Films from the Future. Andrew Maynard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Andrew Maynard
Издательство: Ingram
Серия:
Жанр произведения: Медицина
Год издания: 0
isbn: 9781633539068
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      This is a book that contains spoilers. You have been warned. It’s not a book to read if you’re one of those people who can’t stand to know what happens before you watch a movie. But I can guarantee that if you read the book before seeing the movies, your experience will be all the richer for it. Even if you’re familiar with the movies, you’ll see them through new eyes after reading the book. And if you decide not to watch the movies at all, that’s okay as well. Certainly, the movies are engaging and entertaining, but at the end of the day, it’s the technologies that are the stars here.

      Each chapter starts with a brief overview of the movie it’s built around. This is partly to orient you if you haven’t seen the movie, or you aren’t particularly interested in watching it—although I’d hope that, after reading the chapter, you head out to your preferred streaming service to get the full effect. But it’s also to help set the scene for what’s to come. If you know these movies well, you’ll realize that the summaries are idiosyncratic, to say the least. They let you know what I think is interesting and relevant about each film, what grabs my attention when watching them and makes me think. But they don’t give everything away. In fact, I’d hope that, watching any of the movies after reading the book, you’d still be surprised and delighted by unexpected plot twists and turns.

      With that said, it’s time to start the journey, starting with genetic engineering, resurrection biology, and the folly of entrepreneurial arrogance that is so adeptly captured by Stephen Spielberg’s original Jurassic Park. So buckle up, hang on, and enjoy the ride!

       Chapter Two

       Jurassic Park: The Rise of Resurrection Biology

      “God help us, we’re in the hands of engineers!”

      —Dr. Ian Malcolm

      I was a newly minted PhD when I first saw Jurassic Park. It was June 1993, and my wife and I were beginning to enjoy our newfound freedom, after years of too much study and too little money. I must confess that we weren’t dinosaur geeks. But there was something about the hype surrounding the movie that hooked us. Plus, we fancied a night out.

      That summer, dinosaurs ruled the world. Wherever you looked, there were dinosaurs. Dinosaur books, dinosaur parks, dinosaurs on TV, dinosaur-obsessed kids. Jurassic Park seemingly tapped into a dinosaur-obsessed seam buried deep within the human psyche. This was helped along, of course, by the groundbreaking special effects the movie pioneered. Even now, there’s a visceral realism to the blended physical models and computer-generated images that brings these near-mythical creatures to life in the movie.

      This is a large part of the appeal of Jurassic Park. There’s something awe-inspiring—awe-full in the true sense of the word—about these “terrible lizards” that lived millions of years ago, and that are utterly alien to today’s world. This sense of awe runs deep through the movie. Listening to John Williams’ triumphant theme music, it doesn’t take much to realize that under the gloss of danger and horror, Jurassic Park is at heart a celebration of the might and majesty of the natural world.

      Jurassic Park is unabashedly a movie about dinosaurs. But it’s also a movie about greed, ambition, genetic engineering, and human folly—all rich pickings for thinking about the future, and what could possibly go wrong.

      Jurassic Park opens at a scientific dig in Montana, where paleontologists Alan Grant (played by Sam Neill) and Ellie Sattler (Laura Dern) are leading a team excavating dinosaur fossils. Just as the team discovers the fossilized skeleton of a velociraptor, a dinosaur that Grant is particularly enamored with, the dig is interrupted by the charming, mega-rich, and, as it turns out, rather manipulative John Hammond (Richard Attenborough). As well as being founder of International Genetic Technologies Incorporated (InGen for short), Hammond has also been backstopping Grant and Sattler’s digs. On arriving, he wastes no time offering them further funding in exchange for a quick weekend mini-break to his latest and greatest masterpiece, just off the coast of Costa Rica.

      We quickly learn that, beneath the charm, Hammond is fighting for the future of his company and his dream of building the ultimate tourist attraction. There’s been an unfortunate incident between a worker and one of his park’s exhibits, and his investors are getting cold feet. What he needs is a couple of respected scientists to give him their full and unqualified stamp of approval, which he’s sure they will, once they see the wonders of his “Jurassic Park.”

      Grant and Sattler agree to the jaunt, in part because their curiosity has been piqued. They join Hammond, along with self-styled “chaotician” Dr. Ian Malcolm (Jeff Goldblum) and lawyer Donald Gennaro (Martin Ferrero), on what turns out to be a rather gruesome roller-coaster ride of a weekend.

      From the get-go, we know that this is not going to end well. Malcolm, apart from having all the best lines in the movie, is rather enamored with his theories about chaos. These draw heavily on ideas that were gaining popularity in the 1980s, when Crichton was writing the novel the movie’s based on. Malcolm’s big idea—and the one he was riding the celebrity-scientist fame train on—is that in highly complex systems, things inevitably go wrong. And just as predicted, Hammond’s Jurassic Park undergoes a magnificently catastrophic failure.

      The secret behind Hammond’s park is InGen’s technology for “resurrecting” long-extinct dinosaurs. Using cutting-edge gene-editing techniques, his scientists are able to reconstruct dinosaurs from recovered “dino DNA.” His source for the dino DNA is the remnants of prehistoric blood that was sucked up by mosquitoes before they were caught in tree resin and preserved in the resulting amber as the resin was fossilized.5 And his grand plan is to turn the fictitious island of Isla Nublar into the world’s first living dinosaur theme park.

      Unfortunately, there were a few holes in the genetic sequences that InGen was able to extract from the preserved blood, so Hammond’s enterprising scientists filled them with bits and pieces of DNA from living species. They also engineered their dinosaurs to be all females to prevent them from breeding. And just to be on the safe side, the de-extinct dinosaurs were designed to slip into a coma and die if they weren’t fed a regular supply of the essential amino acid lysine.6

      The result is a bunch of enterprising scientists reengineering nature to create the ultimate theme park and thinking they’ve put all the safeguards they need in place to prevent something bad happening. Yet, despite their best efforts, the dinosaurs start breeding and multiplying, a compromised security system (and security specialist) allows them to escape, and they start eating the guests.

      Even before the team of experts get to Jurassic Park, a disgruntled employee (Dennis Nedry, played by Wayne Knight) has planned to steal and sell a number of dinosaur embryos to a competitor. Nedry is the brains behind the park’s software control systems and believes he’s owed way more respect and money than he gets. At an opportune moment, he disrupts the park with what he intends to be a temporary glitch that will allow him to steal the embryos, get them off the island, and return to his station before anyone notices. Unfortunately, an incoming hurricane7 interferes with his plans, resulting in catastrophic failure of the park’s security systems and a bunch of hungry dinosaurs roaming free. To make things worse, two of the guests are Hammond’s young nephew and niece, who find their trip to the theme park transformed into a life-and-death race against a hungry Tyrannosaurus rex and a pack of vengeful velociraptors.

      Fortunately, Sattler and Grant come into their own as paleontologists-cum-action-heroes. They help save a handful of remaining survivors, including Hammond, Malcolm, and his nephew and niece, but not before a number of less fortunate characters have given their lives in the name of science gone badly wrong. And as they leave the island, we are left in no doubt that nature, in all its majesty, has truly trounced the ambitions of Hammond and his team of genetic engineers.

      Jurassic Park is a wonderful Hollywood tale of derring-do. In fact, it stands the test of time remarkably well as an adventure movie. It also touches on themes