I stepped into an ancient passageway of large stones with puddles of blackish water pooling at my feet. One hallway led to another just like it, then another. Pipes twisted like ropes were attached to the walls, and the passages rose and dipped as I made my way through them to who knew where. The sounds of work became a dull throb in the distance. Even if I could find my way back, I knew it would be the wrong choice. That bad taste in the back of the throat called fear was making its way into my mouth. I was concentrating hard on not having it turn to panic when my shoulder bumped against a metal ladder. Feet dripping, I hauled myself up to the lowest rung and began climbing. I looked up into complete blackness, but it seemed to hold more hope than what was below.
After what must have been ten minutes of climbing, during which I did not slip once, nor think of how high I must have been, I saw light. I banged my head against something cold and hard and peered through metal bars onto a street. I realized I was looking through a sewer grate. Anyone larger would have been facing the return trip on the ladder, but not me. I tucked my hair into my hood and squeezed and pushed and wriggled until I was standing on a dark street, covered in things that should have been going down a drain, with wet feet and no idea where I was. A lone car sat at a taxi stand on the corner. I almost cried when I saw the exhaust pipes shaped like trombones. When I threw open the back door and fell in, I must have looked like a creature crawling out of a swamp.
Dizzy turned and looked at me from under his porkpie hat. “Where’ll it be, mademoiselle? The Russian church?”
The street and the church were dark when Dizzy dropped me off back at Rudee’s. He hadn’t asked me a thing, and I don’t think I would’ve had the energy to tell him anyway.
“The Hacks are rehearsing tomorrow. Maybe I’ll see you there.”
I thanked him and climbed past a snoring Rudee into the safety of my room. With my smoky hair and clothing smelling of the sewer, I was seriously beginning to compete with Rudee’s stove for odour champion of Paris.
Fourteen
I woke with a start as rain rattled the windows of the turret. The wind cracked and snapped like sheets flapping in the storm, but I felt oddly comforted by the sound and fell back to sleep right away. I dreamed about surveying Paris from the sky sitting on a giant hook that swung gently in the wind, until I was dropped down a chimney that turned into an endless tunnel, out of which I landed hard on the ground.
“You alright, Mac?” Rudee called out. He must have heard me tumble from my bed.
“Yeah, I’m okay, Rudee,” I answered groggily as I entered his room. He looked up a little sheepishly from burying his face in a bunch of flowers that he was putting in a tin can.
“From Sashay,” he grinned, “to thank me for my little gift. She is the cream of the cat parade, no?”
Hard to disagree, I thought. I tried to wash last night off me in the tiny bathroom and thought about what to tell Rudee. I didn’t have much of a chance, since he tapped on the door. “Hacks practice time. You coming?”
I didn’t want to spend any time without friends, so I threw on some clothes and chased Rudee, who was carrying an armload of sheet music and a shopping bag to the cab. As he pulled out of the lane, he eyed me in the rear view mirror. “You slept late, ma petite. Storm keep you awake?”
I could tell he was checking out the bruised-looking circles under my eyes. I really wanted to tell him about last night’s excursion to Les Halles and Shadowcorps, but he was acting so protective toward me that I felt guilty. He also seemed less morose than usual, even perky, as he chattered away like a magpie between rude gestures at anyone who risked sharing the road with us. “Last practice before the Bastille Day party.” Mention of the national celebration made me shudder, thinking of last night. “What did you think of Sashay’s dance, Mac? You know she is famous for taking the audience around the calendar to their childhood days when she performs. That’s why they call her the ‘Queen of Dreams.’”
I knew what he meant as I recalled my own reverie at the club.
“Bah, they won’t let me in there. Not that Sashay wants me dangling around anyway. Blag’s family owns the club, so I’m banned, and of course he can go whenever he wants.”
Madeleine cut in on a burst of static. “Bonjour, all my low rollers, ça va? Just a reminder to all of you that the Bastille Day party at CAFTA features our very own Hacks starting after the fireworks ... if there’s room on the stage for all that talent.”
Rudee positively glowed at this announcement.
“Free blue, white, and red earplugs at the door!” Madeleine cackled, and it sounded like more static.
Rudee laughed and waved at the radio. “We’ll show them. They’ll be dancing their shoes away.”
The practice was in a room above CAFTA that, as my dad would say, looked like a tornado had passed through it. Instruments, amplifiers, speakers, microphones, music stands, coffee cups, pastry wrappers, coats, and sheet music were scattered randomly. On the walls were posters of bands I’d never heard of like The Stereo Types, The Uncalled Four, and Colour Me CooCoo. I was sure I wasn’t missing much.
“It’s Mademoiselle Mac. She’s back,” said Mink Maynard from behind his drums.
Dizzy said “Hi” and gave me a knowing wink.
After a round of secret handshakes, Rudee introduced me to the brothers Maurice and Henri Rocquette on stand-up bass and banjo. They bowed and smiled, showing perfect teeth beneath tiny moustaches. Henri, the younger, had slicked-back grey hair, while Maurice, the older, had a shiny black dome that glistened like motor oil and featured a little hint of grey. Rudee handed out set lists and sheet music and from a shopping bag produced a collection of matching Hawaiian berets. “Part of the ‘Lighten Up’ campaign. What do you think?”
He tossed a beret to me, but I couldn’t bring myself to try it on. Since there were no extra chairs, I curled up on a mound of coats and watched the Hacks storm through their repertoire. They seemed to forget I was there as the laughter got louder. They took turns playing solos, and the best ones were greeted with “bravos” from the others. The endings of the songs were ragged at first, sounding at times like someone dropping an armload of dishes. Gradually they got better as they went along, then they were on to the next tune, Mink coolly counting each song in by clicking his sticks together over his head and calling out, “One two, you know what to do.” The song list included all their favourites, geared to keeping a party going, and there were a couple of heated moments while a sequence was arrived at.
“Nonono ... ‘Grasse Matinee’ can’t follow ‘Kiss My Sister.’ They’re in the same key!”
“Well, what about ‘Gâteaux To Go,’ then ‘Stinkbomb Serenade?”
“Are you crazy? They’ll be throwing things at us.” And so on.
It all culminated with an almost unrecognizable version of the French national anthem, “La Marseillaise,” a very difficult song to disguise. My mind wandered as a long jam rambled on into the afternoon. Rudee and Dizzy were standing over me smiling when I came to as the others packed up their instruments. “I thought you California girls were partypoppers,” said Rudee.
“Music for dreams ... so it seems,” called Mink from behind his hi-hat.
“Nice to meet you, Henri, Maurice,” I said.
“Enchanté,” they replied as they headed for the stairs carrying their instruments.
“Hey, Rudee, let’s grab a bite at Le Losange,” said Dizzy. “I’m tired of the food at CAFTA, and we’ll be seeing plenty of it at the party.”
“Sounds good, Diz,” said Rudee, who was polishing the chrome of his organ