It is not easy to determine how soon an atmosphere of legend gathered around the figure of ‘the Admirable Doctor;’ but undoubtedly it originated quite as much in his astrological errors as in his scientific experiments. Some of the myths of which he is the traditional hero belong to a very much earlier period, as, for instance, that of his Brazen Head, which appears in the old romance of ‘Valentine and Orson,’ as well as in the history of Albertus Magnus. Gower, too, in his ‘Confessio Amantis,’ relates how a Brazen Head was fabricated by Bishop Grosseteste. It was customary in those days to ascribe all kinds of marvels to men who obtained a repute for exceptional learning, and Bishop Grosseteste’s Brazen Head was as purely a fiction as Roger Bacon’s. This is Gower’s account:
‘For of the gretè clerk Grostest
I rede how busy that he was
Upon the clergie an head of brass
To forgè; and make it fortelle
Of suchè thingès as befelle.
And seven yerès besinesse
He laidè, but for the lachèsse3 Of half a minute of an hour ... He lostè all that he hadde do.’
Stow tells a story of a Head of Clay, made at Oxford in the reign of Edward II., which, at an appointed time, spoke the mysterious words, ‘Caput decidetur—caput elevabitur. Pedes elevabuntur supra caput.’ Returning to Roger Bacon’s supposed invention, we find an ingenious though improbable explanation suggested by Sir Thomas Browne, in his ‘Vulgar Errors’:
‘Every one,’ he says, ‘is filled with the story of Friar Bacon, that made a Brazen Head to speak these words, “Time is.” Which, though there went not the like relations, is surely too literally received, and was but a mystical fable concerning the philosopher’s great work, wherein he eminently laboured: implying no more by the copper head, than the vessel wherein it was wrought; and by the words it spake, than the opportunity to be watched, about the tempus ortus, or birth of the magical child, or “philosophical King” of Lullius, the rising of the “terra foliata” of Arnoldus; when the earth, sufficiently impregnated with the water, ascendeth white and splendent. Which not observed, the work is irrecoverably lost.... Now letting slip the critical opportunity, he missed the intended treasure: which had he obtained, he might have made out the tradition of making a brazen wall about England: that is, the most powerful defence or strongest fortification which gold could have effected.’
An interpretation of the popular myth which is about as ingenious and far-fetched as Lord Bacon’s expositions of the ‘Fables of the Ancients,’ of which it may be said that they possess every merit but that of probability!
Bacon’s Brazen Head, however, took hold of the popular fancy. It survived for centuries, and the allusions to it in our literature are sufficiently numerous. Cob, in Ben Jonson’s comedy of ‘Every Man in his Humour,’ exclaims: ‘Oh, an my house were the Brazen Head now! ’Faith, it would e’en speak Mo’ fools yet!’ And we read in Greene’s ‘Tu Quoque’:
‘Look to yourself, sir;
The brazen head has spoke, and I must have you.’
Lord Bacon used it happily in his ‘Apology to the Queen,’ when Elizabeth would have punished the Earl of Essex for his misconduct in Ireland:—‘Whereunto I said (to the end utterly to divert her), “Madam, if you will have me speak to you in this argument, I must speak to you as Friar Bacon’s head spake, that said first, ‘Time is,’ and then, ‘Time was,’ and ‘Time would never be,’ for certainly” (said I) “it is now far too late; the matter is cold, and hath taken too much wind.”’ Butler introduces it in his ‘Hudibras’:—‘Quoth he, “My head’s not made of brass, as Friar Bacon’s noddle was.”’ And Pope, in ‘The Dunciad,’ writes:—‘Bacon trembled for his brazen head.’ A William Terite, in 1604, gave to the world some verse, entitled ‘A Piece of Friar Bacon’s Brazen-head’s Prophecie.’ And, in our own time, William Blackworth Praed has written ‘The Chaunt of the Brazen Head,’ which, in his prose motto, he (in the person of Friar Bacon) addresses as ‘the brazen companion of his solitary hours.’
‘THE FAMOUS HISTORIE OF FRIAR BACON.’
Towards the end of the sixteenth century, the various legends which had taken Friar Bacon as their central figure were brought together in a connected form, and wrought, along with other stories of magic and sorcery, into a continuous narrative, which became immensely popular. It was entitled, ‘The Famous Historie of Friar Bacon: Conteyning the Wonderful Thinges that he Did in his Life; also the Manner of his Death; with the Lives and Deaths of the Two Conjurers, Bungye and Vandermast,’ and has been reprinted by Mr. Thoms, in his ‘Early English Romances.’
According to this entertaining authority, the Friar was ‘born in the West part of England, and was sonne to a wealthy farmer, who put him to the schoole to the parson of the towne where he was borne; not with intent that hee should turne fryer (as hee did), but to get so much understanding, that he might manage the better the wealth hee was to leave him. But young Bacon took his learning so fast, that the priest could not teach him any more, which made him desire his master that he would speake to his father to put him to Oxford, that he might not lose that little learning that he had gained.... The father affected to doubt his son’s capacity, and designed him still to follow the same calling as himself; but the student had no inclination to drive fat oxen or consort with unlettered hinds, and stole away to “a cloister” some twenty miles off, where the monks cordially welcomed him. Continuing the pursuit of knowledge with great avidity, he attained to such repute that the authorities of Oxford University invited him to repair thither. He accepted the invitation, and grew so excellent in the secrets of Art and Nature, that not England only, but all Christendom, admired him.’
There, in the seclusion of his cell, he made the Brazen Head on which rests his legendary fame.
‘Reading one day of the many conquests of England, he bethought himselfe how he might keepe it hereafter from the like conquests, and so make himselfe famous hereafter to all posterities. This, after great study, hee found could be no way so well done as one; which was to make a head of brasse, and if he could make this head to speake, and heare it when it speakes, then might hee be able to wall all England about with brasse.4 To this purpose he got one Fryer Bungey to assist him, who was a great scholar and a magician, but not to bee compared to Fryer Bacon: these two with great study and paines so framed a head of brasse, that in the inward parts thereof there was all things like as in a naturall man’s head. This being done, they were as farre from perfection of the worke as they were before, for they knew not how to give those parts that they had made motion, without which it was impossible that it should speake: many bookes they read, but yet coulde not finde out any hope of what they sought, that at the last they concluded to raise a spirit, and to know of him that which they coulde not attaine to by their owne studies. To do