Occasionally they met Heise the harness-maker and his wife, with whom they had become acquainted. Then the evening was concluded by a four-cornered party in the Luxembourg, a quiet German restaurant under a theatre. Trina had a tamale and a glass of beer, Mrs. Heise (who was a decayed writing teacher) ate salads, with glasses of grenadine and currant syrups. Heise drank cocktails and whiskey straight, and urged the dentist to join him. But McTeague was obstinate, shaking his head. “I can't drink that stuff,” he said. “It don't agree with me, somehow; I go kinda crazy after two glasses.” So he gorged himself with beer and frankfurter sausages plastered with German mustard.
When the annual Mechanic's Fair opened, McTeague and Trina often spent their evenings there, studying the exhibits carefully (since in Trina's estimation education meant knowing things and being able to talk about them). Wearying of this they would go up into the gallery, and, leaning over, look down into the huge amphitheatre full of light and color and movement.
There rose to them the vast shuffling noise of thousands of feet and a subdued roar of conversation like the sound of a great mill. Mingled with this was the purring of distant machinery, the splashing of a temporary fountain, and the rhythmic jangling of a brass band, while in the piano exhibit a hired performer was playing upon a concert grand with a great flourish. Nearer at hand they could catch ends of conversation and notes of laughter, the noise of moving dresses, and the rustle of stiffly starched skirts. Here and there school children elbowed their way through the crowd, crying shrilly, their hands full of advertisement pamphlets, fans, picture cards, and toy whips, while the air itself was full of the smell of fresh popcorn.
They even spent some time in the art gallery. Trina's cousin Selina, who gave lessons in hand painting at two bits an hour, generally had an exhibit on the walls, which they were interested to find. It usually was a bunch of yellow poppies painted on black velvet and framed in gilt. They stood before it some little time, hazarding their opinions, and then moved on slowly from one picture to another. Trina had McTeague buy a catalogue and made a duty of finding the title of every picture. This, too, she told McTeague, as a kind of education one ought to cultivate. Trina professed to be fond of art, having perhaps acquired a taste for painting and sculpture from her experience with the Noah's ark animals.
“Of course,” she told the dentist, “I'm no critic, I only know what I like.” She knew that she liked the “Ideal Heads,” lovely girls with flowing straw-colored hair and immense, upturned eyes. These always had for title, “Reverie,” or “An Idyll,” or “Dreams of Love.”
“I think those are lovely, don't you, Mac?” she said.
“Yes, yes,” answered McTeague, nodding his head, bewildered, trying to understand. “Yes, yes, lovely, that's the word. Are you dead sure now, Trina, that all that's hand-painted just like the poppies?”
Thus the winter passed, a year went by, then two. The little life of Polk Street, the life of small traders, drug clerks, grocers, stationers, plumbers, dentists, doctors, spirit-mediums, and the like, ran on monotonously in its accustomed grooves. The first three years of their married life wrought little change in the fortunes of the McTeagues. In the third summer the branch post-office was moved from the ground floor of the flat to a corner farther up the street in order to be near the cable line that ran mail cars. Its place was taken by a German saloon, called a “Wein Stube,” in the face of the protests of every female lodger. A few months later quite a little flurry of excitement ran through the street on the occasion of “The Polk Street Open Air Festival,” organized to celebrate the introduction there of electric lights. The festival lasted three days and was quite an affair. The street was garlanded with yellow and white bunting; there were processions and “floats” and brass bands. Marcus Schouler was in his element during the whole time of the celebration. He was one of the marshals of the parade, and was to be seen at every hour of the day, wearing a borrowed high hat and cotton gloves, and galloping a broken-down cab-horse over the cobbles. He carried a baton covered with yellow and white calico, with which he made furious passes and gestures. His voice was soon reduced to a whisper by continued shouting, and he raged and fretted over trifles till he wore himself thin. McTeague was disgusted with him. As often as Marcus passed the window of the flat the dentist would mutter:
“Ah, you think you're smart, don't you?”
The result of the festival was the organizing of a body known as the “Polk Street Improvement Club,” of which Marcus was elected secretary. McTeague and Trina often heard of him in this capacity through Heise the harness-maker. Marcus had evidently come to have political aspirations. It appeared that he was gaining a reputation as a maker of speeches, delivered with fiery emphasis, and occasionally reprinted in the “Progress,” the organ of the club—“outraged constituencies,” “opinions warped by personal bias,” “eyes blinded by party prejudice,” etc.
Of her family, Trina heard every fortnight in letters from her mother. The upholstery business which Mr. Sieppe had bought was doing poorly, and Mrs. Sieppe bewailed the day she had ever left B Street. Mr. Sieppe was losing money every month. Owgooste, who was to have gone to school, had been forced to go to work in “the store,” picking waste. Mrs. Sieppe was obliged to take a lodger or two. Affairs were in a very bad way. Occasionally she spoke of Marcus. Mr. Sieppe had not forgotten him despite his own troubles, but still had an eye out for some one whom Marcus could “go in with” on a ranch.
It was toward the end of this period of three years that Trina and McTeague had their first serious quarrel. Trina had talked so much about having a little house of their own at some future day, that McTeague had at length come to regard the affair as the end and object of all their labors. For a long time they had had their eyes upon one house in particular. It was situated on a cross street close by, between Polk Street and the great avenue one block above, and hardly a Sunday afternoon passed that Trina and McTeague did not go and look at it. They stood for fully half an hour upon the other side of the street, examining every detail of its exterior, hazarding guesses as to the arrangement of the rooms, commenting upon its immediate neighborhood—which was rather sordid. The house was a wooden two-story arrangement, built by a misguided contractor in a sort of hideous Queen Anne style, all scrolls and meaningless mill work, with a cheap imitation of stained glass in the light over the door. There was a microscopic front yard full of dusty calla-lilies. The front door boasted an electric bell. But for the McTeagues it was an ideal home. Their idea was to live in this little house, the dentist retaining merely his office in the flat. The two places were but around the corner from each other, so that McTeague could lunch with his wife, as usual, and could even keep his early morning appointments and return to breakfast if he so desired.
However, the house was occupied. A Hungarian family lived in it. The father kept a stationery and notion “bazaar” next to Heise's harness-shop on Polk Street, while the oldest son played a third violin in the orchestra of a theatre. The family rented the house unfurnished for thirty-five dollars, paying extra for the water.
But one Sunday as Trina and McTeague on their way home from their usual walk turned into the cross street on which the little house was situated, they became promptly aware of an unwonted bustle going on upon the sidewalk in front of it. A dray was back against the curb, an express wagon drove away loaded with furniture; bedsteads, looking-glasses, and washbowls littered