The Greatest Works of Emma Orczy. Emma Orczy. Читать онлайн. Newlib. NEWLIB.NET

Автор: Emma Orczy
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 9788027245321
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— and that's what carries him through."

      Lord Antony, whose vocabulary was more limited than that of his friend, could only find an oath or two with which to show his admiration for his leader.

      "He wants you and Hastings to meet him at Calais," said Sir Andrew, more quietly, "on the 2nd of next month. Let me see! that will be next Wednesday."

      "Yes."

      "It is, of course, the case of the Comte de Tournay, this time; a dangerous task, for the Comte, whose escape from his chateau, after he had been declared a 'suspect' by the Committee of Public Safety, was a masterpiece of the Scarlet Pimpernel's ingenuity, is now under sentence of death. It will be rare sport to get HIM out of France, and you will have a narrow escape, if you get through at all. St. Just has actually gone to meet him — of course, no one suspects St. Just as yet; but after that . . . to get them both out of the country! I'faith, 'twill be a tough job, and tax even the ingenuity of our chief. I hope I may yet have orders to be of the party."

      "Have you any special instructions for me?"

      "Yes! rather more precise ones than usual. It appears that the Republican Government have sent an accredited agent over to England, a man named Chauvelin, who is said to be terribly bitter against our league, and determined to discover the identity of our leader, so that he may have him kidnapped, the next time he attempts to set foot in France. This Chauvelin has brought a whole army of spies with him, and until the chief has sampled the lot, he thinks we should meet as seldom as possible on the business of the league, and on no account should talk to each other in public places for a time. When he wants to speak to us, he will contrive to let us know."

      The two young men were both bending over the fire for the blaze had died down, and only a red glow from the dying embers cast a lurid light on a narrow semicircle in front of the hearth. The rest of the room lay buried in complete gloom; Sir Andrew had taken a pocket-book from his pocket, and drawn therefrom a paper, which he unfolded, and together they tried to read it by the dim red firelight. So intent were they upon this, so wrapt up in the cause, the business they had so much at heart, so precious was this document which came from the very hand of their adored leader, that they had eyes and ears only for that. They lost count of the sounds around them, of the dropping of the crisp ash from the grate, of the monotonous ticking of the clock, of the soft, almost imperceptible rustle of something on the floor close beside them. A figure had emerged from under one of the benches; with snake-like, noiseless movements it crept closer and closer to the two young men, not breathing, only gliding along the floor, in the inky blackness of the room.

      "You are to read these instructions and commit them to memory," said Sir Andrew, "then destroy them."

      He was about to replace the letter-case into his pocket, when a tiny slip of paper fluttered from it and fell on to the floor. Lord Antony stooped and picked it up.

      "What's that?" he asked.

      "I don't know," replied Sir Andrew.

      "It dropped out of your pocket just now. It certainly does not seem to be with the other paper."

      "Strange! — I wonder when it got there? It is from the chief," he added, glancing at the paper.

      Both stooped to try and decipher this last tiny scrap of paper on which a few words had been hastily scrawled, when suddenly a slight noise attracted their attention, which seemed to come from the passage beyond.

      "What's that?" said both instinctively. Lord Antony crossed the room towards the door, which he threw open quickly and suddenly; at that very moment he received a stunning blow between the eyes, which threw him back violently into the room. Simultaneously the crouching, snake-like figure in the gloom had jumped up and hurled itself from behind upon the unsuspecting Sir Andrew, felling him to the ground.

      All this occurred within the short space of two or three seconds, and before either Lord Antony or Sir Andrew had time or chance to utter a cry or to make the faintest struggle. They were each seized by two men, a muffler was quickly tied round the mouth of each, and they were pinioned to one another back to back, their arms, hands, and legs securely fastened.

      One man had in the meanwhile quietly shut the door; he wore a mask and now stood motionless while the others completed their work.

      "All safe, citoyen!" said one of the men, as he took a final survey of the bonds which secured the two young men.

      "Good!" replied the man at the door; "now search their pockets and give me all the papers you find."

      This was promptly and quietly done. The masked man having taken possession of all the papers, listened for a moment or two if there were any sound within "The Fisherman's Rest." Evidently satisfied that this dastardly outrage had remained unheard, he once more opened the door and pointed peremptorily down the passage. The four men lifted Sir Andrew and Lord Antony from the ground, and as quietly, as noiselessly as they had come, they bore the two pinioned young gallants out of the inn and along the Dover Road into the gloom beyond.

      In the coffee-room the masked leader of this daring attempt was quickly glancing through the stolen papers.

      "Not a bad day's work on the whole," he muttered, as he quietly took off his mask, and his pale, fox-like eyes glittered in the red glow of the fire. "Not a bad day's work."

      He opened one or two letters from Sir Andrew Ffoulkes' pocket-book, noted the tiny scrap of paper which the two young men had only just had time to read; but one letter specially, signed Armand St. Just, seemed to give him strange satisfaction.

      "Armand St. Just a traitor after all," he murmured. "Now, fair Marguerite Blakeney," he added viciously between his clenched teeth, "I think that you will help me to find the Scarlet Pimpernel."

      CHAPTER X

       IN THE OPERA BOX

       Table of Contents

      It was one of the gala nights at Covent Garden Theatre, the first of the autumn season in this memorable year of grace 1792.

      The house was packed, both in the smart orchestra boxes and in the pit, as well as in the more plebeian balconies and galleries above. Gluck's ORPHEUS made a strong appeal to the more intellectual portions of the house, whilst the fashionable women, the gaily-dressed and brilliant throng, spoke to the eye of those who cared but little for this "latest importation from Germany."

      Selina Storace had been duly applauded after her grand ARIA by her numerous admirers; Benjamin Incledon, the acknowledged favourite of the ladies, had received special gracious recognition from the royal box; and now the curtain came down after the glorious finale to the second act, and the audience, which had hung spell-bound on the magic strains of the great maestro, seemed collectively to breathe a long sigh of satisfaction, previous to letting loose its hundreds of waggish and frivolous tongues. In the smart orchestra boxes many well-known faces were to be seen. Mr. Pitt, overweighted with cares of state, was finding brief relaxation in to-night's musical treat; the Prince of Wales, jovial, rotund, somewhat coarse and commonplace in appearance, moved about from box to box, spending brief quarters of an hour with those of his more intimate friends.

      In Lord Grenville's box, too, a curious, interesting personality attracted everyone's attention; a thin, small figure with shrewd, sarcastic face and deep-set eyes, attentive to the music, keenly critical of the audience, dressed in immaculate black, with dark hair free from any powder. Lord Grenville — Foreign Secretary of State — paid him marked, though frigid deference.

      Here and there, dotted about among distinctly English types of beauty, one or two foreign faces stood out in marked contrast: the haughty aristocratic cast of countenance of the many French royalist EMIGRES who, persecuted by the relentless, revolutionary faction of their country, had found a peaceful refuge in England. On these faces sorrow and care were deeply writ; the women especially paid but little heed, either to the music or to the brilliant audience; no doubt their thoughts were far away with husband, brother, son maybe, still in peril, or lately succumbed to a cruel fate.

      Among