For me and, I trust, my enthusiastic comrades, the scenery was awesome. One person’s bleak or “barren subject” is another person’s “interesting and novel … perfect view.” Despite the fact that our summer travels did not correspond with the wintery conditions on the barren grounds for the Arctic land expedition, I could regularly place the men in certain aspects of the scenery slowly working their way south as I flew by. Once we landed in Yellowknife, I felt the relaxed calm of having exercised my imagination well.
I had enjoyed two weeks of a collegial canoe trip/conference. Our supplies were plenty, our time lengthy, the land welcoming with animals to view (not seen as our only food source), our purpose personal (not driven by the full force of the British Empire), and our ambitions modest. We had come together to learn from the land and share the varied attentions we each brought to the trip. Our story is a good one. It was a successful first wilderness expedition conference. Still, I cannot stop thinking about that darn Franklin story with characters such as Pierre St. Germain.
Conference delegates at Bathurst Inlet Lodge.
Photo courtesy of Burt Page.
Returning home after his distressing trip, Lieutenant Back told the North West Company’s representative, Willard Wentzel, at Fort Chipewyan, “To tell the truth, Wentzel, things have taken place which must not be known.” Wentzel already suspected as much. He had a year earlier written to his superiors, “It is doubtful whether, from the distant scene of their transactions, an authentic account of their operations will ever meet the public eye in England.”[21]
I hope our 2010 trip is promoted widely as an example of a successful idea, perhaps redefining outdoor education conferencing. That first Franklin expedition was to be promoted, but how truthfully? And that is why we need to pause and ponder when reading our Canadian travel literature. Often the truth has to be gleaned from the imagination.
The American poet Wallace Stevens in 1942 wrote: “Imagination is a liberty of the mind, a power of the mind and over the possibilities of things … we have it, because we don’t have enough without it.”[22] To imagine, we become open to ideas. It starts with a spark of possibility. The possibility is that the stories of the place, and indeed the stories we create in the present, become alive and bring meaning to time. The historical muse is a solid part of place-responsive pedagogy; a storied landscape leads beyond meaning to caring and perhaps acting on behalf of the place. All this is a sincere step towards cultivating ecological consciousness — part of an educative process. That is the theory.
The practice is to pepper the trail with stories that, for those who grab onto the imaginative spark of possibility, will render the past as a felt experience. It is not romanticism, but rather a widening of reality. The practice can lead to what novelist James David Duncan explores in The River Why. He writes of characters with “native intelligence.”
… it evolves as a native involves himself in his region. A non-native awakes in the morning in a body in a bed in a room in a building on a street in a country in a state in a nation. A native awakes in the center of a little cosmos — or a big one, if his intelligence is vast — and he wears this cosmos like a robe, senses the barely perceptible shifting migrations, moods and machinations of its creatures, its growing green things, its earth and sky.[23]
The big cosmos storied landscape I aspired to develop and share was that of the barren grounds. Franklin’s Arctic land expedition of 1819–22 was a primary source. Some might have felt that imaginative spark. Others were always more imaginatively driven towards the animals, the landforms, and the body in motion. All of these attentions were shared amongst our group in organized sessions and informal moments. There was a happy air of eclecticism as we bounced off one another’s primary interests. Much talent, much knowledge, much to share by way of theory and practice. We were on a canoe trip and at a professional conference. It worked! We were, in the words of educator David Orr, “re-educating people [ourselves] in the art of living well where they are.”[24]
2
Remote Persons and Remote Places:
Wendell Beckwith, Nirivia, and Others
“What is a hobby anyway? Where is the line of demarcation between hobbies and ordinary normal pursuits? A hobby is a defiance of the contemporary. It is an assertion of those permanent values which the momentary eddies of social evolution have contravened or overlooked. If this is true, then we may also say that every hobbyist is inherently a radical, and that his tribe is inherently a minority. To find reasons why it is useful or beneficial converts it at once from an avocation into an industry — lowers it at once to the ignominious category of an “exercise” undertaken for health, power, or profit. Lifting dumbbells is not a hobby. It is a confession of subservience, not an assertion of liberty.”[1]
— Aldo Leopold
Dorothy Molter, the Root Beer Lady of Knife Lake; Alex Mathius on the Obabika River in Temagami; the “ruling elders” of Nirivia; and Wendell Beckwith at Whitewater Lake — these are all remote persons dwelling in remote places. In each case there is a strong assertion of liberty.[2]
I have always had enthusiasm for the relationship of person and place. The two must go together, and therefore I had to go to the place to really get to know the person. Recently I have visited Whitewater Lake and Nirivia, so I will deal with these remote places and their charmed people: people who are brilliant hobbyists in Aldo Leopold’s meaning of the word.
I think this allure started with my 1970s university days, when in the winter I would visit my summer camp friend and canoe tripping guide Joss Haiblen. Joss had built a cabin in the tall pines on a quiet pond set apart from the active summer canoe routes of Lake Temagami. It was an idyllic place for cross-country ski touring. We would travel over to Gull Lake and hook onto the abandoned logging road network. Beyond Joss’s cabin, we set up a base camp in an abandoned logging cabin. It still had a wood stove. For me, between 1976 and 1979, these two cabins were magical. Joss was my Grey Owl, my Beckwith. He was living many peoples’ dream: liberty, independent, and intimate with winter. My beloved hobbies seemed to be his normal life. He worked as a canoe tripper in the summer and did his own trip in the spring. In the fall, he visited his parents in Manhattan — the juxtaposition is not lost on me there. The Temagami cabin was home through the winter and its shoulder seasons — ice freeze-up and breakup.
From Joss, I saw the best of remote living, and my hobbies turned to “an assertion of liberty.” There might be another side to the story, but I didn’t see it. Joss had a comfortable lifestyle of winter chores and outings. Guests were more than welcome and all thrived on day trips out from the cabin. Mostly, though, Joss was comfortable with himself. I learned many things from my visits. If I had to condense this down to a few central ideas, they would be the joy of simple, efficient technologies and of staying put somewhere where one can pursue one’s central interests.
Joss, the squatter, was eventually found out when logging moved in on those tall pines. He was forced to take down the cabin, but given he had been there over five years, he was allowed to stay there under canvas. A teepee did the trick, but the logging encroachment, the loss of the cozy cabin, and mostly a new partner (Trish MacDonald from Australia) sent Joss packing to Australia to work in its parks services. Joss and I have kept up regular contact with trips here and there, every five years or so. However, I’ve kept hunting out remote people in remote places. I attribute my enthusiasm for this to those still evenings warmed by the wood stove in Joss’s cozy cabin. I will always be content to be a part of his tribe, and many others, too, as I’ve travelled with friends in Canada.