"Of course it was folly," he said, "but it was a folly in which there was something fine."
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Philip, with a little thrill, thought it magnificent.
Then Hayward went to London to read for the Bar. He had charming rooms in Clement's Inn, with panelled walls, and he tried to make them look like his old rooms at the Hall. He had ambitions that were vaguely political, he described himself as a Whig, and he was put up for a club which was of Liberal but gentlemanly flavour. His idea was to practise at the Bar (he chose the Chancery side as less brutal), and get a seat for some pleasant constituency as soon as the various promises made him were carried out; meanwhile he went a great deal to the opera, and made acquaintance with a small number of charming people who admired the things that he admired. He joined a dining-club of which the motto was, The Whole, The Good, and The Beautiful. He formed a platonic friendship with a lady some years older than himself, who lived in Kensington Square; and nearly every afternoon he drank tea with her by the light of shaded candles, and talked of George Meredith and Walter Pater. It was notorious that any fool could pass the examinations of the Bar Council, and he pursued his studies in a dilatory fashion. When he was ploughed for his final he looked upon it as a personal affront. At the same time the lady in Kensington Square told him that her husband was coming home from India on leave, and was a man, though worthy in every way, of a commonplace mind, who would not understand a young man's frequent visits. Hayward felt that life was full of ugliness, his soul revolted from the thought of affronting again the cynicism of examiners, and he saw something rather splendid in kicking away the ball which lay at his feet. He was also a good deal in debt: it was difficult to live
in London like a gentleman on three hundred a year; and his heart yearned for the Venice and Florence which John Ruskin had so
magically described. He felt that he was unsuited to the vulgar bustle of the Bar, for he had discovered that it was not sufficient to
put your name on a door to get briefs; and modern politics seemed to lack nobility. He felt himself a poet. He disposed of his rooms in Clement's Inn and went to Italy. He had spent a winter in Florence and a winter in Rome, and now was passing his second sum-mer abroad in Germany so that he might read Goethe in the original.
Hayward had one gift which was very precious. He had a real feeling for literature, and he could impart his own passion with an admirable fluency. He could throw himself into sympathy with a writer and see all that was best in him, and then he could talk about him with understanding. Philip had read a great deal, but he had read without discrimination everything that he happened to come across, and it was very good for him now to meet someone who could guide his taste. He borrowed books from the small lending library which the town possessed and began reading all the wonderful things that Hayward spoke of. He did not read always with enjoyment but invariably with perseverance. He was eager for self-improvement. He felt himself very ignorant and very humble. By the end of August, when Weeks returned from South Germany, Philip was completely under Hayward's influence. Hayward did not like Weeks. He deplored the American's black coat and pepper-and-salt trousers, and spoke with a scornful shrug of his New England conscience. Philip listened complacently to the abuse of a man who had gone out of his way to be kind to him, but when Weeks in his turn made disagreeable remarks about Hayward he lost his temper.
"Your new friend looks like a poet," said Weeks, with a thin smile on his careworn, bitter mouth. "He is a poet."
"Did he tell you so? In America we should call him a pretty fair specimen of a waster." "Well, we're not in America," said Philip frigidly.
"How old is he? Twenty-five? And he does nothing but stay in pensions and write poetry."
"You don't know him," said Philip hotly.
"Oh yes, I do: I've met a hundred and forty-seven of him."
Weeks' eyes twinkled, but Philip, who did not understand American humour, pursed his lips and looked severe. Weeks to Philip seemed a man of middle age, but he was in point of fact little more than thirty. He had a long, thin body and the scholar's stoop; his head was large and ugly; he had pale scanty hair and an earthy skin; his thin mouth and thin, long nose, and the great protuberance
of his frontal bones, gave him an uncouth look. He was cold and precise in his manner, a bloodless man, without passion; but he had a curious vein of frivolity which disconcerted the serious-minded among whom his instincts naturally threw him. He was studying theology in Heidelberg, but the other theological students of his own nationality looked upon him with suspicion. He was very unorthodox, which frightened them; and his freakish humour excited their disapproval.
"How can you have known a hundred and forty-seven of him?" asked Philip seriously.
"I've met him in the Latin Quarter in Paris, and I've met him in pensions in Berlin and Munich. He lives in small hotels in Perugia and Assisi. He stands by the dozen before the Botticellis in Florence, and he sits on all the benches of the Sistine Chapel in Rome.
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In Italy he drinks a little too much wine, and in Germany he drinks a great deal too much beer. He always admires the right thing whatever the right thing is, and one of these days he's going to write a great work. Think of it, there are a hundred and forty-seven great works reposing in the bosoms of a hundred and forty-seven great men, and the tragic thing is that not one of those hundred and forty-seven great works will ever be written. And yet the world goes on."
Weeks spoke seriously, but his gray eyes twinkled a little at the end of his long speech, and Philip flushed when he saw that the
American was making fun of him. "You do talk rot," he said crossly. XXVII
Weeks had two little rooms at the back of Frau Erlin's house, and one of them, arranged as a parlour, was comfortable enough for him to invite people to sit in. After supper, urged perhaps by the impish humour which was the despair of his friends in Cambridge, Mass., he often asked Philip and Hayward to come in for a chat. He received them with elaborate courtesy and insisted on their sitting in the only two comfortable chairs in the room. Though he did not drink himself, with a politeness of which Philip recognised the irony, he put a couple of bottles of beer at Hayward's elbow, and he insisted on lighting matches whenever in the heat of argument Hayward's pipe went out. At the beginning of their acquaintance Hayward, as a member of so celebrated a university, had adopted a patronising attitude towards Weeks, who was a graduate of Harvard; and when by chance the conversation turned upon the Greek tragedians, a subject upon which Hayward felt he spoke with authority, he had assumed the air that it was his part to give
information rather than to exchange ideas. Weeks had listened politely, with smiling modesty, till Hayward finished; then he asked one or two insidious questions, so innocent in appearance that Hayward, not seeing into what a quandary they led him, answered blandly; Weeks made a courteous objection, then a correction of fact, after that a quotation from some little known Latin commentator, then a reference to a German authority; and the fact was disclosed that he was a scholar. With smiling ease, apologetically, Weeks tore
to pieces all that Hayward had said; with elaborate civility he displayed the superficiality of his attainments. He mocked him with gentle irony. Philip could not help seeing that Hayward looked a perfect fool, and Hayward had not the sense to hold his tongue; in his irritation, his self-assurance undaunted, he attempted to argue: he made wild statements and Weeks amicably corrected them; he reasoned falsely and Weeks proved that he was absurd: Weeks confessed that he had taught Greek Literature at Harvard. Hayward gave a laugh of scorn.
"I might have known it. Of course you read Greek like a schoolmaster," he said. "I read it like a poet."
"And do you find it more poetic when you don't quite know what it means? I thought it was only in revealed religion that a mistrans-lation improved the sense."
At last, having finished the beer, Hayward left Weeks' room hot and dishevelled; with an angry gesture he said to Philip:
"Of course the man's a pedant. He has no real feeling for beauty. Accuracy is the virtue of clerks. It's the spirit of the Greeks that we aim at. Weeks is like that fellow who went to hear Rubenstein and complained that