The Greek Philosophers (Vol.1&2). Alfred William Benn. Читать онлайн. Newlib. NEWLIB.NET

Автор: Alfred William Benn
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Жанр произведения: Философия
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isbn: 4064066060022
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and wide from land to land; his pages are filled with the fire and light, the music and movement of Nature in a Southern country. He leads before us in splendid procession the starry-kirtled night; the bright rulers that bring round winter and summer; the dazzling sunshine; the forked flashes of lightning; the roaring thunder; the white-winged snow-flakes; the rain descending on thirsty flowers; the sea now rippling with infinite laughter, now moaning on the shingle, growing hoary under rough blasts, with its eastern waves dashing against the new-risen sun, or, again, lulled to waveless, windless, noonday sleep; the volcano with its volleys of fire-breathing spray and fierce jaws of devouring lava; the eddying whorls of dust; the resistless mountain-torrent; the meadow-dews; the flowers of spring and fruits of summer; the evergreen olive, and trees that give leafy shelter from dogstar heat. For all this world of wonder and beauty Sophocles offers only a few meagre allusions to the phenomena presented by sunshine and storm. No poet has ever so entirely concentrated his attention on human deeds and human passions. Only the grove of Colônus, interwoven with his own earliest recollections, had power to draw from him, in extreme old age, a song such as the nightingale might have warbled amid those inviolable recesses where the ivy and laurel, the vine and olive gave a never-failing shelter against sun and wind alike. Yet even this leafy covert is but an image of the poet’s own imagination, undisturbed by outward influences, self-involved, self-protected, and self-sustained. Of course, we are only restating in different language what has long been known, that the epic element of poetry, before so prominent, was with Sophocles entirely displaced by the dramatic; but if Sophocles became the greatest dramatist of antiquity, it was precisely because no other writer could, like him, work out a catastrophe solely through the action of mind on mind, without any intervention of physical force; and if he possessed this faculty, it was because Greek thought as a whole had been turned inward; because he shared in the devotion to psychological studies equally exemplified by his younger contemporaries, Protagoras, Thucydides, and Socrates, all of whom might have taken for their motto the noble lines—

      ‘On earth there is nothing great but man,

      In man there is nothing great but mind.’

      We have said that Protagoras was a partisan of Nomos, or convention, against Nature. That was the conservative side of his character. Still, Nomos was not with him what it had been with the older Greeks, an immutable tradition indistinguishable from physical law. It was a human creation, and represented the outcome of inherited experience, admitting always of change for the better. Hence the vast importance which he attributed to education. This, no doubt, was magnifying his own office, for the training of youth was his profession. But, unquestionably, the feelings of his more liberal contemporaries went with him. A generation before, Pindar had spoken scornfully of intellectual culture as a vain attempt to make up for the absence of genius which the gods alone could give. Yet Pindar himself was always careful to dwell on the services rendered by professional trainers to the victorious athletes whose praises he sang, and there was really no reason why genius and culture should be permanently dissociated. A Themistocles might decide offhand on the questions brought before him; a Pericles, dealing with much more complex interests, already needed a more careful preparation.

      On the other hand, conservatives like Aristophanes continued to oppose the spread of education with acrimonious zeal. Some of their arguments have a curiously familiar ring. Intellectual pursuits, they said, were bad for the health, led to irreligion and immorality, made young people quite unlike their grandfathers, and were somehow or other connected with loose company and a fast life. This last insinuation was in one respect the very reverse of true. So far as personal morality went, nothing could be better for it than the change introduced by Protagoras from amateur to paid teaching. Before this time, a Greek youth who wished for something better than the very elementary instruction given at school, could only attach himself to some older and wiser friend, whose conversation might be very improving, but who was pretty sure to introduce a sentimental element into their relationship equally discreditable to both.70 A similar danger has always existed with regard to highly intelligent women, although it may have threatened a smaller number of individuals; and the efforts now being made to provide them with a systematic education under official superintendence will incidentally have the effect of saving our future Héloises and Julies from the tuition of an Abélard or a Saint-Preux.

      It was their habit of teaching rhetoric as an art which raised the fiercest storm of indignation against Protagoras and his colleagues. The endeavour to discover rules for addressing a tribunal or a popular assembly in the manner best calculated to win their assent had originated quite independently of any philosophical theory. On the re-establishment of order, that is to say of popular government, in Sicily, many lawsuits arose out of events which had happened years before; and, owing to the lapse of time, demonstrative evidence was not available. Accordingly, recourse was had on both sides to arguments possessing a greater or less degree of probability. The art of putting such probable inferences so as to produce persuasion demanded great technical skill; and two Sicilians, Corax and Tisias by name, composed treatises on the subject. It would appear that the new-born art was taken up by Protagoras and developed in the direction of increased dialectical subtlety. We are informed that he undertook to make the worse appear the better reason; and this very soon came to be popularly considered as an accomplishment taught by all philosophers, Socrates among the rest. But if Protagoras merely meant that he would teach the art of reasoning, one hardly sees how he could have expressed himself otherwise, consistently with the antithetical style of his age. We should say more simply that a case is strengthened by the ability to argue it properly. It has not been shown that the Protagorean dialectic offered exceptional facilities for maintaining unjust pretensions. Taken, however, in connexion with the humanistic teaching, it had an unsettling and sceptical tendency. All belief and all practice rested on law, and law was the result of a convention made among men and ultimately produced by individual conviction. What one man had done another could undo. Religious tradition and natural right, the sole external standards, had already disappeared. There remained the test of self-consistency, and against this all the subtlety of the new dialectic was turned. The triumph of Eristic was to show that a speaker had contradicted himself, no matter how his statements might be worded. Moreover, now that reference to an objective reality was disallowed, words were put in the place of things and treated like concrete realities. The next step was to tear them out of the grammatical construction, where alone they possessed any truth or meaning, each being simultaneously credited with all the uses which at any time it might be made to fulfil. For example, if a man knew one thing he knew all, for he had knowledge, and knowledge is of everything knowable. Much that seems to us tedious or superfluous in Aristotle’s expositions was intended as a safeguard against this endless cavilling. Finally, negation itself was eliminated along with the possibility of falsehood and contradiction. For it was argued that ‘nothing’ had no existence and could not be an object of thought.71

      VI.

       Table of Contents

      From utter confusion to extreme nihilism there was but a single step. This step was taken by Gorgias, the Sicilian rhetorician, who held the same relation towards western Hellas and the Eleatic school as that which Protagoras held towards eastern Hellas and the philosophy of Heracleitus. He, like his eminent contemporary, was opposed to the thinkers whom, borrowing a useful term from the nomenclature of the last century, we may call the Greek physiocrats. To confute them, he wrote a book with the significant title, On Nature or Nothing: maintaining, first, that nothing exists; secondly, that if anything exists, we cannot know it; thirdly, that if we know it, there is no possibility of communicating our knowledge to others. The first thesis was established by pushing the Eleatic arguments against movement and change a little further; the second by showing that thought and existence are different, or else everything that is thought of would exist; the third by establishing a similar incommensurability between words and sensations. Grote has attempted to show that Gorgias was only arguing against the existence of a noumenon underlying phenomena, such as all idealists deny. Zeller has, however, convincingly proved that Gorgias, in common with every other thinker before Plato, was ignorant of this distinction; Скачать книгу