Ancient history has an air of antiquity. It should be more modern. It is written as if the spectator should be thinking of the backside of the picture on the wall, or as if the author expected that the dead would be his readers, and wished to detail to them their own experience. Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall a prey to the arch enemy. History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first? It has been so written for the most part, that the times it describes are with remarkable propriety called dark ages. They are dark, as one has observed, because we are so in the dark about them. The sun rarely shines in history, what with the dust and confusion; and when we meet with any cheering fact which implies the presence of this luminary, we excerpt and modernize it. As when we read in the history of the Saxons that Edwin of Northumbria "caused stakes to be fixed in the highways where he had seen a clear spring," and "brazen dishes were chained to them to refresh the weary sojourner, whose fatigues Edwin had himself experienced." This is worth all Arthur's twelve battles.
"Through the shadow of the world we sweep into the younger day:
Better fifty years of Europe than a cycle of Cathay."
Than fifty years of Europe better one New England ray!
Biography, too, is liable to the same objection; it should be autobiography. Let us not, as the Germans advise, endeavor to go abroad and vex our bowels that we may be somebody else to explain him. If I am not I, who will be?
But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon. Yet no era has been wholly dark, nor will we too hastily submit to the historian, and congratulate ourselves on a blaze of light. If we could pierce the obscurity of those remote years, we should find it light enough; only there is not our day. Some creatures are made to see in the dark. There has always been the same amount of light in the world. The new and missing stars, the comets and eclipses, do not affect the general illumination, for only our glasses appreciate them. The eyes of the oldest fossil remains, they tell us, indicate that the same laws of light prevailed then as now. Always the laws of light are the same, but the modes and degrees of seeing vary. The gods are partial to no era, but steadily shines their light in the heavens, while the eye of the beholder is turned to stone. There was but the sun and the eye from the first. The ages have not added a new ray to the one, nor altered a fibre of the other.
If we will admit time into our thoughts at all, the mythologies, those vestiges of ancient poems, wrecks of poems, so to speak, the world's inheritance, still reflecting some of their original splendor, like the fragments of clouds tinted by the rays of the departed sun; reaching into the latest summer day, and allying this hour to the morning of creation; as the poet sings:—
"Fragments of the lofty strain
Float down the tide of years,
As buoyant on the stormy main
A parted wreck appears."
These are the materials and hints for a history of the rise and progress of the race; how, from the condition of ants, it arrived at the condition of men, and arts were gradually invented. Let a thousand surmises shed some light on this story. We will not be confined by historical, even geological periods which would allow us to doubt of a progress in human affairs. If we rise above this wisdom for the day, we shall expect that this morning of the race, in which it has been supplied with the simplest necessaries, with corn, and wine, and honey, and oil, and fire, and articulate speech, and agricultural and other arts, reared up by degrees from the condition of ants to men, will be succeeded by a day of equally progressive splendor; that, in the lapse of the divine periods, other divine agents and godlike men will assist to elevate the race as much above its present condition.
But we do not know much about it.
Thus did one voyageur waking dream, while his companion slumbered on the bank. Suddenly a boatman's horn was heard echoing from shore to shore, to give notice of his approach to the farmer's wife with whom he was to take his dinner, though in that place only muskrats and kingfishers seemed to hear. The current of our reflections and our slumbers being thus disturbed, we weighed anchor once more.
As we proceeded on our way in the afternoon, the western bank became lower, or receded farther from the channel in some places, leaving a few trees only to fringe the water's edge; while the eastern rose abruptly here and there into wooded hills fifty or sixty feet high. The bass, Tilia Americana, also called the lime or linden, which was a new tree to us, overhung the water with its broad and rounded leaf, interspersed with clusters of small hard berries now nearly ripe, and made an agreeable shade for us sailors. The inner bark of this genus is the bast, the material of the fisherman's matting, and the ropes and peasant's shoes of which the Russians make so much use, and also of nets and a coarse cloth in some places. According to poets, this was once Philyra, one of the Oceanides. The ancients are said to have used its bark for the roofs of cottages, for baskets, and for a kind of paper called Philyra. They also made bucklers of its wood, "on account of its flexibility, lightness, and resiliency." It was once much used for carving, and is still in demand for sounding-boards of piano-fortes and panels of carriages, and for various uses for which toughness and flexibility are required. Baskets and cradles are made of the twigs. Its sap affords sugar, and the honey made from its flowers is said to be preferred to any other. Its leaves are in some countries given to cattle, a kind of chocolate has been made of its fruit, a medicine has been prepared from an infusion of its flowers, and finally, the charcoal made of its wood is greatly valued for gunpowder.
The sight of this tree reminded us that we had reached a strange land to us. As we sailed under this canopy of leaves we saw the sky through its chinks, and, as it were, the meaning and idea of the tree stamped in a thousand hieroglyphics on the heavens. The universe is so aptly fitted to our organization that the eye wanders and reposes at the same time. On every side there is something to soothe and refresh this sense. Look up at the tree-tops and see how finely Nature finishes off her work there. See how the pines spire without end higher and higher, and make a graceful fringe to the earth. And who shall count the finer cobwebs that soar and float away from their utmost tops, and the myriad insects that dodge between them. Leaves are of more various forms than the alphabets of all languages put together; of the oaks alone there are hardly two alike, and each expresses its own