FIGURE 14 EXTERNAL ROTATORS
External (lateral) rotation is performed by a group of six muscles that are situated under the gluteus maximus. The uppermost of these lateral rotaters, the piriformis, originates at the sacrum. The large sciatic nerve usually emerges from beneath the piriformis muscle. Sciatic pain is often caused by a chronically tight piriformis pressing onto the sciatic nerve.
The other five lateral rotators, the gemellus inferior and superior, the obturator internus and externus, and the quadratus femoris, originate at the posterior aspect of the ischium (lower posterior portion of the pelvis). All six lateral hip rotators insert into the greater trochanter of the femur.
Since the pelvis is suspended like a hammock by the lateral rotators, any irregularity between the two sides will result in the pelvis not being level. Lateral rotation is also performed as a secondary function by the gluteus maximus, the gluteus medius, the sartorius, the biceps femoris, the adductor magnus, the adductor brevis, and the psoas muscle.
Extend out through the heel and the bases of all toes of the left foot. Folding forward, make sure that you lift the heart toward the foot and keep the low back flat. Lengthen through the low back and let the buttocks spread. Do not hunch the shoulders. Lengthen the back of the neck. Practicing in this way, you might look stiffer, but also more elegant. Maintaining the inner integrity of the postures makes the practice far more effective. Hold this vinyasa, which constitutes the state of the asana, for five breaths.
Vinyasa Nine
Inhaling, lift the chest, still holding the foot. Exhaling, place your hands down. There are two ways to jump back:
• At count ten, lift the left leg up off the floor and hop back. This version demands a little more flexibility, but, as one can assist the jump back by pushing the floor away with the right foot, strengthwise it is not as taxing.
• Bring the right leg forward to Dandasana and jump back from there.
This makes for a cleaner lift and generates greater strength. It is therefore the preferred method to commence with.
Vinyasas Fourteen to Twenty
Repeat the posture on the left.
Janushirshasana A
HEAD-BEYOND-THE-KNEE POSTURE A
Drishti Toes
Janushirshasana A, like no other posture, combines the two main themes of the Primary Series — forward bending and hip rotation. Pashimottanasana and Baddha Konasana are the cardinal postures of these two actions. Janushirshasana A is in fact identical to performing Pashimottanasana on one leg and Baddha Konasana with the other. There may be more exhilarating postures in the sequence, but it is Janushirshasana A that most lets us experience the underlying principles of the first series.
Vinyasa Seven
Inhaling, jump through to Dandasana. Bend the knee and take the right thigh back, working toward creating a 90° angle between the thigh bones. This action, called abduction, hip flexion, and lateral rotation of the femur, is primarily performed by the sartorius muscle. Point and invert the right foot, as this aids subsequent medial rotation of the femur. Draw the right heel into the right groin, thus completely sealing the knee joint. Ideally the right heel would touch the right groin, but beginners may take some time to cultivate the necessary length in the quadriceps. This length needs to be gained in the previous posture, Triang Mukha Ekapada Pashimottanasana. We can now move the entire folded leg as a unity, minimizing friction in the knee joint.
Janushirshasana A
As you reach forward to take the left foot, the right thigh begins its countermovement, rolling forward (medial rotation). If possible, the left hand binds the right wrist. Inhaling, lift your heart and square your shoulders to the left foot. Lift through the entire front of the body while the shoulder blades flow down the back and the sit bones ground down.
ANATOMICAL FOCUS
The Buddha’s Lotus
Pointing the foot while executing Janushirshasana A allows the tibia to track the medial rotation of the femur until its front edge (it is a triangular bone) points down to the earth and the heel up to the sky. This fundamental movement can be applied in all lotus postures. It will lead to sitting in lotus posture with the heels and the soles of the feet facing upward, as in depictions of the Buddha. This is the anatomically correct position. The position adopted by many Westerners, in which the heels and soles face toward the abdomen, places undue strain on the knee joints.
To invert the foot at the same time as pointing it deepens the medial spiraling of the thigh, thereby deepening the lotus position. Combining these actions, create a vector of energy out from the groin. This counteracts the tendency for beginners to suck the thigh back into the hip, which shortens the adductors and creates an obstacle to opening the hips. All hip rotations require that the adductors are released and lengthened.
Lengthening along the insides of the thighs in Janushirshasana A loosens the adductors and reduces pressure on the knee. The knee gently draws down and back (abduction of the femur), increasing the length of the adductors.
Habitually short adductors (see figure 17, page 101) are observed in many Westerners. Our culture trains us to govern and to subdue nature; we place ourselves above nature. This is reflected in our habit of sitting on chairs — above the earth and removed from it. Asians and those of many other civilizations sat on the ground. This corresponded to a view in which humans are a part of nature and not its lord. And sitting on the ground leaves the hip joints open.
Vinyasa Eight
Exhaling, fold forward squarely over the inseam of the straight leg. The left leg and the torso follow the instructions for Pashimottanasana. The right foot points and inverts. The thigh rolls forward (rotates medially) and reaches back until a state of equilibrium is achieved. Every movement needs to contain its countermovement. In the present case the inward rotation of the thigh is terminated by a corresponding outward rotation, when the neutral state is reached. To prevent the excessive performance of a movement, receptivity is necessary to recognize the neutral state. Work for five breaths in the posture.