Emma Goldman, whose eclectic openness caught the mood of the Village perfectly, acted as a crucial intermediary between free lovers and twentieth-century bohemians. Goldman possessed a unique capacity to look backwards, outwards and forwards. She was familiar with the little clusters of American free-thought and free-speech groups, as well as Russian writers such as Chernyshevsky, while being equally well versed in Ibsen, Nietzsche, Shaw, Carpenter, Ellis and Freud.56 Even as the Villagers took over some of the watchwords and demands of the free lovers, they re-routed and transposed the old ideals, shaping them into the new set of assumptions about sexuality which would surface in mainstream culture during the 1920s. Confident in the infinite possibility of ‘being’ amidst a booming America vibrant with energy, the bohemian rebels stressed release and expression rather than the conservation of energy, Slenker-style. The free lovers’ ‘self-control’ morphed into Margaret Sanger’s term ‘birth control’, and their interest in therapeutic cures and closeness to nature fed into a concern to manage the body through diet and exercise, in accord with the early twentieth-century American ‘can-do’ approach to mind and body.
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