A salient feature that strikes one quite forcibly in digging into the personal history of these artist workmen, was their close relationship to each other. There existed in the Stourbridge area a very fine and well-recognized school of art. It became a common practice for the greatest of the top group of glassmen to attend this school faithfully, from their early school years to the latter part of their lives. This particular art training was pursued after their factory work was over, several times a week. Not one of the great artists in Stourbridge was an exception to this rule, and the evident devotion to their trade is all too evident in the high standards of their general production, to say nothing of their individual pieces.
Glass factory owners were not only employers, but also patrons for individual productions on the part of their men. This in itself accounts for the positive origin of the many unsigned pieces. When you walk into the factory museum of Stevens and Williams today, only open to the general public with prior arrangements, and you see several cases of art glass made for the factory by individually recorded workers at the time of manufacture, any question of origin ceases. It must be recalled that these particular works were never offered for sale, nor quite obviously are they today. Stevens and Williams has a recorded history in glass production of one hundred and forty years.
* * * * *
Lechevrel
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.