The event is transferred by Saxo to the reign of King Fridlevus II. It should here be remarked that every important statement made by Saxo about this Fridlevus, on a closer examination, is found to be taken from the myth concerning Njord.
There were at that time twelve brothers, says Saxo, distinguished for courage, strength, and fine physical appearance. They were "widely celebrated for gigantic triumphs." To their trophies and riches many peoples had paid tribute. But the source from which Saxo received information in regard to Fridlevus' conflict with them did not mention more than seven of these twelve, and of these seven Saxo gives the names. They are called Bjorn, Asbjorn, Gunbjorn, &c. In all the names is found the epithet of the Asa-god Bjorn.
The brothers had had allies, says Saxo further, but at the point when the story begins they had been abandoned by them, and on this account they had been obliged to confine themselves on an island surrounded by a most violent stream which fell from the brow of a very high rock, and the whole surface of which glittered with raging foam. The island was fortified by a very high wall (præaltum vallum), in which was built a remarkable gate. It was so built that the hinges were placed near the ground between the sides of the opening in the wall, so that the gate turning thereon could, by a movement regulated by chains, be lowered and form a bridge across the stream.
Thus the gate is, at the same time, a drawbridge of that kind with which the Germans became acquainted during the war with the Romans already before the time of Tacitus (cp. Annal., iv. 51, with iv. 47). Within the fortification there was a most strange horse, and also a remarkably strong dog, which formerly had watched the herds of the giant Offotes. The horse was celebrated for his size and speed, and it was the only steed with which it was possible for a rider to cross the raging stream around the island fortress.
King Fridlevus now surrounds this citadel with his forces. These are arrayed at some distance from the citadel, and in the beginning nothing else is gained by the siege than that the besieged are hindered from making sallies into the surrounding territory. The citadel cannot be taken unless the above-mentioned horse gets into the power of Fridlevus. Bjorn, the owner of the horse, makes sorties from the citadel, and in so doing he did not always take sufficient care, for on one occasion when he was on the outer side of the stream, and had gone some distance away from his horse, he fell into an ambush laid by Fridlevus. He saved himself by rushing headlong over the bridge, which was drawn up behind him, but the precious horse became Fridlevus' booty. This was of course a severe loss to the besieged, and must have diminished considerably their sense of security. Meanwhile, Fridlevus was able to manage the matter in such a way that the accident served rather to lull them into increased safety. During the following night the brothers found their horse, safe and sound, back on the island. Hence it must have swum back across the stream. And when it was afterwards found that the dead body of a man, clad in the shining robes of Fridlevus, floated on the eddies of the stream, they took it for granted that Fridlevus himself had perished in the stream.
But the real facts were as follows: Fridlevus, attended by a single companion, had in the night ridden from his camp to the river. There his companion's life had to be sacrificed, in order that the king's plan might be carried out. Fridlevus exchanged clothes with the dead man, who, in the king's splendid robes, was cast into the stream. Then Fridlevus gave spur to the steed which he had captured, and rode through the eddies of the stream. Having passed this obstacle safely, he set the horse at liberty, climbed on a ladder over the wall, stole into the hall where the brothers were wont to assemble, hid himself under a projection over the hall door, listened to their conversation, saw them go out to reconnoitre the island, and saw them return, secure in the conviction that there was no danger at hand. Then he went to the gate and let it fall across the stream. His forces had, during the night, advanced toward the citadel, and when they saw the drawbridge down and the way open, they stormed the fortress and captured it.
The fact that we here have a transformation of the myth, telling how Njord at the head of the Vans conquered Asgard, is evident from the following circumstances:
(a) The conqueror is Fridlevus. The most of what Saxo relates about this Fridlevus is, as stated, taken from the myth about Njord, and told as history.
(b) The brothers were, according to Saxo, originally twelve, which is the well-established number of Odin's clansmen: his sons, and the adopted Asa-gods. But when the siege in question takes place, Saxo finds in his source only seven of the twelve mentioned as enclosed in the citadel beseiged by Fridlevus. The reason for the diminishing of the number is to be found in the fact that the adopted gods—Njord, Frey, and Ull—had left Asgard, and are in fact identical with the leaders of the besiegers. If we also deduct Balder and Hödr, who, at the time of the event, are dead and removed to the lower world, then we have left the number seven given. The name Bjorn, which they all bear, is an Asa epithet (Younger Edda, i. 553). The brothers have formerly had allies, but these have abandoned them (deficientibus a se sociis), and it is on this account that they must confine themselves within their citadel. The Asas have had the Vans and other divine powers as allies, but these abandon them, and the Asas must defend themselves on their own fortified ground.
(c) Before this the brothers have made themselves celebrated for extraordinary exploits, and have enjoyed a no less extraordinary power. They shone on account of their giganteis triumphis—an ambiguous expression which alludes to the mythic sagas concerning the victories of the Asas over Jotunheim's giants (gigantes), and nations have submitted to them as victors, and enriched them with treasures (trophæis gentium celebres, spoliis locupletes).
(d) The island on which they are confined is fortified, like the Asa citadel, by an immensely high wall (præaltum vallum), and is surrounded by a stream which is impassable unless one possesses a horse which is found among the brothers. Asgard is surrounded by a river belt covered with vaferflames, which cannot be crossed unless one has that single steed which um myrckvan beri visan vafrloga, and this belongs to the Asas.
(e) The stream which roars around the fortress of the brothers comes ex summis montium cacuminibus. The Asgard stream comes from the collector of the thunder-cloud, Eikthynir, who stands on the summit of the world of the gods. The kindled vaferflames, which did not suit an historical narration, are explained by Saxo to be a spumeus candor, a foaming whiteness, a shining froth, which in uniform, eddying billows everywhere whirl on the surface of the stream, (tota alvei tractu undis uniformiter turbidatis spumeus ubique candor exuberat).
(f) The only horse which was able to run through the shining and eddying foam is clearly one of the mythic horses. It is named along with another prodigy from the animal kingdom of mythology, viz., the terrible dog of the giant Offotes. Whether this is a reminiscence of Fenrir which was kept for some time in Asgard, or of Odin's wolf-dog Freki, or of some other saga-animal of that sort, we will not now decide.
(g) Just as Asgard has an artfully contrived gate, so has also the citadel of the brothers. Saxo's description of the gate implies that any person who does not know its character as a drawbridge, but lays violent hands on the mechanism which holds it in an upright position, falls, and is crushed under it. This explains the words of Fjölsvinnsmal about the gate to that citadel, within which Freyja-Menglad dwells: Fjöturr fastr verdr vid faranda hvern, er hana hefr frá hlidi.
(h) In the myth, it is Njord himself who removes the obstacle, "Odin's great gate," placed in his way. In Saxo's account, it is Fridlevus himself who accomplishes the same exploit.
(i) In Saxo's narration occurs an improbability, which is explained by the fact that he has transformed a myth into history. When Fridlevus