This gave her so much to think of that she began to be quite interested and feel that she was not sorry that she had come to Misselthwaite Manor. In India she had always felt hot and too languid to care much about anything. The fact was that the fresh wind from the moor had begun to blow the cobwebs out of her young brain and to waken her up a little.
She stayed out of doors nearly all day, and when she sat down to her supper at night she felt hungry and drowsy and comfortable. She did not feel cross when Martha chattered away. She felt as if she rather liked to hear her, and at last she thought she would ask her a question. She asked it after she had finished her supper and had sat down on the hearth-rug before the fire.
“Why did Mr. Craven hate the garden?” she said.
She had made Martha stay with her and Martha had not objected at all. She was very young, and used to a crowded cottage full of brothers and sisters, and she found it dull in the great servants’ hall down-stairs where the footman and upper-housemaids made fun of her Yorkshire speech and looked upon her as a common little thing, and sat and whispered among themselves. Martha liked to talk, and the strange child who had lived in India, and been waited upon by “blacks,” was novelty enough to attract her.
She sat down on the hearth herself without waiting to be asked.
“Art tha’ thinkin’ about that garden yet?” she said. “I knew tha’ would. That was just the way with me when I first heard about it.”
“Why did he hate it?” Mary persisted.
Martha tucked her feet under her and made herself quite comfortable.
“Listen to th’ wind wutherin’ round the house,” she said. “You could bare stand up on the moor if you was out on it to-night.”
Mary did not know what “wutherin’” meant until she listened, and then she understood. It must mean that hollow shuddering sort of roar which rushed round and round the house as if the giant no one could see were buffeting it and beating at the walls and windows to try to break in. But one knew he could not get in, and somehow it made one feel very safe and warm inside a room with a red coal fire.
“But why did he hate it so?” she asked, after she had listened. She intended to know if Martha did.
Then Martha gave up her store of knowledge.
“Mind,” she said, “Mrs. Medlock said it’s not to be talked about. There’s lots o’ things in this place that’s not to be talked over. That’s Mr. Craven’s orders. His troubles are none servants’ business, he says. But for th’ garden he wouldn’t be like he is. It was Mrs. Craven’s garden that she had made when first they were married an’ she just loved it, an’ they used to ‘tend the flowers themselves. An’ none o’ th’ gardeners was ever let to go in. Him an’ her used to go in an’ shut th’ door an’ stay there hours an’ hours, readin’ an’ talkin’. An’ she was just a bit of a girl an’ there was an old tree with a branch bent like a seat on it. An’ she made roses grow over it an’ she used to sit there. But one day when she was sittin’ there th’ branch broke an’ she fell on th’ ground an’ was hurt so bad that next day she died. Th’ doctors thought he’d go out o’ his mind an’ die, too. That’s why he hates it. No one’s never gone in since, an’ he won’t let any one talk about it.”
Mary did not ask any more questions. She looked at the red fire and listened to the wind “wutherin’.” It seemed to be “wutherin’” louder than ever.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for some one. She was getting on.
But as she was listening to the wind she began to listen to something else. She did not know what it was, because at first she could scarcely distinguish it from the wind itself. It was a curious sound — it seemed almost as if a child were crying somewhere. Sometimes the wind sounded rather like a child crying, but presently Mistress Mary felt quite sure that this sound was inside the house, not outside it. It was far away, but it was inside. She turned round and looked at Martha.
“Do you hear any one crying?” she said.
Martha suddenly looked confused.
“No,” she answered. “It’s th’ wind. Sometimes it sounds like as if some one was lost on th’ moor an’ wailin’. It’s got all sorts o’ sounds.”
“But listen,” said Mary. “It’s in the house — down one of those long corridors.”
And at that very moment a door must have been opened somewhere down-stairs; for a great rushing draft blew along the passage and the door of the room they sat in was blown open with a crash, and as they both jumped to their feet the light was blown out and the crying sound was swept down the far corridor so that it was to be heard more plainly than ever.
“There!” said Mary. “I told you so! It is some one crying — and it isn’t a grown-up person.”
Martha ran and shut the door and turned the key, but before she did it they both heard the sound of a door in some far passage shutting with a bang, and then everything was quiet, for even the wind ceased “wutherin’” for a few moments.
“It was th’ wind,” said Martha stubbornly. “An’ if it wasn’t, it was little Betty Butterworth, th’ scullery-maid. She’s had th’ toothache all day.”
But something troubled and awkward in her manner made Mistress Mary stare very hard at her. She did not believe she was speaking the truth.
Chapter 6
“There was Some One Crying — There was!”
The next day the rain poured down in torrents again, and when Mary looked out of her window the moor was almost hidden by gray mist and cloud. There could be no going out today.
“What do you do in your cottage when it rains like this?” she asked Martha.
“Try to keep from under each other’s feet mostly,” Martha answered. “Eh! there does seem a lot of us then. Mother’s a good-tempered woman but she gets fair moithered. The biggest ones goes out in th’ cow-shed and plays there. Dickon he doesn’t mind th’ wet. He goes out just th’ same as if th’ sun was shinin’. He says he sees things on rainy days as doesn’t show when it’s fair weather. He once found a little fox cub half drowned in its hole and he brought it home in th’ bosom of his shirt to keep it warm. Its mother had been killed nearby an’ th’ hole was swum out an’ th’ rest o’ th’ litter was dead. He’s got it at home now. He found a half-drowned young crow another time an’ he brought it home, too, an’ tamed it. It’s named Soot because it’s so black, an’ it hops an’ flies about with him everywhere.”
The time had come when Mary had forgotten to resent Martha’s familiar talk. She had even begun to find it interesting and to be sorry when she stopped or went away. The stories she had been told by her Ayah when she lived in India had been quite unlike those Martha had to tell about the moorland cottage which held fourteen people who lived in four little rooms and never had quite enough to eat. The children seemed to tumble about and amuse themselves like a litter of rough, good-natured collie puppies. Mary was most attracted by the mother and Dickon. When Martha told stories of what “mother” said or did they always sounded comfortable.
“If I had a raven or a fox cub I could play with it,” said Mary. “But I have nothing.”
Martha looked perplexed.
“Can tha’ knit?” she asked.
“No,”