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a dreamer will transform one piercing sound, for example, that of a bell, into another of quite a different nature, say, the report of cannon. In his dream he becomes aware first of the effects, which he explains by a subsequent hypothesis and becomes persuaded of the purely conjectural nature of the sound. But how comes it that the mind of the dreamer goes so far astray when the same mind, awake, is habitually cautious, careful, and so conservative in its dealings with hypotheses? why[34] does the first plausible hypothesis of the cause of a sensation gain credit in the dreaming state? (For in a dream we look upon that dream as reality, that is, we accept our hypotheses as fully established). I have no doubt that as men argue in their dreams to-day, mankind argued, even in their waking moments, for thousands of years: the first causa, that occurred to the mind with reference to anything that stood in need of explanation, was accepted as the true explanation and served as such. (Savages show the same tendency in operation, as the reports
of travelers agree). In the dream this atavistic relic of humanity manifests its existence within us, for it is the foundation upon which the higher rational faculty developed itself and still develops itself in every individual. Dreams carry us back to the earlier stages of human culture and afford us a means of understanding it more clearly. Dream thought comes so easily to us now because we are so thoroughly trained to it through the interminable stages of evolution during which this fanciful and facile form of theorising has prevailed. To a certain extent the dream is a restorative for the brain, which, during the day, is called upon to meet the many demands for trained thought made upon it by the conditions of a higher civilization.--We may, if we please, become sensible, even in our waking moments,[35] of a condition that is as a door and vestibule to dreaming. If we close our eyes the brain immediately conjures up a medley of impressions of light and color, apparently a sort of imitation and echo of the impressions forced in upon the brain during its waking moments. And now the mind, in co-operation with the imagination, transforms this formless play of light and
color into definite figures, moving groups, landscapes. What really takes place is a sort of reasoning from effect back to cause. As the brain inquires: whence these impressions of light and color? it posits as the inducing causes of such lights and colors, those shapes and figures. They serve the brain as the occasions of those lights and colors because the brain, when the eyes are open and the
senses awake, is accustomed to perceiving the cause of every impression of light and color made upon it. Here again the imagination is continually interposing its images inasmuch as it participates in the production of the impressions made through the senses day by day: and the dream-fancy does exactly the same thing--that is, the presumed cause is determined from the effect and after the effect: all this, too, with extraordinary rapidity, so that in this matter, as in a matter of jugglery or sleight-of-hand, a confusion of the mind is produced and an after effect is made to appear a simultaneous action, an[36] inverted succession of events, even.--From these considerations we can see how late strict, logical thought, the true notion of cause and effect must have been in developing, since our intellectual and rational faculties to this very day revert to these primitive processes of deduction, while practically half our lifetime is spent in the super-inducing conditions.--Even the poet, the artist, ascribes to his sentimental and emotional states causes which are not the true ones. To that extent he is a reminder of early mankind and can aid us in its comprehension.
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Association.9--All strong feelings are associated with a variety of allied sentiments and emotions. They stir up the memory at the same time. When we are under their influence we are reminded of similar states and we feel a renewal of them within us. Thus are formed habitual successions of feelings and notions, which, at last, when they follow one another with lightning rapidity are no
longer felt as complexities but as unities. In this sense we hear of moral feelings, of religious feelings, as if they were absolute unities. In reality they are streams with a hundred sources and tributaries. Here again, [37]the unity of the word speaks nothing for the unity of the thing.
9 Miterklingen: to sound simultaneously with.
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No Within and Without in the World.10--As Democritus transferred the notions above and below to limitless space, where they are destitute of meaning, so the philosophers do generally with the idea "within and without," as regards the form and substance (Wesen und Erscheinung) of the world. What they claim is that through the medium of profound feelings one can penetrate deep into the soul of things (Innre), draw close to the heart of nature. But these feelings are deep only in so far as with them are simultaneously aroused, although almost imperceptibly, certain complicated groups of thoughts (Gedankengruppen) which we call deep: a feeling is deep because we deem the thoughts accompanying it deep. But deep thought can nevertheless be very widely sundered from truth,
as for instance every metaphysical thought. Take from deep feeling the element of thought blended with it and all that remains is strength of feeling [38]which is no voucher for the validity of knowledge, as intense faith is evidence only of its own intensity and not of the truth of that in which the faith is felt.
10 Kein Innen und Aussen in der Welt: the above translation may seem too literal but some dispute has arisen concerning the precise idea the author means to convey.
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8
Phenomenon and Thing-in-Itself.--The philosophers are in the habit of placing themselves in front of life and experience--that which they call the world of phenomena--as if they were standing before a picture that is unrolled before them in its final completeness. This panorama, they think, must be studied in every detail in order to reach some conclusion regarding the object represented by the picture. From effect, accordingly is deduced cause and from cause is deduced the unconditioned. This process is generally looked upon as affording the all sufficient explanation of the world of phenomena. On the other hand one must, (while putting the conception of the metaphysical distinctly forward as that of the unconditioned, and consequently of the unconditioning) absolutely deny any connection between the unconditioned (of the metaphysical world) and the world known to us: so that throughout phenomena there is no manifestation of the thing-in-itself, and getting from one to the other is out of the question. Thus is left quite ignored the circumstance that the picture--that[39] which we now call life and experience--is a gradual evolution, is, indeed, still in process of evolution and for that reason should not be regarded as an enduring whole from which any conclusion as to its author
(the all-sufficient reason) could be arrived at, or even pronounced out of the question. It is because we have for thousands of years looked into the world with moral, aesthetic, religious predispositions, with blind prejudice, passion or fear, and surfeited ourselves with indulgence in the follies of illogical thought, that the world has gradually become so wondrously motley, frightful, significant, soulful: it has taken on tints, but we have been the colorists: the human intellect, upon the foundation of human needs, of human passions, has reared all these "phenomena" and injected its own erroneous fundamental conceptions into things. Late, very late, the human intellect checks itself: and now the world of experience and the thing-in-itself seem to it so severed and so antithetical that it denies the possibility of one's hinging upon the other--or else summons us to surrender our intellect, our personal will, to the secret and the awe-inspiring in order that thereby we may attain certainty of certainty hereafter. Again, there are those who have combined all the characteristic features of our world of phenomena--that[40] is, the conception of the world which has been formed and inherited through a series of intellectual vagaries--and instead of holding the intellect responsible for it all, have pronounced the very nature of things accountable for the present very sinister aspect of the world, and preached annihilation of existence. Through all these views and opinions the toilsome, steady process of science (which now for the first time begins to celebrate its greatest triumph in the genesis of thought) will definitely work