4
GEORGE, the younger, liked Hamborough best, perhaps, Martin’s Point next, Pamber hardly at all, and he detested Dullborough, the town which contained his father’s offices and the minor public school which he attended.
The mind of a very young child is not very interesting. It has imagination and wonder, but too unregulated, too bizarre, too “quaint,” too credulous. Does it matter very much that George babbled o’ white lobsters, stirred up frogs in a bucket, thought that the word “mist” meant sunset, and was easily persuaded that a sort of milk pudding he detested had been made from an ostrich’s egg? Of course, a good deal of adult imagination consists in people’s persuading themselves that they can see white lobsters, just as their poetry consists in persuading themselves that the milk pudding did come out of the ostrich’s egg. The child at least is honest, which is something. But on the whole the young child-mind is boring.
The intellect wakes earlier than the feelings, curiosity before the passions. The child asks the scientist’s Why? before he asks the poet’s How? George read little primers on Botany and Geology and the Story of the Stars, and collected butterflies, and wanted to do chemistry, and hated Greek. And then one evening the world changed. It was at Martin’s Point. All one night the South-West wind had streamed over the empty downs, sweeping up in a crescendo of sound to a shrill ecstasy of speed, sinking into abrupt sobs of dying vigour, while underneath steadily, unyieldingly, streamed and roared the major volume of the storm. The windows rattled. Rain pelted on the panes, oozed and bubbled through the joints of the woodwork. The sea, dimly visible at dusk, rolled furiously – tossing the long breakers on the rocks, and made a tumult of white horses in the Channel. Even the largest ships took shelter. In the irregular harmony of that storm George went to sleep in his narrow, lonely child’s bed, and who knows what Genius, what Puck, what elm Spirit of Beauty came riding on the storm from the South, and shed the juice of what magic herb on his closed eyes? All next day the gale blew with ever-diminishing violence. It was a half-holiday, and no games on account of the wet. After lunch, George went to his room, and sank absorbed in his books, his butterflies, his moths, his fossils. He was aroused by a sudden glare of yellow sunlight. The storm had blown itself out. The last clouds, broken in lurid, ragged-edged fragments, were sailing gently over a soft blue sky. Soon even they were gone. George opened the window and leaned out. The heavy, dank smell of wet earth-mould came up to him with its stifling hyacinth-like quality; the rain-drenched privet was almost oversweet; the young poplar leaves twinkled and trembled in the last gusts, shaking down rapid chains of diamonds. But it was all fresh – fresh with the clarity of air which follows a great gale, with the scentless purity of young leaves, the drenched grasses of the empty downs. The sun moved majestically and imperceptibly downwards in a widening pool of gold, which faded, as the great ball vanished, into pure, clear, hard green and blue. One, two, a dozen blackbirds and linnets and thrushes were singing; and as the light faded they dwindled to one blackbird tune of exquisite melancholy and purity.
Beauty is in us, not outside us. We recognize our own beauty in the patterns of the infinite flux. Light, form, movement, glitter, scent, sound, suddenly apprehended as givers of delight, as interpreters of the inner vitality, not as the customary aspect of things. A boy, caught for the first time in a kind of ecstasy, brooding on the mystery of beauty.
A penetrating voice came up the stairs:
“Georgie! Georgie! Come out of that stuffy room at once! I want you to get me something from Gilpin’s.”
What perverse instinct tells them when to strike? How do they learn to break the crystal mood so unerringly? Why do they hate the mystery so much?
Long before he was fifteen George was living a double life – one life for school and home, another for himself. Consummate dissimulation of youth, fighting for the inner vitality and the mystery. How amusingly, but rather tragically, he fooled them! How innocent-seemingly he played the fine, healthy, barbarian schoolboy, even to the slang and the hateful games! Be ye soft as doves and cunning as serpents. He’s such a real boy, you know – viz, not an idea in his head, no suspicion of the mystery.
“Rippin’ game of rugger today, Mother. I scored two tries.” Upstairs was that volume of Keats, artfully abstracted from the shelves.
A double row of huge old poplars beside the narrow brook swayed and danced in the gales, rustled in the late spring breeze, stood spirelike heavy in July sunlight – a stock-in-trade of spires without churches left mysteriously behind by some mediaeval architect. Chestnut trees hung over the walks built on the old town walls. In late May after rain the sweet musty scent filled the lungs and nostrils, and sheets of white and pink petals hid the asphalt. In summer the tiled roofs of the old town were soft deep orange and red, speckled with lemon-coloured lichens. In winter the snow drifted down the streets and formed a tessellated pattern of white and black in the cobbled market-place. The sound of footsteps echoed in the deserted streets. The clock bells from the Norman tower, with its curious bulbous Dutch cupola, rang so leisurely, marking a fabulous Time.
Said the gardener:
“It’s a rum thing, Master George, them rabbits don’t drink, and they makes water; and the chickens don’t make water, but they drinks it.”
Insoluble problem, capricious decrees of Providence.
Confirmation classes.
“You’ll have to go and see old Squish.”
“What’s he say to you?”
“Oh, he gives you a lot of jaw, and asks you if you know any smut.”
In the School Chapel. Full-dress Preparation Class for Confirmation. The Head in academic hood and surplice entered the pulpit. Whispers sank to intimidated silence, dramatically prolonged by the hawk-faced man silently bullying the rows of immature eyes. Then in slow, deliberate, impressive tones:
“Within ten years one half of you boys will be DEAD!”
Moral:prepare to meet thy God, and avoid smut.
But did he know, that blind prophet?
Was he inspired, that stately hypocrite?
Like a moral vulture he leaned over and tortured his palpitating prey. Motionless in body, they writhed within, as he painted dramatically the penalties of Vice and Sin, drew pictures of Hell. But did he know? Did he know the hell they were going to within ten years, did he know how soon most of their names would be on the Chapel wall? How he must have enjoyed composing that inscription to those “who went forth unfalteringly, and proudly laid down their lives for King and Country”!
One part of the mystery was called SMUT. If you were smutty you went mad and had to go into a lunatic asylum. Or you “contracted a loathsome disease” and your nose fell off.
The