With the reading of that letter my public debating about the Vermont horror permanently ended. Arguments from opponents remained unanswered or put off with promises, and eventually the controversy petered out into oblivion. During late May and June I was in constant correspondence with Akeley; though once in a while a letter would be lost, so that we would have to retrace our ground and perform considerable laborious copying. What we were trying to do, as a whole, was to compare notes in matters of obscure mythological scholarship and arrive at a clearer correlation of the Vermont horrors with the general body of primitive world legend.
For one thing, we virtually decided that these morbidities and the hellish Himalayan Mi-Go were one and the same order of incarnated nightmare. There were also absorbing zoölogical conjectures, which I would have referred to Professor Dexter in my own college but for Akeley’s imperative command to tell no one of the matter before us. If I seem to disobey that command now, it is only because I think that at this stage a warning about those farther Vermont hills—and about those Himalayan peaks which bold explorers are more and more determined to ascend—is more conducive to public safety than silence would be. One specific thing we were leading up to was a deciphering of the hieroglyphics on that infamous black stone—a deciphering which might well place us in possession of secrets deeper and more dizzying than any formerly known to man.
Chapter III
Toward the end of June the phonograph record came—shipped from Brattleboro, since Akeley was unwilling to trust conditions on the branch line north of there. He had begun to feel an increased sense of espionage, aggravated by the loss of some of our letters; and said much about the insidious deeds of certain men whom he considered tools and agents of the hidden beings. Most of all he suspected the surly farmer Walter Brown, who lived alone on a run-down hillside place near the deep woods, and who was often seen loafing around corners in Brattleboro, Bellows Falls, Newfane, and South Londonderry in the most inexplicable and seemingly unmotivated way. Brown’s voice, he felt convinced, was one of those he had overheard on a certain occasion in a very terrible conversation; and he had once found a footprint or claw-print near Brown’s house which might possess the most ominous significance. It had been curiously near some of Brown’s own footprints—footprints that faced toward it.
So the record was shipped from Brattleboro, whither Akeley drove in his Ford car along the lonely Vermont back roads. He confessed in an accompanying note that he was beginning to be afraid of those roads, and that he would not even go into Townshend for supplies now except in broad daylight. It did not pay, he repeated again and again, to know too much unless one were very remote from those silent and problematical hills. He would be going to California pretty soon to live with his son, though it was hard to leave a place where all one’s memories and ancestral feelings centred.
Before trying the record on the commercial machine which I borrowed from the college administration building I carefully went over all the explanatory matter in Akeley’s various letters. This record, he had said, was obtained about 1 a.m. on the first of May, 1915, near the closed mouth of a cave where the wooded west slope of Dark Mountain rises out of Lee’s Swamp. The place had always been unusually plagued with strange voices, this being the reason he had brought the phonograph, dictaphone, and blank in expectation of results. Former experience had told him that May-Eve—the hideous Sabbat-night of underground European legend—would probably be more fruitful than any other date, and he was not disappointed. It was noteworthy, though, that he never again heard voices at that particular spot.
Unlike most of the overheard forest voices, the substance of the record was quasi-ritualistic, and included one palpably human voice which Akeley had never been able to place. It was not Brown’s, but seemed to be that of a man of greater cultivation. The second voice, however, was the real crux of the thing—for this was the accursed buzzing which had no likeness to humanity despite the human words which it uttered in good English grammar and a scholarly accent.
The recording phonograph and dictaphone had not worked uniformly well, and had of course been at a great disadvantage because of the remote and muffled nature of the overheard ritual; so that the actual speech secured was very fragmentary. Akeley had given me a transcript of what he believed the spoken words to be, and I glanced through this again as I prepared the machine for action. The text was darkly mysterious rather than openly horrible, though a knowledge of its origin and manner of gathering gave it all the associative horror which any words could well possess. I will present it here in full as I remember it—and I am fairly confident that I know it correctly by heart, not only from reading the transcript, but from playing the record itself over and over again. It is not a thing which one might readily forget!
(INDISTINGUISHABLE SOUNDS)
(A CULTIVATED MALE HUMAN VOICE)
…is the Lord of the Woods, even to… and the gifts of the men of Leng… so from the wells of night to the gulfs of space, and from the gulfs of space to the wells of night, ever the praises of Great Cthulhu, of Tsathoggua, and of Him Who is not to be Named. Ever Their praises, and abundance to the Black Goat of the Woods. Iä! Shub-Niggurath! The Goat with a Thousand Young!
(A BUZZING IMITATION OF HUMAN SPEECH)
Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!
(HUMAN VOICE)
And it has come to pass that the Lord of the Woods, being… seven and nine, down the onyx steps… (tri)butes to Him in the Gulf, Azathoth, He of Whom Thou hast taught us marv(els)… on the wings of night out beyond space, out beyond th… to That whereof Yuggoth is the youngest child, rolling alone in black aether at the rim…
(BUZZING VOICE)
…go out among men and find the ways thereof, that He in the Gulf may know. To Nyarlathotep, Mighty Messenger, must all things be told. And He shall put on the semblance of men, the waxen mask and the robe that hides, and come down from the world of Seven Suns to mock…
(HUMAN VOICE)
…(Nyarl)athotep, Great Messenger, bringer of strange joy to Yuggoth through the void, Father of the Million Favoured Ones, Stalker among…
(SPEECH CUT OFF BY END OF RECORD)
Such were the words for which I was to listen when I started the phonograph. It was with a trace of genuine dread and reluctance that I pressed the lever and heard the preliminary scratching of the sapphire point, and I was glad that the first faint, fragmentary words were in a human voice—a mellow, educated voice which seemed vaguely Bostonian in accent, and which was certainly not that of any native of the Vermont hills. As I listened to the tantalisingly feeble rendering, I seemed to find the speech identical with Akeley’s carefully prepared transcript. On it chanted, in that mellow Bostonian voice… “Iä! Shub-Niggurath! The Goat with a Thousand Young!…”
And then I heard the other voice. To this hour I shudder retrospectively when I think of how it struck me, prepared though I was by Akeley’s accounts. Those to whom I have since described the record profess to find nothing but cheap imposture or madness in it; but could they have heard the accursed thing itself, or read the bulk of Akeley’s correspondence (especially that terrible and encyclopaedic second letter), I know they would think differently. It is, after all, a tremendous pity that I did not disobey Akeley and play the record for others—a tremendous pity, too, that all of his letters were lost. To me, with my first-hand impression of the actual sounds, and with my knowledge of the background and surrounding circumstances, the voice was a monstrous thing. It swiftly followed the human voice in ritualistic response, but in my imagination it was a morbid echo winging its way across unimaginable abysses from unimaginable outer hells. It is more than two years now since I last ran off that blasphemous waxen cylinder; but at this moment, and at all other moments, I can still hear that feeble, fiendish buzzing as it reached me for the first time.
“Iä! Shub-Niggurath! The Black