374.
OF DRAWING.
When a man who is running wants to neutralise the impetus that carries him on he prepares a contrary impetus which is generated by his hanging backwards. This can be proved, since, if the impetus carries a moving body with a momentum equal to 4 and the moving body wants to turn and fall back with a momentum of 4, then one momentum neutralises the other contrary one, and the impetus is neutralised.
Of walking up and down (375-379)
375.
When a man wants to stop running and check the impetus he is forced to hang back and take short quick steps. [Footnote: Lines
5-31 refer to the two upper figures, and the lower figure to the right is explained by the last part of the chapter.] The centre of gravity of a man who lifts one of his feet from the ground always rests on the centre of the sole of the foot [he stands on].
A man, in going up stairs involuntarily throws so much weight forward and on the side of the upper foot as to be a counterpoise to the lower leg, so that the labour of this lower leg is limited to moving itself.
The first thing a man does in mounting steps is to relieve the leg he is about to lift of the weight of the body which was resting on that leg; and besides this, he gives to the opposite leg all the rest of the bulk of the whole man, including [the weight of] the other leg; he then raises the other leg and sets the foot upon the step to which he wishes to raise himself. Having done this he restores
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to the upper foot all the weight of the body and of the leg itself, and places his hand on his thigh and throws his head forward and repeats the movement towards the point of the upper foot, quickly lifting the heel of the lower one; and with this impetus he lifts himself up and at the same time extends the arm which rested on his knee; and this extension of the arm carries up the body and the head, and so straightens the spine which was curved.
[32] The higher the step is which a man has to mount, the farther forward will he place his head in advance of his upper foot, so as
to weigh more on a than on b; this man will not be on the step m. As is shown by the line g f. [Footnote: See Pl. XXIII, No. 1. The lower sketch to the left belongs to the four first lines.]
376.
I ask the weight [pressure] of this man at every degree of motion on these steps, what weight he gives to b and to c.
[Footnote 8: These lines are, in the original, written in ink] Observe the perpendicular line below the centre of gravity of the man.
[Footnote: See Pl. XXIII, No. 2.]
377.
In going up stairs if you place your hands on your knees all the labour taken by the arms is removed from the sinews at the back of
the knees.
[Footnote: See Pl. XXIII, No. 3.]
378.
The sinew which guides the leg, and which is connected with the patella of the knee, feels it a greater labour to carry the man upwards, in proportion as the leg is more bent; and the muscle which acts upon the angle made by the thigh where it joins the body has less difficulty and has a less weight to lift, because it has not the [additional] weight of the thigh itself. And besides this it has stronger muscles, being those which form the buttock.
379.
A man coming down hill takes little steps, because the weight rests upon the hinder foot, while a man mounting takes wide steps, because his weight rests on the foremost foot.
[Footnote: See Pl. XXIII, No. 4.]
On the human body in action (380-388).
380.
OF THE HUMAN BODY IN ACTION.
When you want to represent a man as moving some weight consider what the movements are that are to be represented by different lines; that is to say either from below upwards, with a simple movement, as a man does who stoops forward to take up a weight which he will lift as he straightens himself. Or as a man does who wants to squash something backwards, or to force it forwards or to pull it downwards with ropes passed through pullies [Footnote 10: Compare the sketch on page 198 and on 201 (S. K. M. II.1 86b).]. And here remember that the weight of a man pulls in proportion as his centre of gravity is distant from his fulcrum, and to this is added the force given by his legs and bent back as he raises himself.
381.
Again, a man has even a greater store of strength in his legs than he needs for his own weight; and to see if this is true, make a man stand on the shore-sand and then put another man on his back, and you will see how much he will sink in. Then take the man from off his back and make him jump straight up as high as he can, and you will find that the print of his feet will be made deeper by the jump than from having the man on his back. Hence, here, by 2 methods it is proved that a man has double the strength he requires
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to support his own body.
382.
OF PAINTING.
If you have to draw a man who is in motion, or lifting or pulling, or carrying a weight equal to his own, in what way must you set on
his legs below his body?
[Footnote: In the MS. this question remains unanswered.]
383.
OF THE STRENGTH OF MAN.
A man pulling a [dead] weight balanced against himself cannot pull more than his own weight. And if he has to raise it he will [be able to] raise as much more than his weight as his strength may be more than that of other men. [Footnote 7: The stroke at the
end of this line finishes in the original in a sort of loop or flourish, and a similar flourish occurs at the end of the previous passage written on the same page. M. RAVAISSON regards these as numbers (compare the photograph of page 30b in his edition of MS. A). He remarks: "Ce chiffre 8 et, a la fin de l'alinea precedent, le chiffre 7 sont, dans le manuscrit, des renvois."] The greatest force
a man can apply, with equal velocity and impetus, will be when he sets his feet on one end of the balance [or lever] and then presses his shoulders against some stable body. This will raise a weight at the other end of the balance [lever], equal to his own weight and [added to that] as much weight as he can carry on his shoulders.
384.
No animal can simply move [by its dead weight] a greater weight than the sum of its own weight outside the centre of his fulcrum.
385.
A man who wants to send an arrow very far from the bow must be standing entirely on one foot and raising the other so far from the foot he stands on as to afford the requisite counterpoise to his body which is thrown on the front foot. And he must not hold his arm fully extended, and in order that he may be more able to bear the strain he must hold a piece of wood which there is in all crossbows, extending from the hand to the breast, and when he wishes to shoot he suddenly leaps forward at the same instant and extends his arm with the bow and releases the string. And if he dexterously does every thing at once it will go a very long way.
386.
When two men are at the opposite ends of a plank that is balanced, and if they are of equal weight, and if one of them wants to make a leap into the air, then his leap will be made down from his end of the plank and the man will never go up again but must remain in his place till the man at the other end dashes up the board.
[Footnote: See Pl. XXIV, No. 3.]
387.
Of delivering a blow to the right or left.
[Footnote: Four sketches on Pl. XXIV, No. 1 belong to this passage. The rest of the sketches and notes on that page are of a miscel-laneous nature.]
388.
Why an impetus is not spent at once [but diminishes] gradually in some one direction? [Footnote 1: The paper has been damaged at the end of line 1.] The impetus acquired