The visitor pauses a moment to give my Lady an opportunity, but she says nothing. He then rises and replies, "Sir Leicester and Lady Dedlock, allow me to thank you for your attention and only to observe that I shall very seriously recommend my son to conquer his present inclinations. Good night!"
"Mr. Rouncewell," says Sir Leicester with all the nature of a gentleman shining in him, "it is late, and the roads are dark. I hope your time is not so precious but that you will allow my Lady and myself to offer you the hospitality of Chesney Wold, for to-night at least."
"I hope so," adds my Lady.
"I am much obliged to you, but I have to travel all night in order to reach a distant part of the country punctually at an appointed time in the morning."
Therewith the ironmaster takes his departure, Sir Leicester ringing the bell and my Lady rising as he leaves the room.
When my Lady goes to her boudoir, she sits down thoughtfully by the fire, and inattentive to the Ghost's Walk, looks at Rosa, writing in an inner room. Presently my Lady calls her.
"Come to me, child. Tell me the truth. Are you in love?"
"Oh! My Lady!"
My Lady, looking at the downcast and blushing face, says smiling, "Who is it? Is it Mrs. Rouncewell's grandson?"
"Yes, if you please, my Lady. But I don't know that I am in love with him—yet."
"Yet, you silly little thing! Do you know that he loves YOU, yet?"
"I think he likes me a little, my Lady." And Rosa bursts into tears.
Is this Lady Dedlock standing beside the village beauty, smoothing her dark hair with that motherly touch, and watching her with eyes so full of musing interest? Aye, indeed it is!
"Listen to me, child. You are young and true, and I believe you are attached to me."
"Indeed I am, my Lady. Indeed there is nothing in the world I wouldn't do to show how much."
"And I don't think you would wish to leave me just yet, Rosa, even for a lover?"
"No, my Lady! Oh, no!" Rosa looks up for the first time, quite frightened at the thought.
"Confide in me, my child. Don't fear me. I wish you to be happy, and will make you so—if I can make anybody happy on this earth."
Rosa, with fresh tears, kneels at her feet and kisses her hand. My Lady takes the hand with which she has caught it, and standing with her eyes fixed on the fire, puts it about and about between her own two hands, and gradually lets it fall. Seeing her so absorbed, Rosa softly withdraws; but still my Lady's eyes are on the fire.
In search of what? Of any hand that is no more, of any hand that never was, of any touch that might have magically changed her life? Or does she listen to the Ghost's Walk and think what step does it most resemble? A man's? A woman's? The pattering of a little child's feet, ever coming on—on—on? Some melancholy influence is upon her, or why should so proud a lady close the doors and sit alone upon the hearth so desolate?
Volumnia is away next day, and all the cousins are scattered before dinner. Not a cousin of the batch but is amazed to hear from Sir Leicester at breakfast-time of the obliteration of landmarks, and opening of floodgates, and cracking of the framework of society, manifested through Mrs. Rouncewell's son. Not a cousin of the batch but is really indignant, and connects it with the feebleness of William Buffy when in office, and really does feel deprived of a stake in the country—or the pension list—or something—by fraud and wrong. As to Volumnia, she is handed down the great staircase by Sir Leicester, as eloquent upon the theme as if there were a general rising in the north of England to obtain her rouge-pot and pearl necklace. And thus, with a clatter of maids and valets—for it is one appurtenance of their cousinship that however difficult they may find it to keep themselves, they MUST keep maids and valets—the cousins disperse to the four winds of heaven; and the one wintry wind that blows to-day shakes a shower from the trees near the deserted house, as if all the cousins had been changed into leaves.
Chapter XXIX.
The Young Man
Chesney Wold is shut up, carpets are rolled into great scrolls in corners of comfortless rooms, bright damask does penance in brown holland, carving and gilding puts on mortification, and the Dedlock ancestors retire from the light of day again. Around and around the house the leaves fall thick, but never fast, for they come circling down with a dead lightness that is sombre and slow. Let the gardener sweep and sweep the turf as he will, and press the leaves into full barrows, and wheel them off, still they lie ankle-deep. Howls the shrill wind round Chesney Wold; the sharp rain beats, the windows rattle, and the chimneys growl. Mists hide in the avenues, veil the points of view, and move in funeral-wise across the rising grounds. On all the house there is a cold, blank smell like the smell of a little church, though something dryer, suggesting that the dead and buried Dedlocks walk there in the long nights and leave the flavour of their graves behind them.
But the house in town, which is rarely in the same mind as Chesney Wold at the same time, seldom rejoicing when it rejoices or mourning when it mourns, excepting when a Dedlock dies—the house in town shines out awakened. As warm and bright as so much state may be, as delicately redolent of pleasant scents that bear no trace of winter as hothouse flowers can make it, soft and hushed so that the ticking of the clocks and the crisp burning of the fires alone disturb the stillness in the rooms, it seems to wrap those chilled bones of Sir Leicester's in rainbow-coloured wool. And Sir Leicester is glad to repose in dignified contentment before the great fire in the library, condescendingly perusing the backs of his books or honouring the fine arts with a glance of approbation. For he has his pictures, ancient and modern. Some of the Fancy Ball School in which art occasionally condescends to become a master, which would be best catalogued like the miscellaneous articles in a sale. As "Three high-backed chairs, a table and cover, long-necked bottle (containing wine), one flask, one Spanish female's costume, three-quarter face portrait of Miss Jogg the model, and a suit of armour containing Don Quixote." Or "One stone terrace (cracked), one gondola in distance, one Venetian senator's dress complete, richly embroidered white satin costume with profile portrait of Miss Jogg the model, one Scimitar superbly mounted in gold with jewelled handle, elaborate Moorish dress (very rare), and Othello."
Mr. Tulkinghorn comes and goes pretty often, there being estate business to do, leases to be renewed, and so on. He sees my Lady pretty often, too; and he and she are as composed, and as indifferent, and take as little heed of one another, as ever. Yet it may be that my Lady fears this Mr. Tulkinghorn and that he knows it. It may be that he pursues her doggedly and steadily, with no touch of compunction, remorse, or pity. It may be that her beauty and all the state and brilliancy surrounding her only gives him the greater zest for what he is set upon and makes him the more inflexible in it. Whether he be cold and cruel, whether immovable in what he has made his duty, whether absorbed in love of power, whether determined to have nothing hidden from him in ground where he has burrowed among secrets all his life, whether he in his heart despises the splendour of which he is a distant beam, whether he is always treasuring up slights and offences in the affability of his gorgeous clients—whether he be any of this, or all of this, it may be that my Lady had better have five thousand pairs of fashionable eyes upon her, in distrustful vigilance, than the two eyes of this rusty lawyer with his wisp of neckcloth and his dull black breeches tied with ribbons at the knees.
Sir Leicester sits in my Lady's room—that room in which Mr. Tulkinghorn read the affidavit in Jarndyce and Jarndyce—particularly complacent. My Lady, as on that day, sits before the fire with her screen in her hand. Sir Leicester is particularly complacent because he has found in