How different when she and Renny had taken Adeline to be photographed, at the age of two! It had been literally impossible to keep her quiet long enough to pose her. She had struggled to investigate everything in the studio. When they had tried to restrain her she had screamed. When the distraught photographer had brought out his most amusing toy to please her, she had been all too pleased, laughing immoderately, so that her very palate showed. She had laughed till she had wetted herself and Alayne, humiliated, had to carry her to the dressing room. There she had had an idea. Renny should hold the child on his knee to be photographed. He eagerly agreed to this, but Adeline was in a fever of excitement. She climbed all over him, hugging him, kissing him, shouting in glee. Of that lot of proofs not one had been worth finishing, though one pose had been so truly splendid of Renny that Alayne had felt a hot resentment at the grotesque little figure on his knee which, blurred and caricatured, had spoilt the picture. The one result from this terrible morning now stood in a silver frame on a table in the drawing room — an infant with a scowl, a too large nose, and an almost frightening resemblance to her great-grandmother.
Now looking at her Alayne felt that only a painter could do justice to her beauty, her creamy flower-petal skin, her hair of so rich and dark a red that its colour could only be compared to a rarely fine chestnut newly stripped of its sheath. This hair clustered in thick locks about her temples and nape, and seemed capable of expressing her very moods, seeming to rise and quiver when she was in a rage. Alayne remembered hearing Grandmother Whiteoak exclaim — “Eh, but my hair was my crowning glory when I was young!” She supposed it had been hair like this. She remembered the old lady showing a few rusty locks, whether of wig or dyed hair Alayne had never decided, beneath her impressive lace caps.
Adeline brandished the crop and shouted:
“Up, now — up, now, my pet! Over you go! Now — now — up!” She set her small mouth and stiffened her legs and back. Then, as once again the visionary steed balked, her face was contorted and she said, in a tense voice — “Damn you — you son of —”
Alayne did not let her complete the horrifying imprecation. She ran and snatched Adeline from the saddle and gave her a little shake.
“Baby, baby, you must not —” then she remembered that what she ought to do was to ignore the words, and faltered.
“Must not what?” asked Adeline inquisitively. There was an amused smile on her fine lips.
Alayne thought — “She sees through me. But I won’t let her get the best of me.” She answered — “You must not bounce and shout so. You will make yourself so hot. You will tire yourself out.”
Adeline turned from her with a swagger and threw her leg over the saddle. She had the power of rousing antagonism in Alayne. With just such a gesture as this she could make Alayne’s heart beat quicker, make her even desire a scene, but she spoke in a controlled voice.
“You must come now and have your hands washed. It is your dinnertime.”
“No,” returned Adeline curtly. She rose and sank now on her plump behind as though in a comfortable jog-trot. “Can’t stop,” she added.
Wragge, the houseman, now appeared and presented an evil-looking piece of paper on a silver plate. It was the fish dealer’s bill. It seemed to Alayne exorbitant, as it always did. She asked — “Is he waiting?”
“Noaw, madam. I told him there weren’t noaw use.” For the thousandth time the mingled deference and impudence of his manner infuriated Alayne. With her cheeks burning she turned her back on him and lifted Adeline from the saddle.
Either something in her mother’s face or the thought of her dinner prompted the child to acquiesce, but she objected to leaving the saddle behind.
“I must take it upstairs to my room.”
“Wragge,” said Alayne, “take that saddle away. I don’t know where it came from.”
“From the cupboard under the stairs ’m. That’s where the old mistress kep’ it. Liked it near ’er, she did. Many a time she ’ad me carry it into ’er room and she’d stroke it and sniff the smell of the leather. She was a grand rider in ’er day and no mistike.” Wragge spoke as though he had known old Mrs. Whiteoak in her years of strength though he had never seen her till she was past ninety, when Renny had brought him home after the War. Rags had been his batman. But this, thought Alayne, was his way of showing his intimacy with the affairs of the Whiteoaks, of making her feel an outsider whenever possible, she who had been married to two Whiteoaks, who had experienced heaven and hell in that fusty old house. She said tersely:
“Well put it away.”
With a sliding provocative glance at Adeline, he picked up the saddle. She raised her crop threateningly and glared up into his face. He backed away in exaggerated fear of a blow. Alayne could barely restrain an access of anger at them both.
She tore the riding crop from Adeline’s hands and put it into Wragge’s. She would have liked to strike him with it. “Put it and the saddle away,” she said sternly.
But the child now threw herself face down on the saddle, clutching it with arms and legs and indeed the whole of her strong little body and filling the air with her yells of rage. They sounded as though she were being strangled. For a moment Alayne and Wragge looked down on her with equal consternation.
Then a quick step crunched the gravel and Renny hurried toward them. He looked frightened.
“What’s the matter?” he demanded.
“Just ’er ’igh temper, sir,” answered Wragge, speaking before Alayne could. She made a peremptory sign and he reluctantly withdrew though she was sure he lingered just inside the hall.
The blind spaniel threw up his muzzle and howled but the Cairn puppy, darting to Adeline’s side, began to snuffle ecstatically against her face and in her thick tumbled hair. Her crying was stopped as if by magic and she rolled off the saddle and looked up into her father’s face.
She blinked her streaming eyes, her mouth changed miraculously from a square exit for howls to a very throne of laughter. Her dress was up to her armpits. The puppy took hold of her drawer leg and began to pull at it. She kicked delightedly and gurgled with laughter.
“I simply can’t do anything with her,” said Alayne. “Her behaviour is enough to ruin my nerves. I can’t enjoy flowers or have any peace for her. Look at her dress — fresh an hour ago. My head aches. Here is the fish dealer’s bill. Do take her up, if I touch her she screams.”
Renny took Adeline into his arms. His face was stern but he could not keep the tenderness out of his eyes when he looked at her, and nothing escaped her. She put both arms about his neck and planted her mouth on his. She gave him a long, fragrant kiss. Alayne shot a look of positive resentment at her plump back and picked up the saddle. With sweet placidity Adeline watched her carry it into the house, then gave a sidelong glance at her father. He said:
“Poor little Mother. You do upset her. Why are you so naughty?”
Adeline stroked his arched nose with her forefinger. “Am I good with you?” she asked.
“That has nothing to do with it. The question is, why are you naughty with her?”
“You are naughty with her too.”
He gave one of his sudden bursts of laughter and was still laughing when Alayne returned.
“I can’t help it,” he said apologetically. “She says such extraordinary things.”
“What sort of things?” asked Alayne coolly.
“Well, she says I am naughty with you too.”
“She has an instinct for hurting me.”
“What absolute nonsense!”
“It’s true.’’