Modern Asian Living. Wongvipa Devahastin Na Ayudhya. Читать онлайн. Newlib. NEWLIB.NET

Автор: Wongvipa Devahastin Na Ayudhya
Издательство: Ingram
Серия:
Жанр произведения: Техническая литература
Год издания: 0
isbn: 9781462906871
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      Published by Periplus Editions (HK) Ltd

      Copyright© 2005 Periplus Editions (HK) Ltd

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, magnetic tape, mechanical, photocopying, recording or otherwise without prior permission of the publisher.

      ISBN: 978-1-4629-0687-1 (ebook)

      Printed in Singapore

      Edited by: Kim Inglis

      Design: Holger Jacobs and Gennett Agbenu at Mind Design

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      Half-title page

       Reproduction of Charles Rennie Mackintosh designed Ladder Back chair in the pristine confines of architect Khun Tinakorn Rujinarong's house.

      Title page

       Hallway in the home of Khun Korakot Srivikorn which was designed by Duangrit Bunnag, one of Thailand's premier young architects.

      Philippe Starck chair aside three pots with pointed agave leaves in the gallery-style home of Tinakorn Rujinarong.

      CONTENTS

6 The New Asian Design
14 TRANQUIL LIVING
16 Baan Suan Sanghob
24 Artful Living
34 Shophouse Chic
40 Cool Blue
46 Thai-style Modern
50 Natural Organics
56 Collection Box
62 A Fresh Outlook
68 DRAMA
70 High Drama
80 Sky High
86 Heaven Sent
92 High-style Glamor
100 Candy Color
108 White Out
114 International Appeal
126 Small is Beautiful
134 LIGHT AND SPACE
136 Lofty Sentiments
144 A Passion for Chairs
158 Custom-designed Compound
166 H1 Hip
178 White & Light
186 Laid-back Living
196 Strong Geometry, Good Qi
208 Acknowledgments

      DWP Cityspace designed the offices of Hutchison Wireless with panache: primary colors and bold graphics characterize the non-office style spaces.

      THE NEW ASIAN DESIGN

      When international design luminaries such as Christian Liaigre or Christina Ong set up shop in a city, it's not an everyday occurrence. After all, these are big international names: Ong's Como Hotels is readily recognized as an icon for hip hostelries; and with clients like Calvin Klein, Karl Lagerfeld and Kenzo to name a few, Liaigre's sleek, luxe furniture and interior design style is now a global brand. So when they chose Bangkok for the new Metropolitan hotel and furniture showroom Hyle, design mavens worldwide stood up and took note.

      One thing this cool hotelier and hot designer have in common is an up-to-the-minute aesthetic that combines the best elements of East and West. In Modern Asian Living, we showcase a number of spaces - residential, commercial and recreational -that embrace the spirit of modernity that imbues Ong and Liaigre's work. Like their designs, these mostly metropolitan spaces epitomize the modern exotic, yet they rely to a certain extent on tradition. Pan-Asian craftsmanship, motifs and cultural references are mixed with new materials, shapes and forms. Many were created by upcoming names in Bangkok's design scene.

      Take Duangrit Bunnag, for example. Lauded as an important "voice" in Thai architectural circles, his work is more Corbusien than Thai. There's a sophisticated simplicity and restraint in his clean-lined projects, yet he insists they are Asian at heart. "Asian architecture isn't about romantic or rustic spaces," he explains. "There also isn't really a set style. What it is about is a philosophy of simplicity- but this isn't even minimal, just sufficient" Check out the house he designed for friends on page 196.

      In fact, when we look closely at the homes in the book, it becomes clear that many are rooted in Asian tradition. The shop-house apartment conversion featured on pages 34-39, though no longer narrow and thin because walls have been knocked down, still follows the customary configuration overlooking an internal courtyard. This is true, also, of the recently constructed city-center housing development, the Lofts Sathorn (pages 136-143). DWP Cityspace principal Scott Whittaker explains the concept: "I wanted to create