The Book Of Lists. David Wallechinsky. Читать онлайн. Newlib. NEWLIB.NET

Автор: David Wallechinsky
Издательство: Ingram
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Жанр произведения: Юмор: прочее
Год издания: 0
isbn: 9781847676672
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ASPHALT JUNGLE (1950, dir. John Huston) The jumbo, king-Hell noir to beat all noirs. A crime masterpiece told from the criminals’ point of view.

      7 GOODFELLAS (1990, dir. Martin Scorsese) Simply the best American movie ever made. Every word, every move, every inflection thoroughly believable. And funny – as only real mobsters can be.

      8 MEAN STREETS (1973, dir. Martin Scorsese) Scorsese’s breathtaking low-budget portrait of small-time hoods in Little Italy. It changed everything.

      9 THIEF (1981, dir. Michael Mann) An underrated classic. James Caan as a professional safecracker – just out of prison – trying to steal his way to a ‘normal’ life. Beautiful, grimly realistic, technically groundbreaking.

      10 THE LONG GOOD FRIDAY (1980, dir. John Mackenzie) Bob Hoskins owned this part. And yet a shatteringly good Helen Mirren still steals the movie. Brit-crime at its very very best.

      Stephen King’s 6 Scariest Scenes Ever Captured on Film

      The author of such bestselling novels of terror as Carrie, Salem’s Lot, Night Shift, The Stand, The Shining, The Dead Zone and Fire Starter, Stephen King is the modern master of the macabre. His style is highly visual, revealing an early and strong influence by film. Although he has probably instilled more fear in the hearts of readers than any other contemporary writer, he, too, has experienced chilling moments in the darkness of the cinema.

      1 WAIT UNTIL DARK (1967, Terence Young) The moment near the conclusion, when [Alan] Arkin jumps out at Audrey Hepburn, is a real scare.

      2 CARRIE (1976, Brian De Palma) The dream sequence at the end, when Sissy Spacek thrusts her hand out of the ground and grabs Amy Irving. I knew it was coming and I still felt as if I’d swallowed a snowcone whole.

      3 I BURY THE LIVING (1958, Albert Band) In this almost-forgotten movie, there is a chilling sequence when [Richard] Boone begins to maniacally remove the black pins in the filled graveyard plots and to replace them with white pins.

      4 THE TEXAS CHAINSAW MASSACRE (1974, Tobe Hooper) The moment when the corpse seems to leap out of the freezer like a hideous jack-in-the-box.

      5 NIGHT OF THE LIVING DEAD (1968, George Romero) The scene where the little girl stabs her mother to death with a garden trowel in the cellar … ‘Mother, please, I can do it myself.’

      6 PSYCHO (1960, Alfred Hitchcock) The shower scene, of course.

      Source: Gabe Essoe, The Book of Movie Lists (Westport Arlington House, 1981)

      10 Movies That Were Part of History

      1 MANHATTAN MELODRAMA The film starred William Powell and Clark Gable as two street-wise city kids who grew up in opposite directions – one good, the other headed for the electric chair. The plot was old hat, even in 1934, but the film was enough to draw John Dillinger into the cinema with the ‘lady in red’. He had just left the cinema when the tipped-off G-men sprang their trap and killed him in the ensuing fight.

      2 GRAND ILLUSION Directed by pacifist Jean Renoir and starring Erich Von Stroheim, this movie was being shown when the German army marched into Vienna in 1938. Not surprisingly, Nazi stormtroopers invaded the cinema and confiscated the WWI anti-war classic in mid-reel.

      3 THE GREAT DICTATOR Produced by, directed by, and starring Charlie Chaplin in 1940, the movie was a brilliant political satire on Nazi Germany. Hitler ordered all prints of the film banned, but when curiosity got the better of him he had one brought in through Portugal and viewed it himself in complete privacy – not once, but twice. History does not record his views on the film.

      4 ROCK AROUND THE CLOCK This was a raucous celebration of rock’n’roll starring Bill Haley and his Comets. In London, its young audience took the message to heart in September of 1954. After seeing the film, more than 3,000 Teddy Boys left the cinema to stage one of the biggest riots in Britain up to that time.

      5 FOXFIRE Starring Jane Russell and Jeff Chandler, this film – a Universal production dealing with a dedicated mining engineer and his socialite wife – was playing in the tourist-section cinema of the Andrea Doria on the foggy night in July 1956 when the liner collided with the Stockholm. The film was in its last reel when the collision occurred. Fifty people lost their lives in the tragedy.

      6 CAN-CAN A 20th Century Fox production starring Frank Sinatra, Shirley MacLaine and Maurice Chevalier, it was just a little too lavish for the taste of Soviet Premier Nikita Khrushchev during his 1959 visit to the studio where it was being filmed. The Cold War heated up briefly when Khrushchev reacted with shocked indignation at the ‘perversity’ and ‘decadence’ of dancer MacLaine’s flamboyantly raised skirts.

      7 WAR IS HELL A double bill featuring two B-style war movies was playing at the Texas Theatre in Dallas, where Lee Harvey Oswald was captured after the assassination of John F. Kennedy in 1963. War Is Hell, starring Tony Russell, had just begun when Oswald called attention to himself by ducking into the cinema without paying the 90¢ admission. He was apprehended by the police amid the sound of onscreen gunfire.

      8 I AM CURIOUS YELLOW The Swedish film starring Lena Nyman as a sexually active political sociologist was a shocking sensation in 1969. On October 6, 1969, though, Jackie Onassis was the one making headlines after she allegedly gave a professional judo chop to a New York news photographer who took pictures of her leaving the cinema showing the film.

      9 MOHAMMED, MESSENGER OF GOD Directed by Moustapha Akkad, this picture, which purported to be an unbiased, authentic study, evoked the wrath of the Hanafi Muslim sect, which assumed that the film would depict the image of the Prophet, an act they consider blasphemous. Demanding that the film be withdrawn from the Washington, DC cinema where it was opening, small bands of Hanafi gunmen invaded the local city hall and two other buildings on March 10, 1977, killing one man and holding more than 100 hostages for two days before surrendering. Their protest turned out to be much ado about nothing. The Prophet was neither seen nor heard in the film; instead, actors addressed the camera as if it were the Prophet standing before them.

      10 THE DEER (GAVAZNHA) This Iranian film was being shown in the Cinema Rex cinema in Abadan, Iran, on August 19, 1977, when arsonists set fire to the building, killing at least 377 people (an additional 45 bodies were discovered later in the charred ruins, but these were not included in the official government totals). Police arrested 10 members of a Muslim extremist group that opposed the shah’s reforms and had been implicated in other cinema and restaurant fires. However, another version of this incident was sent to the authors by an eyewitness who claims that police chained shut the cinema doors and fended off the crowd outside with clubs and M16s. The fire department, only 10 minutes from the theatre, reportedly did not arrive until the fire had burned itself out. Surprisingly, this witness found most of the people had been burned to death in their seats.

      – R.S.

      William Friedkin’s 10 Favourite Movies

      Born August 29, 1935, in Chicago, Illinois, William Friedkin began his career in television and documentaries before moving to features. His early films include such diverse movies as Good Times (1967), starring Sonny and Cher, and The Birthday Party (1968), adapted from the Harold Pinter play. In 1971, Friedkin directed The French Connection, and became the youngest filmmaker in history to win the Best Director Oscar. In 1973, his adaptation of William Peter Blatty’s horror novel The Exorcist became one of the most successful and controversial films in the history of cinema. His other films include Sorcerer (1977), Cruising (1980), To Live and Die in L. A. (1985), and The Hunted (2003). Friedkin is also a passionate classical music and opera fan, and has directed productions of Alban Berg’s Wozzeck in 1998 and Richard Wagner’s Tannhäuser in 2004. He lives in Los Angeles, California, with his wife, producer Sherry Lansing.

      1 Citizen Kane (Orson Welles)

      2 All About Eve (Joseph C. Mankiewicz)

      3 The Treasure of the Sierra Madre (John Huston)

      4 Singin’