A Thurber, having singled out part one, will next proceed, with perverse rational efficiency, to ponder this broken part. He will invent “case histories” with which to try it out—and of course, they won’t fit.
But a mere bad fit is not enough. The funny man will also seek a situation such that his readers want a bad fit. If they are good Catholics, for instance, he knows it will be hard to make them meet him halfway should he decide to play havoc with an encyclical. He will lay off such dynamite, leaving it for the news itself to provide the outrageous incongruities, as when, reporting a Papal blast on communism at the time of Mussolini’s triumph in Africa, the dispatch proceeded: “On the subject of Ethiopia, His Holiness was less explicit.” On the other hand, readers of The New Yorker, in which all but two of the articles in Let Your Mind Alone! appeared, are likely to be less problematical when leftward-looking politics is the subject—so we get “What Are the Leftists Saying?” I thought it tearfully lame; but for all I know it may be judged by typical New Yorker readers the most devastating bit of fun since the discovery of the banana peel.
The first ten pieces, which give this volume its title, are a very amusing burlesque of psychoanalysis. The field offers a good opportunity for Thurber’s phenomenal gifts. The study of the mind has brought to the fore many paradoxes. A man may think he is doing one thing when he is actually doing another. This state of affairs outrages common sense—the thought of it makes one uneasy—hence we are glad to meet that man halfway who will expend his jocular enterprise to vindicate the judgments of common sense.
There are pages that make one laugh very hard. One is glad that Thurber does his part to keep the leftward-lookers on their toes. I am even willing to concede him his constitutional right, as funny man, to start too soon, to remain dumb on purpose, dying that others may live—though he tends somewhat to flatter stupidity, making it a kind of accomplishment within reach of all, like getting drunk, as in his soothing challenges of this sort: “I know very little about electricity and I don’t want to have it explained to me” (the medicinal effect of such trivializing bravado being necessary, since there are so many things now to know very little about, and we might feel like worms if we didn’t have people of Thurber’s authority to help mend our humiliation).
His skill at turning little domestic rows into transmogrifications of themselves is picturesque. In such scenes, I believe, the perception of his draughtsmanship is carried over. You see the people in watching the drama. Tight shoes, he says, make one walk “with the gait of a man who is stalking a bird across wet cement.” And he hates women “because they throw baseballs . . . with the wrong foot advanced.” There’s something I had been working on since the eighth grade, and never understood until Thurber brought it clearly into consciousness by his combined skill as draughtsman and verbalizer. (Incidentally, I here select examples that I think are good—but I might illustrate his own method by adding that, were I to employ it here, I should pick out some of the weakest quips in the book and hold them up for rapt admiration.)
His drawings are good always for the perception his writing has sometimes. But I do wish he’d go after bigger game. He shoots too many cockroaches. To get such heightened value, I’d even be willing to hand him over to the reactionaries. Let him hound the “socially conscious” more consistently, in case he finds their attitude of “uplift” too much for his antinomian perversity. He need not join the author of Redder Than the Rose. But let him at least make an indirect contribution, in serving to keep the statements of the Left alert (though they could never be alert enough to forestall all possibility of Thurberization). I have just been reading Jacques Barzun’s book on theories of racial superiority. I think fondly of what a Thurber might do by examining these documents on crooked thinking and translating them into the idiom of hilarity. But that would be asking too much (at least until his waggish remarks on cocktail parties run out—and he is so ingenious and fertile with them that I doubt whether they ever will run out). So I am willing to have him become our Lord Macaulay of fun-making, a reactionary keeper-thin of the Left. Unction must be made difficult—so let him be the deunctifyer. But as things now stand, he too is purveying a patent medicine. The trivial has its medicinal aspect—but too often he expends his talents to load the trivial with all the traffic can bear.
The Book of Proverbs
Racial Proverbs: A Selection of the World’s Proverbs, Arranged Linguistically by Selwyn Gurney Champion. The Macmillan Company
The New Republic, June 1939, 230
If there is any truth in the notion that the thorough cataloguing of a cultural manifestation marks its demise, this imposing exhibit suggests that the Era of Proverbs is about finished (with wisecracks, perhaps, taking their place). Here, in any case, is assembled a set of tools and weapons as handsomely formed as any that ever broke ground or skull. And what an admonishment lies there, for the writers of this copy-making age, if they could but afford to seek the succinct rather than the space-filling. Or, since he who says it fumblingly gets paid more for his fumble than for a clean catch (the fumble lasting longer), might it be possible, like the Elizabethans who wrote poetry after the proverb model, to find ways of filling space with the succinct?
The balances, antitheses, ratios (a: b :: c: d), alliterations, internal rhymes, triads and periodicities that characterize the form (some of these qualities, of course, being lost in translation) make statement an event. And the pronounced overlap of proverbs across both temporal and geographical distance, the repetition of the same paradigms in different individuations, provides correction to those who would put too much stress upon doctrines of cultural subjectivism.
Proverbs never speculate at random. The folk realism, religion and symbolism of their play grow out of work; they are shaped to a purpose. The general tenor of this purpose is best revealed in the Subject-Matter Index, where we note that entries under “Caution (anticipation, foresight, forethought, precaution, prudence)” comprise nearly three columns, “Philosophy (complaisance, contentment)” over four, “Diplomacy (cunning, subtlety, tact)” five, and “Consequence” more than six and a half. Prompted to mimicry by the style, we made up a homely proverb of our own: “A good fire burns the toast.” Which, applied to the present volume, would mean: The very excellence of proverbs spoils them for straightaway reading. Rather, as here so amply assembled, they should be but sampled. Otherwise, one finds that his stream of consciousness is lulled to a drowsy murmur by flowing over pebbles.
Symbolic War
Proletarian Literature in the United States, An Anthology edited by Granville Hicks, Michael Gold, Isider Schneider, Joseph North, Paul Peters, and Alan Calmer. With a critical introduction by Joseph Freeman. International Publishers
The Southern Review, Summer 1926, 134–147
Poetry, I take it, is a matter of welfare—as religion and politics are matters of welfare. And welfare, in this imperfect world, is grounded in material necessities. Even if we chose to deny these material necessities, starving or being slain in behalf of some cause, our self-abnegatory act would still be grounded in material necessities. The “material basis of reference” is as strong in the acts of those who would flout it as in the behavior of any businessman who treats financial profit and spiritual profit as interchangeable terms. It is in this sense that believe in the priority of economic factors. Some have said challengingly, and some bitterly, what Aristotle said as a matter of course: that people live together for their greater advantage. The problems of congregation center about the problems of wealth, derived from the means of production and defense. Where the available means of production and defense are ample, poverty or loss can only arise from some disorder in the modes of congregation. The dispossessed man is in a different “environment” from the man who enjoys the fruits of the