73Malevich, Kazimir, Suprematist Composition, 1915, oil on canvas, 49x44cm, Lugwigshafen, Wilhelm-Hack Museum.
74Kliun, Ivan, Suprematism, 1915-16, oil on canvas, 89x70.7cm, Moscow, Tretyakov Gallery.
75NMIEG 2003.93, navy blue square with white stripe gouache, 1918-1921.
76NMIEG 2003.130, black and speckled square gouache,early 1930s.
77NMIEG 2003.119, black with white circle gouache and collage, early 1930s. Polo, Roberto, Eileen Gray-Œuvres sur Papier, Paris, Galerie Historismus, 2007, p.71.
78NMIEG 2000.261, Van Doesburg, Theo, Classique Baroque Moderne, Paris Edition De Sikkel Anvers et Leonce Rosenberg, December 1918.
79NMIEG 2003.81, Mondrian, Piet, Neo Plasticisme, Paris, Editions de l’Effort Moderne Léonce Rosenberg, 1920.
80NMIEG 2003.128, brown and beige gouache, 1923-1925.
81NMIEG 2003.143, red and pink gouache, 1923-25.
82NMIEG 2003.128, brown and beige gouache.
83NMIEG 2003.128, brown and beige gouache, 1923-1925. NMIEG 2003.130, black and speckled square gouache, early 1930s. NMIEG 2003.119, black with white circle gouache and collage. NMIEG 2003.120, blackand speckled white gouache. NMIEG 2003.124, black, grey and beige speckled gouache with swirling lines. circa 1930s. NMIEG 2003.129, black gouache with dark green and speckled motifs. NMIEG 2003.122, black, grey and beige gouache with architectural plan motif. NMIEG 2003.123, black, grey, and white gouache with yellow motif. Polo, Roberto, Eileen Gray- Œuvres sur Papier, Paris, Galerie Historismus, 2007, pp.55, 71, 85.
84NMIEG 2003.129, black gouache with dark green and speckled motifs.
85NMIEG 2003.141, beige and black speckled gouache.NMIEG 2003.118, black and white speckled gouache and collage, circa 1946. NMIEG 2003.149, black, grey and beige speckled gouache, 1939-1949. NMIEG 2003.144, purple, black, grey and white speckled gouache, 1930-1935. Polo, Roberto, Eileen Gray-Œuvres sur Papier, Paris, Galerie Historismus, 2007, p.93.
86NMIEG 2003.144, purple, black, grey and white speckled gouache. 1930-1935.
87NMIEG 2003.127, speckled blue gouache with blue abstract motifs, late 1930s.
88Polo, Roberto, Eileen Gray-Œuvres sur Papier, Paris, Galerie Historismus, 2007, pp. 93, 95, 97, 99, 103.
89NMIEG 2003.116, fish-design gouache.
90NMIEG 2000.251 and NMIEG 2000.252, Vogue magazine and article.
91RIBA Archives, PB546/1, miscellaneous loose designs for carpets and tiles.
92NMIEG 2000.174, green, white, blue gouache and collage.
93Polo, Roberto, Eileen Gray-Œuvres sur Papier, Paris, Galerie Historismus, 2007, p.68.
94NMIEG 2003.142, Hantage gouache.
95NMIEG 2000.175, orange and brown collage.
96Rare Book & Manuscript Library, Columbia University in the City of New York, Stephen Haweis Papers, Arranged Miscellaneous Memoirs, Box 2, letter from Eileen Gray to Stephen Haweis, Thursday 13 February 1964.
97NMIEG 2000.178, Chillida collage, 1950s.
98Gray’s business partner and friend Evelyn Wyld was friendly with Elizabeth de Lanux, who was a journalist and wife of Pierre de Lanux, later becoming professionally and romantically involved with her. They were friends of Jean Cocteau, André Gide, Man Ray and Breton and Aragon. They were also friends of Élisabeth de Grammont, Duchess de Clarement Tonerre, who had written the first French article in Les Feuillets d’Art on Eileen Gray.
99Various authors, No. 63 Visage du Monde, Paris, Editions Fernand Sorlot, 15May 1939.
100Duchamp, Marcel, Le Surréalisme en 1947, Paris, Galerie Maeght, 1947.
101Badovici, Jean, and Gray, Eileen, ‘Maison au Bord de Mer’, L’Architecture Vivante, Paris, Editions Albert Morancé, Winter 1929. NMIEG 2000.250 and NMIEG 2003.1641, portfolios.
102Various authors, edited by Breton, André, Le Surréalisme au Service de la Révolution, issues no.3 and 4, Paris, Librairie José Corti, 1931.
103Moholy-Nagy, László, ‘Malerei, Fotografie, Film‘, Bauhausbücher, Volume 8, 1925.
104NMIEG 2000.171, photographic collage, circa 1935.
105NMIEG 2003.133, black and white photographic collage, 1960s. NMIEG 2003.146, black and white photographic collage, 1960s.
106Polo, Roberto, Eileen Gray-Œuvres sur Papier, Paris, Galerie Historismus, 2007, p.107.
107Musée Rodin Archives, three letters from Eileen Gray to Auguste Rodin, December 1902, January 1902 and 20 January 1902.
108Raynal, Maurice, ‘Lipchitz’, Art d’Aujourd’hui, No.1, Paris, Action, 1920. NMIEG 2003.63, de Ridder, André,