Ukrainian, Russophone, (Other) Russian. Marco Puleri. Читать онлайн. Newlib. NEWLIB.NET

Автор: Marco Puleri
Издательство: Ingram
Серия: Postcolonial Perspectives on Eastern Europe
Жанр произведения: Философия
Год издания: 0
isbn: 9783631823675
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      Postcolonial Perspectives on Eastern Europe

      Edited by Alfred Gall, Mirja Lecke, and Dirk Uffelmann

       Advisory Board:

       Clare Cavanagh (Evanston, Ill.), Alexander Etkind (Florence),

       Marina Mogilner (Chicago, Ill.), Nikola Petković (Rijeka),

       Mykola Ryabchuk (Kyiv), Izabela Surynt (Wrocław)

      Volume 8

Zur Qualitätssicherung und Peer Reviewder vorliegenden Publikation Notes on the quality assuranceand peer review of this publication
Die Qualität der in dieser Reihe erscheinenden Arbeiten wird vor der Publikation durch die Herausgeber der Reihe sowie durch Mitglieder des Wissenschaftlichen Beirates geprüft. Prior to publication, the quality of the work published in this series is reviewed by the editors of the series and by members of the academic board

      Marco Puleri

       Ukrainian, Russophone, (Other) Russian

       Hybrid Identities and Narratives in Post-Soviet Culture and Politics

      Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available online at http://dnb.d-nb.de.

      Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress

      ISSN 2192-3469

       ISBN 978-3-631-81662-2 (Print)

       E-ISBN 978-3-631-82366-8 (E-PDF)

       E-ISBN 978-3-631-82367-5 (EPUB)

       E-ISBN 978-3-631-82368-2 (MOBI)

       DOI 10.3726/b17031

      © Peter Lang GmbH

       Internationaler Verlag der Wissenschaften

       Berlin 2020

       All rights reserved.

      Peter Lang – Berlin ∙ Bern ∙ Bruxelles ∙ New York ∙ Oxford ∙ Warszawa ∙ Wien

      All parts of this publication are protected by copyright. Any

       utilisation outside the strict limits of the copyright law, without

       the permission of the publisher, is forbidden and liable to

       prosecution. This applies in particular to reproductions,

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      This publication has been peer reviewed.

       www.peterlang.com

      About the author

      Marco Puleri is Research Fellow in the Department of Political and Social Sciences at the University of Bologna. His research interests include contemporary Russian and Ukrainian sociocultural developments and nation-building in the post-Soviet area.

      About the book

      What is the role and position of Russophone/Russian culture in Ukraine today? How can the dynamics of Ukrainian culture lend insight into the possibility of a global Russian culture, or multiple Russian cultures, in the contemporary world? The author responds to these questions by investigating the interplay between literature, politics, market, and identity in the contemporary Ukrainian cultural process (1991–2018). This book explores the contested encounters of the Russian language and culture with other languages, cultures, and traditions in the post-Soviet space, highlighting pressing contemporary issues related to—and affected by—political and social developments.

      This eBook can be cited

      This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.

      The idea of writing this book first came to my mind when in September 2018 I unexpectedly received an invitation to Berlin to join a workshop on “Russophone Literatures in the Post-Soviet Space” at the Center for East European and International Studies (ZOiS)—that would have then taken place six months later. In her email, Nina Frieß, the coordinator of the project, proposed to discuss the theoretical framework, aesthetics and topics of “Russophonia,” inviting junior and senior scholars with different regional research focuses (i.e. the Baltics, the Caucasus, Central Asia and Ukraine). My surprise—and enthusiastic reaction to the idea behind the project—was motivated by my previous academic experience in “Russophone Studies”: a highly unsystematic and “displaced” research field that first made me revolve around literary studies (namely, “Russian Studies” and “Ukrainian Studies”), and eventually led me to explore the broader cultural, social and political dynamics in Ukraine. To me this was a good sign for the further development of the field, and the long-awaited answer to the “global dispersion” of scholars involved in this extremely challenging research area.

      This book reflects almost ten years of research on “Ukrainian Russophonia.” It also incorporates and further develops some outcomes of my first monograph in Italian (Puleri 2016)—which resulted from my PhD in Slavic literatures at the University of Florence (2012–2015)—and other publications in scholarly journals (Puleri 2014; 2017b; 2018) and collected volumes (Puleri 2017a)—where I had the chance to further investigate social and political dynamics in Ukraine as a result of my post-doctoral fellowship (2015–2020) at the Department of Political Sciences of the University of Bologna. I am indebted to the editors for their reprint permission. These contributions have been further revisited in light of the latest social and political developments, and integrated with new research findings, in an attempt to reframe the debate on Ukrainian culture and politics in the broader post-Soviet (and global) struggle for meaning.

      I am proud that this volume is part of the pioneering book series Postcolonial Perspectives on Eastern Europe, and I wish first and foremost to thank the series editors for their support, thorough reading of the earlier versions of the manuscript, and insightful comments. Without their help, the volume would have never had its finished shape. In particular, I owe a debt of gratitude to Dirk Uffelmann, who has strongly believed in this book project since my initial proposal, and has patiently followed every aspect of its realization. Special thanks also go to the Institute of Advanced Studies in Köszeg (Hungary), that has generously subsidized and hosted the last stage of my research, and Alessandro Achilli, who has provided extensive and incisive feedback on the final draft of the manuscript.

      My own field research and life experience in Simferopol’, Kyiv, L’viv, Kharkiv, Donets’k, Dnipro and Odesa, where I lived for several weeks and months throughout 2010–19, gave me the opportunity to grasp the heterogeneous social and cultural dynamics in Ukraine. As a result of the research fellowship term at the Kyiv-Mohyla Academy (2013), and exchange fellowships at the Ivan Franko National University of L’viv (2018) and at the Odesa I. I. Mechnikov National University (2019), I had the chance to talk with several academics, literary actors and friends, which enriched my knowledge about Ukraine, taking an active part in the search for potential answers to the research questions included in this book. I would like to express my gratitude to them and also to all the people who have shared their insights on the issue in both the