by conventional writing assessment that uncritically uses a dominant discourse, which is informed by an unnamed white racial habitus, which we see better when we use analytical tools like postcolonial theory, whiteness studies, and Marxian theory. A theory of writing assessment as ecology adds these theories to our thinking about classroom writing assessments. Thus it doesn’t matter if teachers or readers see or read student writing with prejudice or with a preference for whiteness in their classrooms. It doesn’t matter at all. What matters is that the assessment ecology produces particular results, determines (in the Marxian sense) particular products, reinforcing particular outcomes, which make racist cause and effect difficult (even impossible) to discern. What matters is that writing teachers and students not only have a vocabulary for thinking about writing assessment in its most complete way, but that that vocabulary be informed by other pertinent theories. Having such a vocabulary offers explicit and self-conscious ways to problematize students’ writing assessment situations, a central activity in antiracist writing assessment ecologies.
I’ve made a bold claim above about some very fine writing assessment scholars, so let me illustrate how racism in writing assessment often gets treated (or avoided) by scholars and researchers by considering one very good writing assessment scholar, Brian Huot, one we would all do well to listen to carefully. My goal is not to demean the fine work of Huot. In fact, I am inspired by his trailblazing, by his articulation of key connections between writing assessment and student learning, and his advocacy for composition studies as a field to know more about the literature of writing assessment (mostly the psychometric and educational measurement literature) in order to do our work better, but I argue that we must now cut a broader trail, one that offers us additional theories that help us explicitly understand racism in writing assessment.
In his important work (Re)Articulating Writing Assessment for Teaching and Learning, Brian Huot (2002) discusses writing assessment as a field and a set of classroom practices. In Chapters 3 and 5, he focuses explicitly on classroom writing assessment. In Chapter 3, he argues convincingly that writing teachers need to teach students how to assess writing themselves in order to help students become better writers. He says, “[a] crucial missing element in most writing pedagogy is any experience or instruction in ascertaining the value of one’s own work” (2002, p. 67). In short, we must teach assessment to students, so that they can understand the nature of judgment and value, which in return makes them more critical and effective writers. To do this, he promotes what he calls “instructive evaluation,” which “involves the student in the process of evaluation … in all phases of the assessment of her work” (2002, p. 69). Instructive evaluation focuses attention on how judgments are made through the processes of reading student texts. In many important ways, I have tried to take up Huot’s call by engaging students in the full cycle of writing assessment through a cycle of rubric creating, drafting, judging, revising, and reflecting on the ways students read and make judgments on peer’s texts (Inoue, 2004). I call it “community-based assessment pedagogy,” and I still use a version of it today, which I show in Chapter 4. I extended this pedagogy by arguing for writing teachers to teach the rhetoric of writing assessment (Inoue, 2010), which offers students ways to understand the nature of valuing and judgment, which provides them with ways to write from more critical and informed stances. So Huot—and particularly (Re)Articulating—has helped me to understand a long-term pedagogical and scholarly project, of which the present book is a continuation.
But in his discussion of teaching assessment to students, or involving them in the full cycle of assessment, there is no mention of the ways that the judgments possible or the dominant discourse that informs those judgments are already constructed by racial structures, for instance, a white racial habitus, or a dominant white discourse, which we might for now understand as a set of linguistic codes and textual markers that are often not a part of the discourses of many students of color,