Corliss could not help a humoring smile, which put Frona upon defence at once.
"Tell me, Vance, how did it feel? Have I not described it rightly? Were the symptoms yours? Did you not hold aloof and watch yourself play the brute?"
He remembered the momentary daze which came when he stunned the man with his fist, and nodded.
"And pride?" she demanded, inexorably. "Or shame?"
"A--a little of both, and more of the first than the second," he confessed. "At the time I suppose I was madly exultant; then afterwards came the shame, and I tossed awake half the night."
"And finally?"
"Pride, I guess. I couldn't help it, couldn't down it. I awoke in the morning feeling as though I had won my spurs. In a subconscious way I was inordinately proud of myself, and time and again, mentally, I caught myself throwing chests. Then came the shame again, and I tried to reason back my self-respect. And last of all, pride. The fight was fair and open. It was none of my seeking. I was forced into it by the best of motives. I am not sorry, and I would repeat it if necessary."
"And rightly so." Frona's eyes were sparkling. "And how did Mr. St. Vincent acquit himself?"
"He? . . . . Oh, I suppose all right, creditably. I was too busy watching my other self to take notice."
"But he saw you."
"Most likely so. I acknowledge my negligence. I should have done better, the chances are, had I thought it would have been of interest to you--pardon me. Just my bungling wit. The truth is, I was too much of a greenhorn to hold my own and spare glances on my neighbors."
So Corliss went away, glad that he had not spoken, and keenly appreciating St. Vincent's craft whereby he had so adroitly forestalled adverse comment by telling the story in his own modest, self-effacing way.
Two men and a woman! The most potent trinity of factors in the creating of human pathos and tragedy! As ever in the history of man, since the first father dropped down from his arboreal home and walked upright, so at Dawson. Necessarily, there were minor factors, not least among which was Del Bishop, who, in his aggressive way, stepped in and accelerated things. This came about in a trail-camp on the way to Miller Creek, where Corliss was bent on gathering in a large number of low-grade claims which could only be worked profitably on a large scale.
"I'll not be wastin' candles when I make a strike, savve!" the pocket-miner remarked savagely to the coffee, which he was settling with a chunk of ice. "Not on your life, I guess rather not!"
"Kerosene?" Corliss queried, running a piece of bacon-rind round the frying-pan and pouring in the batter.
"Kerosene, hell! You won't see my trail for smoke when I get a gait on for God's country, my wad in my poke and the sunshine in my eyes. Say! How'd a good juicy tenderloin strike you just now, green onions, fried potatoes, and fixin's on the side? S'help me, that's the first proposition I'll hump myself up against. Then a general whoop-la! for a week--Seattle or 'Frisco, I don't care a rap which, and then--"
"Out of money and after a job."
"Not on your family tree!" Bishop roared. "Cache my sack before I go on the tear, sure pop, and then, afterwards, Southern California. Many's the day I've had my eye on a peach of a fruit farm down there--forty thousand'll buy it. No more workin' for grub-stakes and the like. Figured it out long; ago,--hired men to work the ranch, a manager to run it, and me ownin' the game and livin' off the percentage. A stable with always a couple of bronchos handy; handy to slap the packs and saddles on and be off and away whenever the fever for chasin' pockets came over me. Great pocket country down there, to the east and along the desert."
"And no house on the ranch?"
"Cert! With sweet peas growin' up the sides, and in back a patch for vegetables--string-beans and spinach and radishes, cucumbers and 'sparagrass, turnips, carrots, cabbage, and such. And a woman inside to draw me back when I get to runnin' loco after the pockets. Say, you know all about minin'. Did you ever go snoozin' round after pockets? No? Then just steer clear. They're worse than whiskey, horses, or cards. Women, when they come afterwards, ain't in it. Whenever you get a hankerin' after pockets, go right off and get married. It's the only thing'll save you; and even then, mebbe, it won't. I ought 'a' done it years ago. I might 'a' made something of myself if I had. Jerusalem! the jobs I've jumped and the good things chucked in my time, just because of pockets! Say, Corliss, you want to get married, you do, and right off. I'm tellin' you straight. Take warnin' from me and don't stay single any longer than God'll let you, sure!"
Corliss laughed.
"Sure, I mean it. I'm older'n you, and know what I'm talkin'. Now there's a bit of a thing down in Dawson I'd like to see you get your hands on. You was made for each other, both of you."
Corliss was past the stage when he would have treated Bishop's meddling as an impertinence. The trail, which turns men into the same blankets and makes them brothers, was the great leveller of distinctions, as he had come to learn. So he flopped a flapjack and held his tongue.
"Why don't you waltz in and win?" Del demanded, insistently. "Don't you cotton to her? I know you do, or you wouldn't come back to cabin, after bein' with her, a-walkin'-like on air. Better waltz in while you got a chance. Why, there was Emmy, a tidy bit of flesh as women go, and we took to each other on the jump. But I kept a-chasin' pockets and chasin' pockets, and delayin'. And then a big black lumberman, a Kanuck, began sidlin' up to her, and I made up my mind to speak--only I went off after one more pocket, just one more, and when I got back she was Mrs. Somebody Else.
"So take warnin'. There's that writer-guy, that skunk I poked outside the Opera House. He's walkin' right in and gettin' thick; and here's you, just like me, a-racin' round all creation and lettin' matrimony slide. Mark my words, Corliss! Some fine frost you'll come slippin' into camp and find 'em housekeepin'. Sure! With nothin' left for you in life but pocketing!"
The picture was so unpleasant that Corliss turned surly and ordered him to shut up.
"Who? Me?" Del asked so aggrievedly that Corliss laughed.
"What would you do, then?" he asked.
"Me? In all kindness I'll tell you. As soon as you get back you go and see her. Make dates with her ahead till you got to put 'em on paper to remember 'em all. Get a cinch on her spare time ahead so as to shut the other fellow out. Don't get down in the dirt to her,--she's not that kind,--but don't be too high and mighty, neither. Just so-so--savve? And then, some time when you see she's feelin' good, and smilin' at you in that way of hers, why up and call her hand. Of course I can't say what the showdown'll be. That's for you to find out. But don't hold off too long about it. Better married early than never. And if that writer-guy shoves in, poke him in the breadbasket--hard! That'll settle him plenty. Better still, take him off to one side and talk to him. Tell'm you're a bad man, and that you staked that claim before he was dry behind the ears, and that if he comes nosin' around tryin' to file on it you'll beat his head off."
Bishop got up, stretched, and went outside to feed the dogs. "Don't forget to beat his head off," he called back. "And if you're squeamish about it, just call on me. I won't keep 'm waitin' long."
Chapter XIV
"Ah, the salt water, Miss Welse, the strong salt water and the big waves and the heavy boats for smooth or rough--that I know. But the fresh water, and the little