The pageant made city news in the morning paper:
a photograph framed by the ratty proscenium
of the social hall, in which Mrs. Carrera
occupies the foreground, holding
her blue-and-red velveteen
needlepoint portrait of Kennedy
(her scapular of gratitude for America)
while the cast stands by height
in tiers behind her, and Tito out of sight
in the wings smokes in his folding chair,
a hand on the drapery cords, his feet
propped on the tiny canvas door he made for Alice.
A Private Place
I kept you buried in a shallow alley grave,
a hollowed dirt canoe, in which after having touched
your legs and breasts and shoulders,
I rolled you up like a sporting program—
a telescope or megaphone—through which I could
see or speak to you when you were gone.
I dug you up as often as I thought of you,
though sometimes I’d resist and so my giving in
was sweeter. And even now I remember
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